{"title":"12\"","description":null,"products":[{"product_id":"emil-amos-filmmusik-12","title":"Emil Amos \"Filmmusik\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eEMIL AMOS is not only the drummer of OM, GRAILS, LILACS \u0026amp; CHAMPAGNE, and singer and guitarist of HOLY SONS, but a true multi- instrumentalist. ‘Filmmusik’ is the first album he has ever issued under his own name. After a career that’s stretched over 50 records over the last 20 years on many esteemed underground labels (Drag City, Thrill Jockey, Temporary Residence, Southern, Robotic Empire, Neurot), Amos brings together all of his signature sonic styles under one record’s concept.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe vastly different sounds of his four bands are blended into one kaleidoscopic union that plays like a soundtrack to a very lonely and suspicious European suspense film from the 70’s. Two of the songs were actually featured in the film “\u003cem\u003eSuit of Lights\u003c\/em\u003e“, due for release next year.\u003c\/p\u003e\r\n\u003cp\u003eFans of \u003cstrong\u003eGRAILS\u003c\/strong\u003e get two moody piano ballads that were recorded for their new record „Chalice Hymnal“ and a track intended for use in a Chase Scene. \u003cstrong\u003eLILACS \u0026amp; CHAMPAGNE\u003c\/strong\u003e listeners get several tracks that didn’t fit onto their last LP, and \u003cstrong\u003eHOLY SONS\u003c\/strong\u003e fans get a couple vocal-driven songs like “\u003cem\u003eBed of Nails II\u003c\/em\u003e“, a song that’s been recorded many times and played live, but never released. The meticulously labored-over artwork was done by Eric Adrian Lee who is known for designing various re-issues for Morricone and Stelvio Cipriani for Death Waltz.\u003c\/p\u003e\r\n\u003cp\u003eAll in all, this is a real record-diggers fantasy LP!\u003c\/p\u003e","brand":"Emil Amos","offers":[{"title":"Black","offer_id":43863238705430,"sku":"170912","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Transparent Purple","offer_id":43863238738198,"sku":"170913","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/fb1ed112befd103a9624ff68ae191ce1.jpg?v=1670553329"},{"product_id":"llnn-wovoka-marks-traces-12","title":"LLNN \/ WOVOKA \"Marks \/ Traces\" 12\"","description":"\u003cp\u003eCopenhagen’s \u003cstrong\u003eLLNN\u003c\/strong\u003e have created “\u003cem\u003ea bleak soundtrack to a cinematic, post-apolocalyptic landscape, or indeed a grim and rainy Monday in June\u003c\/em\u003e“, TERRORIZER said about their stunning debut album „\u003cem\u003eLoss\u003c\/em\u003e“, which was released 1 year ago through Pelagic Records. The massively heavy, tightly-woven, sonic fabric that these 4 young Danes create has been critically acclaimed throughout the European press landscape.\u003c\/p\u003e\r\n\u003cp\u003eThe „\u003cem\u003eMarks\u003c\/em\u003e“ material which forms their part of this split album was written (and partially self- released) before „\u003cem\u003eLoss\u003c\/em\u003e“ – but the first scrunching riff of opening track „\u003cem\u003eThe Guardian\u003c\/em\u003e“, trudging along the simple and relentless drums until Christian Bonnesen’s truculent vocals take the song to the next level of blackened intensity, make it 100% clear that this material is in no way any less mature than the debut’s. Much like on „\u003cem\u003eLoss\u003c\/em\u003e“, the wavering drone synths that are effortlessly merged with a raw hardcore-driven darkness define the subtle idiosycratic nuances of \u003cstrong\u003eLLNN\u003c\/strong\u003e‘s very unsubtle, painfully overwhelming sound.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eWovoka’s musical volleys are both panoramically expansive and crushingly claustrophobic\u003c\/em\u003e“, LA WEEKLY wrote about these 4 dark souls from the West Coast. Emerging from a near 2-year slumber since debut album „\u003cem\u003eSaros\u003c\/em\u003e” saw the light of day, \u003cstrong\u003eWOVOKA\u003c\/strong\u003e are contributing one single 18- minute opus to this album, continuing right where \u003cstrong\u003eLLNN\u003c\/strong\u003e have left off. With compositions of truly epic proportions, which transcend the cliches of heavy music, the band has scorched their position in the Los Angeles underground as one of the most volatile, unrelenting acts in the area.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWOVOKA\u003c\/strong\u003e have understood that true heaviness lies in reduction – reduction of tempo, reduction of a musical idea to its core, to its bleak essence. Lyrically, „\u003cem\u003eTraces\u003c\/em\u003e“ is transgressing the nature of grief that comes from loss, in a fierce representation of the sheer emotional weight of fear, and the finality of greeting the end of one’s mortal coil.\u003c\/p\u003e\r\n\u003cp\u003eBelgian artist AMMO was comissioned to create the stunning artwork, which perfectly reflects the music on this release. The vinyl version comes with a hand-numbered 5-colour screen-print. Ltd. edition on brass \u0026amp; black wax, which looks like an impact crater.\u003c\/p\u003e","brand":"LLNN \/ WOVOKA","offers":[{"title":"Black","offer_id":43863250075926,"sku":"170951","price":9.0,"currency_code":"USD","in_stock":false},{"title":"Black \u0026 Brass","offer_id":43863250108694,"sku":"170952","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/64a4e4698f45dc19ee53e5e13f819f74.jpg?v=1670553876"},{"product_id":"bison-you-are-not-the-ocean-you-are-the-patient-12","title":"Bison \"You Are Not The Ocean You Are The Patient\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eYou are not the ocean.\u003c\/strong\u003e You do not orchestrate a beautiful cacophony of life and death, struggle and destruction, creation and dependance. You are not the sole reason for the existence of a nation of creatures to live and abide your stark and simple rules. You are not married to the moon. You do not allow the constellations to be your map. You do not destroy cities and drown their citizens. You do not embrace land’s golden hem as your child, with calm and tenderness. You do not crash and spray craggy shores with fury and passion. You are not unstoppable. You are not powerful. You are not necessary.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eYou are the patient.\u003c\/strong\u003e You are controlled. You are cared for, out of duty. You are maintained with medicines and examinations. You are met with cold hands and protocol. Your most intimate self is put on a form. You are questioned about pains and thoughts. You are dependent on those with knowledge. You are helpless. You are tired and bed ridden. You do no harm and you do not help. You are monitored and caged. You are kept away from others. You are contaminated. You are sick. You are keeping yourself sick. You do not know how to recover. You do not want to recover. You do not know what recovery is.\u003c\/p\u003e\r\n\u003cp\u003eVancouver metal veterans \u003cstrong\u003eBISON\u003c\/strong\u003e are making a devastating return with their brand new album titled „\u003cem\u003eYou Are Not The Ocean You Are The Patient\u003c\/em\u003e“; already a serious contender for the „album title of the year“ award. After 2012’s Lovelessness, the four-piece’s last album for Metal Blade Records, the band was joined by Shane Clark on bass, former lead guitarist of 3 INCHES OF BLOOD. The EP „\u003cem\u003e1000 Needles\u003c\/em\u003e“, released in 2014, already hinted at what to expect from their 5th full length album: a thundering opus of epic filth and splendor.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eIt was important that the songs fit together to tell a bit of a story\u003c\/em\u003e“, guitarist and vocalist James Farwell explains. „\u003cem\u003eA story of a new life and escaping the city, while still being tethered to it. Life is a constant fight, and though I have taken the fight to a more natural and beautiful place, that struggle still persists. This is an album of daily living. It is for everyone.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eWhile Lovelessness was recorded in Chicago by Sanford Parker (Yob, Pelican, Nachtmystium), the band decided to record this new album in their hometown, with long time friend Jesse Gander at Rain City Recorders. „\u003cem\u003eI wanted to also steep myself in music that was not necessarily heavy in the obvious sense, so I was listening to lots of blues while writing the album: Peter Green, Muddy Waters and Howlin Wolf. There was also lots of instrumental rock music playing on my long commutes to Vanceouver for work and rehearsals\u003c\/em\u003e“, James Farwell comments, and guitarist and vocalist Dan And adds: „\u003cem\u003eThe new songs still sound like ‘us,’ whatever that means, but we aren’t concerned with shying away from whatever influences creep up. The older we get and the longer we play together, the less we give a shit about trying to sound like anything in particular.\u003c\/em\u003e”\u003c\/p\u003e","brand":"Bison","offers":[{"title":"Black","offer_id":43863250501910,"sku":"170954","price":17.0,"currency_code":"USD","in_stock":true},{"title":"Silver \u0026 Ultra Clear w\/ Splatter","offer_id":43863250534678,"sku":"170955","price":20.5,"currency_code":"USD","in_stock":false},{"title":"Clear","offer_id":43863250567446,"sku":"247323","price":20.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/212ff74786bb30e9b8b7ae65cceea059.jpg?v=1670553890"},{"product_id":"cult-of-luna-raangest-ep-12","title":"Cult Of Luna \"Råångest EP\" 12\"","description":"\u003cp\u003e\u003cspan\u003eAfter \u003cstrong\u003eMONO\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e’s \"\u003cem\u003eTranscendental\u003c\/em\u003e\" EP, this is part 2 of the PELAGIC SPLIT SERIES.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCULT OF LUNA\u003c\/strong\u003e’s take on Fritz Lang’s \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eMetropolis \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003efilm, the 2-parts concept album \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eVertikal, I\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eII, \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003ehas been met with great enthusiasm in the heavy music world. Naturally, the band has had a busy schedule in the months following its 2013 release, playing extensive European tours with The Ocean and Lo!, and US tours with Katatonia and Intronaut, as well as organizing their self-curated London-based boutique music festival \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eBeyond The Redshift. \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eNo surprise that the now 6-piece had announced a longer pause after this, to focus on families and other priorites in life.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e… \u003cspan\u003enot all too long of a pause, though. While the band has been secretly working on another special project due for a 2016 release, there was some extra studio time left to record a cover song. \u003c\/span\u003e\u003cspan\u003eGuitar \u003c\/span\u003e\u003cspan\u003eplayer and main song writer Johannes Persson comments: \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI discovered Amebix pretty late but when I did it was like discovering a musical father I never knew I had. The monolith album was before it’s time and deserves much more recognition for being on the musical fore front. It’s harsh and bleak and was the soundtrack of last winter for me. To cover a song without bringing your own soul into it is completely useless in my opinion so we’ve taken a few liberties with it, hopefully without destroying the essence of it.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTHE OLD WIND\u003c\/strong\u003e, comprised of members of Breach and The Ocean, have not been playing shows after their performance at said CULT OF LUNA-curated \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eBeyond The Redshift\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e festival in 2014 – mainly because vocalist and guitarist Tomas Liljedahl moved out to LA, while the rest of the band remains located in Sweden and Germany. In February 2015, however, THE OLD WIND teamed up in Stockholm to rehearse and record the follow-up to 2013’s critically acclaimed \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eFeast On Your Gone\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e album at Gröndahl studios, due for a 2016 release through Pelagic Records. The 2 tracks on this split EP hint at the direction of things to come… raw, vile, cold, abrasive.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eSo how did the idea for a split EP came about? \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eWe’ve been a fan of the band since the Feast On Your Gone LP\u003c\/em\u003e\"\u003cem\u003e, \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003esays CULT OF LUNA’s Johannes Persson,\u003c\/span\u003e\u003cspan\u003e \"\u003cem\u003eand we played with Tomas back in ’99, when he was in Breach. We are from roughly the same area and originated from the same scene so it feels like the bands are connected in some way. Hopefully we’ll be able to take this northern whirlwind on the road sometime.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe title of the EP, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eRåångest\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e, means \"raw anxiety\" in Swedish. LA-based German artist Florian Bertmer drew the cover which perfectly reflects this state of mind… the sheer walls of well, from the perspective of someone trapped at the bottom of it.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eTracklist:\u003c\/p\u003e\r\n\u003cp\u003eside A: CULT OF LUNA - 1. Last Will And Testament\u003cbr\u003eside B: THE OLD WIND - 1. Wooden Scythe, 2. Daugthers Of Cleanse\u003c\/p\u003e","brand":"Cult Of Luna","offers":[{"title":"Black","offer_id":43863250698518,"sku":"171023","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/4302372cf5e6d1e33bc6442eef74361f.jpg?v=1670553900"},{"product_id":"mono-transcendental-ep-12","title":"Mono \"Transcendental EP\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eMONO\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e2 bands from very different cultural origins, Japan and Germany… yet spiritually akin and connected by many similarities: a cinematic approach to music, based on lengthy, escalating compositions… the fact that both bands have existed for more than 15 years and released multiple albums since their inception; that they have toured many times around the globe, visiting off-the-beaten-track territories like Siberia, New Zealand, South East Asia and South America; and finally their shared passion for double albums, such as \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e’s \"Heliocentric\" \/ \"Anthropocentric\", and \u003cstrong\u003eMONO\u003c\/strong\u003e’s \"The Last Dawn\" \/ \"Rays Of Darkness\".\u003c\/p\u003e\r\n\u003cp\u003eIt only makes sense that these two bands will now tour together – and release new music just in time for their extended European run, in form of a split LP. Two songs, only one by each band – but 24 minutes of new music altogether.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e’s contribution, a 13 minutes song entitled \u003cem\u003eThe Quiet Observer\u003c\/em\u003e, was inspired by Gaspard Noe’s controversial movie Enter The Void. The movie tells the story of a drug dealer getting shot in a Tokyo toilet while tripping on DMT, and entering what is referred to as the „intermediate state“ according to the Bardo Thodol, the Tibetan Book Of The Dead: the book, which has been a source of inspiration for many writers, artists and musicians from John Lennon to Aldous Huxley, describes a state immediately after a person’s death, when the intellect of the dead person must face its own illusions, in the form of peaceful and wrathful deities, in a protracted psychedelic experience. Only if it manages to expose these horrifying guises as products of its own imagination, can it escape the eternal cycle of rebirth. Noe leaves it open as to whether protagonist Oscar’s death and the following metaphysical experience are actually happening – or whether he is simply tripping…\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMONO\u003c\/strong\u003e address similar topics with their contribution, an 11-minutes song entitled Death in Reverse. The song serves as a trailer for the upcoming 9th \u003cstrong\u003eMONO\u003c\/strong\u003e album, which is scheduled for an early 2016 release through Pelagic Records. Guitarist and main song writer Takaakira Goto comments: \"\u003cem\u003eThe theme of this track is life and death and regeneration. Even when our bodies decay and decompose, our souls will prevail unchanged. Our bodies will act as seeds for the next generation, while our souls will journey together into our new eternal life. This is the story we want to explore with our next album, a portrayal of our journey through life towards death; from living out our lives proud and high, to bodies immolating, infused with precious memories… and through the vast, noisy tunnel of space, we become pure souls – a single drop of water in the fountain of life.\u003c\/em\u003e\"\u003c\/p\u003e\r\n\u003cp\u003eLA-based German cover artist Florian Bertmer was commissioned to transform these themes into cover art.\u003c\/p\u003e","brand":"Mono","offers":[{"title":"Black","offer_id":43863250796822,"sku":"171026","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Gaspar Noé Edition","offer_id":43863250829590,"sku":"515148","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b7c5a646652fb032fafad443d4212eb3.jpg?v=1751986997"},{"product_id":"llnn-loss-12","title":"LLNN \"Loss\" 12\"","description":"\u003cp\u003eWhen I first saw\u003cstrong\u003e LLNN\u003c\/strong\u003e live last year, at one of Berlin’s last true refuges of underground punk, the crusty „Koma F“ basement located right underneath the legendary Köpi squat, I felt reminded of watching pre- TRAGEDY outfit HIS HERO IS GONE many years ago, live in Bremen: a small crowd in a small room, the musicians standing among the audience on the floor, screaming in their faces. A small crowd exposed to an assault of abrasive guitars, fierce drum fills and ferocious vocals, crashing over them like a derailed freight train… the air saturated with vented frustration, hopelessness, despair and violence… a cathartic experience for the audience as much as for the musicians. And an utterly positive one.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLLNN\u003c\/strong\u003e have that same raw, vile, cold and crushingly destructive energy that I found so attractive as a teenager slowly getting involved with hardcore punk, that made me love bands like Rorschach, Groundwork, Neurosis, Absinthe, Unbroken or Breach.\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLoss\u003c\/em\u003e\", which was recorded live in the studio, sounds so dense and overwhelming that I was surprised to learn that \u003cstrong\u003eLLNN\u003c\/strong\u003e are a fairly new band, formed in Copenhagen in 2014 - but the members are veterans in the local hardcore and metal scene, and have played in internationally touring bands like THE PSYKE PROJECT. It is this experience that comes with the awareness that the true power of heaviness lies in simplicity: in reducing a musical idea to its (hard) core, to its essence, rather than overloading songs with trivial details that would only blur the mix.\u003c\/p\u003e\r\n\u003cp\u003eOne of the unexpected and outstanding elements on \"\u003cem\u003eLoss\u003c\/em\u003e\" are the apocalyptic wave synths, which take you on a journey back in time, back past NEUROSIS” „Souls At Zero“ era into the early 80s. \"\u003cem\u003eIt took us 7 months to find the right synths for the vision we were after\"\u003c\/em\u003e, comments drummer Rasmus G. Sejersen. \"\u003cem\u003eMy brother and I saw a lot of 80s sci-fi flicks to get into the right mood. It was a great creative period.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black","offer_id":43863250895126,"sku":"171028","price":17.0,"currency_code":"USD","in_stock":false},{"title":"Rapture Edition","offer_id":43863250927894,"sku":"509368","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/62c5828a6e08ab35d13079d90fc66607.jpg?v=1670553922"},{"product_id":"implore-depopulation-12","title":"Implore \"Depopulation\" 12\"","description":"\u003cp\u003eIt’s a bit hard to pin down where \u003cstrong\u003eIMPLORE\u003c\/strong\u003e are really from. The band members live mainly in Hamburg these days, but lead vocalist and bass player Gabriel Dubko was born in Argentina, and has lived in Barcelona, LA and Hamburg. This is where he met guitarist Daniel at the train station, after a gig at the legendary Rote Flora – squat, and this random encounter gave birth to \u003cstrong\u003eIMPLORE\u003c\/strong\u003e.\u003c\/p\u003e\r\n\u003cp\u003eA few weeks later, Heaven Shall Burn’s Christian Bass joined the band as a drummer, and this was the first line-up of the three-piece. Due to his commitments to HSB, Bass couldn’t record \u003cstrong\u003eIMPLORE\u003c\/strong\u003e’s first EP “Black Knell”, so Dubko got Suffocation’s Kevin Talley to track drums instead – not a 2nd rate replacement at all. „Black Knell“, released on July 4th 2014, was furiously celebrated in the grindcore and crust scene and instantly\u003c\/p\u003e\r\n\u003cp\u003eopened up a lot of doors and touring opportunities for the band. A European tour with Californian power-violence band ACxDC was getting booked at a time when IMPLORE had not even played a single show yet. The band stood their live-ground during this first tour, with shows opening for Nails and Festivals like Obscene Extreme \u0026amp; Fluff. More tours followed, and with Michael Pfeffer joining the band as a permanent live drummer, IMPLORE finally had a solid line-up.\u003c\/p\u003e\r\n\u003cp\u003e„Depopulation“ is the first album of this very young band, that in its less than 2 years of existence has already toured Europe several time, as well as the US and even Mexico. „I have never seen such a dedicated and passionate audience like in Monterey“, Dubko recalls, „we were treated like metal gods“. The band recorded with Earthship’s Jan Oberg at his Hidden Planet studios in Berlin, and Christian Bass from Heaven Shall Burn behind the drumkit once more. The album’s 16 tracks clock in at just under 30 minutes: „Depopulation“ has everything you want a solid grindcore album to have: gnarly riffs, super fast blast beat attacks, harsh, feisty vocals and that particular Swedish guitar tone we all love so much.\u003c\/p\u003e","brand":"Implore","offers":[{"title":"Black","offer_id":43863272751382,"sku":"244688","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/2841aa16666fc823a117e947ed6f9238.jpg?v=1670554469"},{"product_id":"klone-unplugged-12","title":"Klone \"Unplugged\" 12\"","description":"\u003cp\u003eIf the oftentimes unimaginative „\u003cem\u003eUnplugged\u003c\/em\u003e“ undertaking is to be interesting at all, it must not be done in a way that simply entails getting rid of any electric guitars, and playing the exact same songs and riffs on acoustic instruments. Klone have well understood this.\u003c\/p\u003e\r\n\u003cp\u003eTheir latest studio offering, 2015’s critically acclaimed \u003cem\u003eHere Comes The Sun\u003c\/em\u003e, which made it to #1 of leading German Prog magazine ECLIPSED’s „\u003cem\u003ealbum of the year\u003c\/em\u003e“ list, already opened the doors to a more staid and deliberate approach to music, based on spacious arrangements which give every single note plenty of room to linger and breathe.\u003c\/p\u003e\r\n\u003cp\u003eWhen the opportunity arose to open for \u003cstrong\u003eAnneke Van Giersbergen\u003c\/strong\u003e with an acoustic set, the band decided to take up the challenge and revisit their songs so that they would not just work, but truly shine within these new paradigms. Armelle Dousset, a well known local musician in the band’s hometown Poitiers, joined the band on accordion, percussion and piano for this endeavour.\u003c\/p\u003e\r\n\u003cp\u003eThe live performances to Anneke Van Giersbergen’s crowd in May 2016 were a huge success, and a completely different but not any less rewarding experience for both audience and the band itself, as compared to their non-acoustic shows at \u003cstrong\u003eRoadburn Festiva\u003c\/strong\u003el earlier this year, or opening for \u003cstrong\u003eDevin Townsend\u003c\/strong\u003e. It soon occured to the band that these new interpretations of their songs needed to be recorded properly.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eUnplugged\u003c\/em\u003e contains 9 songs taken off the last 2 albums \u003cem\u003eHere Comes The Sun\u003c\/em\u003e and 2012’s \u003cem\u003eThe Dreamer’s Hideaway\u003c\/em\u003e, recorded live at the Théâtre de la Coupe d’Or de Rochefort, as well as 2 studio tracks… including a stunning cover version of \u003cstrong\u003eDepeche Mode\u003c\/strong\u003e‘s People Are People. This album proves once more that Klone are „\u003cem\u003epossibly the best kep secret in France right now\u003c\/em\u003e“, as TOTAL GUITAR Magazine put it. Their music works equally well in two very different sonic realms – saturated with distortion, or completely without. And this can only be seen as the best possible compliment on the outstanding quality of their songwriting.\u003c\/p\u003e","brand":"Klone","offers":[{"title":"Black","offer_id":43863273537814,"sku":"247315","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/0289019be8a53a0b497f569519826517.jpg?v=1670554474"},{"product_id":"takaakira-taka-goto-classical-punk-and-echoes-under-the-beaucty-12","title":"Takaakira 'Taka' Goto \"Classical Punk and Echoes Under the Beaucty\" 12\"","description":"\u003cp\u003eTakaakira “Taka” Goto is a composer based in Tokyo, Japan, who is also known as the lead guitarist and composer for Japanese instrumental rock band \u003cstrong\u003eMONO.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eTaka’s first solo album\u003cstrong\u003e \u003c\/strong\u003e‘Classical Punk and Echoes Under the Beauty’ was originally written and recorded in 2003, but was never completed and ready for general release.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eI wasn’t actually thinking about sharing this album with anyone at the time. It didn’t sound like MONO, so I left it as a trail to my envisioned world, as my personal \u003c\/em\u003e\u003cem\u003ecollection“\u003c\/em\u003e, Taka explains. The tracks sank into oblivion as Taka focused on \u003cstrong\u003eMONO\u003c\/strong\u003e. Now, in 2015, they appear like a melancholic relict of the past… a relict much too precious and too authentic to be polished up – and hence, Taka decided to simply master these tracks, and to release them as they were, in their raw, slightly shop-worn beauty.\u003c\/p\u003e\r\n\u003cp\u003eMuch like the album title insinuates, his music carries the dignity and grandeur of classical music, with its big orchestrations of piano and strings… yet at the same time, there is the rawness and the high-energy impact of punk rock, with wails of electric guitars and shrouds of noise.\u003c\/p\u003e\r\n\u003cp\u003eTaka adopted his unique compositional style not only through his work with \u003cstrong\u003eMONO \u003c\/strong\u003ebut also through his experience in scoring for films such as \u003cem\u003eSnow Angels (2007), All God’s Children Can Dance (2010) \u003c\/em\u003eand the WOWOW TV Drama \u003cem\u003eKanata No Ko (2013).\u003c\/em\u003e\u003c\/p\u003e","brand":"Takaakira 'Taka' Goto","offers":[{"title":"Black","offer_id":43863273963798,"sku":"247318","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b5126a20ad1b21829fbe92acc5de8b94.jpg?v=1670554483"},{"product_id":"pg-lost-wang-wen-split-12","title":"Pg.lost \/ Wang Wen \"Split\" 12\"","description":"\u003cp\u003eSwedish instrumentalists PG.LOST received a lot of press attention because of an American individual who scored a record deal by using their music and pretending it was his own. It does make sense, as PG.LOST are an orchestra of the heart. No wonder that some get confused, and start mistaking their music for something private…\u003c\/p\u003e\r\n\u003cp\u003ePG.LOST is a Swedish band of many directions. Their sound is throbbing with great melancholy, but there is also a certain element of dirty rock n’ roll in it, as in the crushingly heavy closing section of monumental track \u003cem\u003eDesperdicio (Part II)\u003c\/em\u003e, or in the rough, roomy drum sound in general.\u003c\/p\u003e\r\n\u003cp\u003eFor this release, PG.LOST have teamed up with Chinese leading post-rock band WANG WEN, who have recently been awarded “best instrumental rock band in China” at the 2013 Midi Awards. WANG WEN are popular in their home country, but they have also played shows with MOGWAI and supported MONO on several European dates in 2012. WANG WEN counters PG.LOST’s fiery, outward-looking track with three subdued and inward-looking sketches.\u003c\/p\u003e\r\n\u003cp\u003eThis split 12″ vinyl record includes two 10-minute tracks by PG.Lost, and 3 tracks by Wang Wen. Mixed and mastered by Magnus Lindberg (Cult of Luna). Comes in a slick gatefold cover and in 2 different vinyl colors.\u003c\/p\u003e","brand":"Pg.lost \/ Wang Wen","offers":[{"title":"Brown","offer_id":43863277175062,"sku":"247321","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b133bd762bb8a43ae12c2517ac1c5551.jpg?v=1670554616"},{"product_id":"briqueville-ii-12","title":"BRIQUEVILLE \"II\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eB R I Q U E V I L L E\u003c\/strong\u003e is a band shrouded in mystery. On stage, they create an instrumental mantra of spooky guitars, modified field recordings and eery sampled chants. These meditative build-ups, based on the perseverant element of repetition, are contrasted with and ripped apart by sudden, unforeseeable outbursts of the purest and sheerest heaviness.\u003c\/p\u003e\r\n\u003cp\u003eThe black Nazgûl-robes and golden masks that all \u003cstrong\u003eB R I Q U E V I L L E\u003c\/strong\u003e members wear on stage give their presence the air of an occult ritual... but \u003cstrong\u003eB R I Q U E V I L L E\u003c\/strong\u003e are not chasing (a) GHOST; in fact they have worn their masks for 10 years plus, and even do so during rehearsals. The anonymity creates equality, and prevents a cult of personality... and makes it easier to swap out band members without anyone noticing.\u003c\/p\u003e\r\n\u003cp\u003eMembers of \u003cstrong\u003eB R I Q U E V I L L E\u003c\/strong\u003e were active in various other bands from the local jazz, electro and metal scene, when they met over 10 years ago in a school building, with the ambition to improvise around one single note. „\u003cem\u003eIn order to do this anonymously and have the audience concentrate on the music, we decided to play with masks\u003c\/em\u003e”, a band member explains. When they got out of the building after that session, they ran into an old man who told them a story of a son murdering his father right at the entrance of that school, many years ago. He pulled out a newspaper article to legitimize his story, before he disappeared.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eThat story stuck with us. We kept asking ourselves why someone would keep an article recounting a patricide in their wallets for seventy years. We couldn’t help but conclude this man we’d met must have been the son. Maybe our imagination was just doing overtime, but the grandparents of one of our band members confirmed the murder had happened... however, we were unable to trace the old man.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eThis ludicrous story has ever since served as inspiration for the band's pounding sound.\u003cbr\u003e It wasn't until 2014 that \u003cstrong\u003eB R I Q U E V I L L E\u003c\/strong\u003e released their self-titled debut album, four tracks that all conclude around the 10 minutes mark. Upon release, the band buried 20 copies at various locations across the country, and gradually released the coordinates on their facebook page, animating fans to dig them up from the soil. The idea was met with great enthusiasm among their quickly growing fanbase, and will be revisited and extended for the release of Briqueville's mesmerizing 2nd album, aptly titled „II“, which is to be released on September 29.\u003c\/p\u003e","brand":"BRIQUEVILLE","offers":[{"title":"Black","offer_id":43863277306134,"sku":"247453","price":19.0,"currency_code":"USD","in_stock":false},{"title":"Bone w\/ Forest Splatter","offer_id":43863277338902,"sku":"247454","price":20.5,"currency_code":"USD","in_stock":false},{"title":"Galaxy Edition","offer_id":43863277371670,"sku":"464562","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/9b6abba1c23f40055a678dac28f5adda.jpg?v=1670554627"},{"product_id":"lo-vestigial-12","title":"Lo! \"Vestigial\" 12\"","description":"\u003cp\u003eSydney's \u003cstrong\u003eLo!\u003c\/strong\u003e literally made a splash last year with the ingenius video clip for ORCA, directed by bass player Adrian Shapiro himself: The clip showed vocalist Sam Dillon as a vicious creature emerging from a vat of shiny pink goo, in front of an otherwise completely black background.\u003c\/p\u003e\r\n\u003cp\u003ePink in metal?\u003cbr\u003e The clip went viral over the love-it-or-hate-it discussion that followed hot on the heels... but even the haters had to admit that this clip, premiered via Noisey, Metal Hammer and Decibel, showed a truly outstanding and innovative approach to visual arts in heavy music.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLo!\u003c\/strong\u003e's 3rd full length album VESTIGIAL is next level. The songs are well-crafted and have a larger scope, the sound is heavy yet organic, there is a great harmonic density behind the stupefyingly heavy riffs and the band sounds tighter than ever before. One of the reasons might be that drummer Adrian Griffin, who had spent the last 7 years in Asia, moved back to Australia. “\u003cem\u003eThis time we had much more time to all be together as a band and really work on the songs properly instead of the last minute rush that usually happens. I think we all felt more connected now having Adrian back in the country\u003c\/em\u003e”, comments guitarist Carl Whitbread.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eLo! have come to remind you of glorious times, times when Mastodon were using samples of Jurassic Park to kick off their records\u003c\/em\u003e”, Metal Hammer (UK) wrote about the band's debut album LOOK AND BEHOLD. And in fact, song titles like MEGAFAUNA or HALL OF EXTINCT MAMMALS show that \u003cstrong\u003eLo!\u003c\/strong\u003e have always been interested in man’s relationship with the natural world. Themes of extinction, circuses and animal exploitation were explored on the band's 2015 EP THE TONGUELESS -- “\u003cem\u003e...so it was a nice lead in to where we are at now on VESTIGIAL, with a revisit of the outro from the EP as the intro on Album 3\u003c\/em\u003e”, vocalist Sam Dillon comments.\u003c\/p\u003e\r\n\u003cp\u003eA world where politics resemble black comedies, where guns have become an aspect of culture and where addiction to technology is the norm is at the lyrical heart of VESTIGIAL. “\u003cem\u003eThere are several repeated characters throughout the album; the JUDAS STEER, the LOCUST CHRIST... these are anti heroes, the wolves among sheep figuratively. The ghastly Donald Trumps, The Kim Jun Oungs, the extremists and ignorant tyrants of our modern lives\u003c\/em\u003e”, comments Dillon.\u003c\/p\u003e\r\n\u003cp\u003eAfter a European tour supporting Cult Of Luna in 2013, including a performance at Roadburn Festival, the band will be back in Europe this October to present VESTIGIAL.\u003c\/p\u003e","brand":"Lo!","offers":[{"title":"Black","offer_id":43863277633814,"sku":"248961","price":18.5,"currency_code":"USD","in_stock":true},{"title":"Bone","offer_id":43863277666582,"sku":"248962","price":21.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/5fdc91b8bd5e75a34eaeac3404d8e5a4.jpg?v=1670554649"},{"product_id":"spook-the-horses-people-used-to-live-here-12","title":"Spook The Horses \"People Used To Live Here\" 12\"","description":"\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, from Wellington, New Zealand, are such a band. Maybe this multi- instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 3 albums: while 2011's debut album „Brighter“ was defined by sweet post-rock crescendos, 2015's „Rainmaker“ was a much heavier affair, that would appeal to fans of Cult Of Luna or Amen Ra.\u003c\/p\u003e\r\n\u003cp\u003e„People Used To Live Here“, in quiet stark contrast to the before mentioned, sees the band turn the distortion knobs way down, to a mildly saturated crunch tone, at most. “\u003cem\u003eWriting this album gave us the ability to experiment with song ideas we felt weren’t appropriate on our previous albums\u003c\/em\u003e“, Zach Meech comments.\u003c\/p\u003e\r\n\u003cp\u003eThe band's most daring effort to date, „People Used to Live Here“ explores the natural and immediate. Written and conceived in relative isolation over several grim Southern Hemisphere winters, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are defining their own sonic trademark with this album: an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eWe deliberately isolated ourselves when writing this album to force us out of our comfort zones\u003c\/em\u003e“, comments Callum Gay. „\u003cem\u003eMost of the songs began as completely improvised pieces that we slowly fleshed and developed over time. We wanted to make sure that immediacy was captured and conveyed in a way we’d never done before. There’s much less between us and the listener this time around\u003c\/em\u003e”.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e have supported Neurosis in New Zealand this spring. The band is planning to hit European shores in the spring of 2018.\u003c\/p\u003e","brand":"Spook The Horses","offers":[{"title":"Black","offer_id":43863280189718,"sku":"254338","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Clear w\/ Gold-Brass-Haze","offer_id":43863280222486,"sku":"254339","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/232797bc16228ea17bed0b3665ded14f.jpg?v=1670554792"},{"product_id":"arms-and-sleepers-find-the-right-place-12","title":"Arms and Sleepers \"Find the Right Place\" 12\"","description":"\u003cp\u003eThe American electronic music duo Mirza Ramic and Max Lewis have compiled an impressive discography of 26 releases in their 11 year history as \u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e. They have collaborated with dozens of prominent artists (Tom Brosseau of Fat Cat Records, Serengeti of Anticon, Philip Jamieson of Caspian, and Victor Ferreira of Sun Glitters, among others) and worked on numerous remixes (Caspian, Helios, Ef, From Indian Lakes, and many others). Their music has also been widely used in various TV, radio, and online media programming, including VICE and NPR.\u003c\/p\u003e\r\n\u003cp\u003eWhile Lewis lives in the US, Ramic is currently based in Europe, from where he has taken \u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e to stages across North \u0026amp; Central America, Europe and Asia mainly as a one-man show in recent years... the full live band lineup (trio) appears only on special occasions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e originated in the post-rock scene over a decade ago, and while they still occasionally perform at post-rock festivals like Dunk!, their music on recent releases has been transcending the narrow confines of that scene, oscillating more between “chilled hip-hop beats, glitching electronics and ambient progressions” (The Huffington Post) than the typical wailing delay guitars and drum crescendos. They have always been an act difficult to categorize.\u003c\/p\u003e\r\n\u003cp\u003e...comments Mirza Ramic about FIND THE RIGHT PLACE:\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eIn August 2017, Arms and Sleepers played a show in Durbe, Latvia, officially the smallest city in the entire country with a population of about 500. I was there with my close friend Victor Ferreira (of Sun Glitters, who also co-produced our last album), and the show was organized by another good friend, a promoter who I've known since 2011 and who's even performed live as part of Arms and Sleepers. With about 100 people packed into a tiny space, as I was doing my usual end-of-show Q\u0026amp;A with the audience, it dawned on me that after 11 years of actively being involved in the underground music scene, this was my place.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe music community that I’d been a part of had given me some of the most meaningful life experiences, memorable moments, and, most importantly, individuals that I now consider some of my closest friends. It was then fitting that we would use an image from that night as the album cover. Taken by Victor during my live performance, it's a small peak into the world of independent, underground culture. All of us there (yes, even the sleepy fellow in the image) seemed to have found the right place.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eOn one of the LP and CD artwork panels for our new album FIND THE RIGHT PLACE is a quote by the late Czech intellectual, politician, and artist Vaclav Havel. Knowing that his life was coming to an end, he spoke of leaving a mark on the world no matter how seemingly small and insignificant. For me, finding the right place in our lives is the only way to leave a mark on the world. We have to be comfortable with who we are and understand what our place in the world is in order to have a sense of finality and achievement when our limited time on earth draws to a close. Despite all the continual obstacles that an obscure, underground artist faces, after 11 years of doing Arms and Sleepers I have come to appreciate our place in the music world and all those around us that continue to engage with our work.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAs Havel writes, “All my life I have simply believed that what is once done can never be undone and that, in fact, everything remains forever. In short, Being has a memory.” Our collective memory—in small town venues in Latvia, unmarked industrial spaces in Hong Kong, or DIY parties in abandoned buildings in Guatemala—is something that we cherish with deep gratitude. FIND THE RIGHT PLACE has many themes flowing throughout it, but the most important one is that of the underground spirit which fuels our independent culture and thinking.\u003c\/em\u003e”\u003c\/p\u003e","brand":"Arms and Sleepers","offers":[{"title":"Black","offer_id":43863280550166,"sku":"262279","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Beer \u0026 Transparent Red Merge \/w Red \u0026 Bone Splatter","offer_id":43863280582934,"sku":"262280","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/6346d54ac01e3870dca8e186838c80df.jpg?v=1670554807"},{"product_id":"arms-and-sleepers-find-the-right-place-lathe-cut-12","title":"Arms and Sleepers \"Find The Right Place (Lathe Cut)\" 12\"","description":"\u003cp\u003eThe American electronic music duo Mirza Ramic and Max Lewis have compiled an impressive discography of 26 releases in their 11 year history as \u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e. They have collaborated with dozens of prominent artists (Tom Brosseau of Fat Cat Records, Serengeti of Anticon, Philip Jamieson of Caspian, and Victor Ferreira of Sun Glitters, among others) and worked on numerous remixes (Caspian, Helios, Ef, From Indian Lakes, and many others). Their music has also been widely used in various TV, radio, and online media programming, including VICE and NPR.\u003c\/p\u003e\r\n\u003cp\u003eWhile Lewis lives in the US, Ramic is currently based in Europe, from where he has taken \u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e to stages across North \u0026amp; Central America, Europe and Asia mainly as a one-man show in recent years... the full live band lineup (trio) appears only on special occasions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eARMS AND SLEEPERS\u003c\/strong\u003e originated in the post-rock scene over a decade ago, and while they still occasionally perform at post-rock festivals like Dunk!, their music on recent releases has been transcending the narrow confines of that scene, oscillating more between “chilled hip-hop beats, glitching electronics and ambient progressions” (The Huffington Post) than the typical wailing delay guitars and drum crescendos. They have always been an act difficult to categorize.\u003c\/p\u003e\r\n\u003cp\u003e...comments Mirza Ramic about FIND THE RIGHT PLACE:\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eIn August 2017, Arms and Sleepers played a show in Durbe, Latvia, officially the smallest city in the entire country with a population of about 500. I was there with my close friend Victor Ferreira (of Sun Glitters, who also co-produced our last album), and the show was organized by another good friend, a promoter who I've known since 2011 and who's even performed live as part of Arms and Sleepers. With about 100 people packed into a tiny space, as I was doing my usual end-of-show Q\u0026amp;A with the audience, it dawned on me that after 11 years of actively being involved in the underground music scene, this was my place.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eThe music community that I’d been a part of had given me some of the most meaningful life experiences, memorable moments, and, most importantly, individuals that I now consider some of my closest friends. It was then fitting that we would use an image from that night as the album cover. Taken by Victor during my live performance, it's a small peak into the world of independent, underground culture. All of us there (yes, even the sleepy fellow in the image) seemed to have found the right place.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eOn one of the LP and CD artwork panels for our new album FIND THE RIGHT PLACE is a quote by the late Czech intellectual, politician, and artist Vaclav Havel. Knowing that his life was coming to an end, he spoke of leaving a mark on the world no matter how seemingly small and insignificant. For me, finding the right place in our lives is the only way to leave a mark on the world. We have to be comfortable with who we are and understand what our place in the world is in order to have a sense of finality and achievement when our limited time on earth draws to a close. Despite all the continual obstacles that an obscure, underground artist faces, after 11 years of doing Arms and Sleepers I have come to appreciate our place in the music world and all those around us that continue to engage with our work.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAs Havel writes, “All my life I have simply believed that what is once done can never be undone and that, in fact, everything remains forever. In short, Being has a memory.” Our collective memory—in small town venues in Latvia, unmarked industrial spaces in Hong Kong, or DIY parties in abandoned buildings in Guatemala—is something that we cherish with deep gratitude. FIND THE RIGHT PLACE has many themes flowing throughout it, but the most important one is that of the underground spirit which fuels our independent culture and thinking.\u003c\/em\u003e”\u003c\/p\u003e","brand":"Arms and Sleepers","offers":[{"title":"Lathe Cut","offer_id":43863286776086,"sku":"262520","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/1489d3ffc87365c96d768465cb2943f0.jpg?v=1670555066"},{"product_id":"bison-one-thousand-needles-12","title":"Bison \"One Thousand Needles\" 12\"","description":"\u003cp\u003eVancouver's \u003cstrong\u003eBISON\u003c\/strong\u003e, formerly known as BISON B.C. made a devastating return this year with „\u003cem\u003eYou Are Not The Ocean You Are The Patient\u003c\/em\u003e“, a thundering opus of epic filth and splendor.\u003cbr\u003eThe album became „album of the month“ at VISIONS MAGAZINE, amongst much other critical acclaim.\u003c\/p\u003e\r\n\u003cp\u003eRight in time for their European headline tour around ROADBURN, DESERTFEST and DOOM OVER LEIPZIG FESTIVAL, we are re-issueing the band's previous EP „\u003cem\u003eOne Thousand Needles\u003c\/em\u003e“, originally self-released by the band in 2014.\u003c\/p\u003e\r\n\u003cp\u003eAfter 2012's Lovelessness, the four-piece's last album for Metal Blade Records, the band was joined by Shane Clark on bass, former lead guitarist of 3 INCHES OF BLOOD. „\u003cem\u003eOne Thousand Needles\u003c\/em\u003e“ is 2 heavy tracks that both exceed the 9-minutes mark, driven by relentlessly heavy riffs, bluesy guitar solos, organic tempo changes and angry vocals... raw and real.\u003c\/p\u003e","brand":"Bison","offers":[{"title":"Black","offer_id":43863287234838,"sku":"264444","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Solid White","offer_id":43863287267606,"sku":"264445","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/e7021cb4c84bb5ed6e41cb9ceca42e30.jpg?v=1670555093"},{"product_id":"llnn-deads-12","title":"LLNN \"Deads\" 12\"","description":"\u003cp\u003eCopenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e burst onto the international scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „\u003cem\u003eabsolute raging rawness\u003c\/em\u003e“, as Terrorizer put it. But there is more to \u003cstrong\u003eLLNN\u003c\/strong\u003e's sound than that: „\u003cem\u003ethe wavering drone synths that are effortlessly merged with a raw hardcore-driven darkness define the subtle idiosycratic nuances of \u003cstrong\u003eLLNN\u003c\/strong\u003e's very unsubtle, painfully overwhelming sound.\u003c\/em\u003e“ (The Sludgelord).\u003c\/p\u003e\r\n\u003cp\u003eAfter a split EP with LA's WOVOKA in the summer of 2017, \u003cstrong\u003eLLNN\u003c\/strong\u003e now return with their sophomore album, „Deads“, which evades all the pitfalls of the sophomore slump. Produced by Jacob Bredahl and mastered by Tue Madsen, „Deads“ is an erosive, abrasive, dystopian, apocalyptic monolith of monstrous dimensions.\u003c\/p\u003e\r\n\u003cp\u003eCompared to its predecessor, „Deads“ is more compact, yet more complex and organic all at the same time. The band has now perfectionized the amalgamization of the stringed instruments section (bass, guitar) with keys player Ketil Sejersen's very dominant 80's Sci- Fi movie-esque synth layers, which are inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo and Limbo.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSome of the synth sounds on the album consists of recordings from everyday sounds transformed into eerie soundscapes, for instance the sounds of boiling water“, drummer Rasmus G. Sejersen comments. „We wanted the soundscapes to be a persistent and dynamic underlay of sounds that influence the music's core and soul throughout the entire album, together with all the riffs, rhythms and vocals\u003c\/em\u003e“.\u003c\/p\u003e\r\n\u003cp\u003eIt doesn't come as a suprise that this band triggers the interest of movie soundtrack composers like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\r\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure. I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. \u003cstrong\u003eLLNN\u003c\/strong\u003e's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eNot much else to say, except this: \u003cstrong\u003eLLNN\u003c\/strong\u003e will be unleashing their custom take on contemporary post metal supporting Vancouver's BISON on their April European headline tour, including performances at ROADBURN, DESERT FEST (London) and PELAGIC FEST.\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black","offer_id":43863287333142,"sku":"264828","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/dd80205c79c8b09eea07ff9ea5894420.jpg?v=1670555103"},{"product_id":"lesser-glow-ruined-12","title":"Lesser Glow \"Ruined\" 12\"","description":"\u003cp\u003e\u003cem\u003eIn today’s world, there is an undeniable, ever-growing sea of noise. Like an ocean, it swirls together the sounds of humanity into a churning vat of anonymity, and we are drowning.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003eIt is from this abyss that \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e was born. A necessary change from the common kind, this Boston five-piece brings an undeniable heaviness, with lyrics and music coexisting in the same beautiful, dynamic and volatile space. Heavy but not excessive. Massive yet not gratuitous. Meticulous. Focused. Direct. Necessary.\u003c\/p\u003e\r\n\u003cp\u003eThe idea of LESSER GLOW grew as a response to the unrealistic progression of heavy music in recent years... generally feeling over-technical, over-produced and sometimes entirely fake.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eI was caught in a major 90s binge, listening to a bunch of stuff like Unsane and Failure, and feeling like that raw, palpable energy and songwriting was slipping away from modern heavy records\u003c\/em\u003e”, comments main songwriter and multi-instrumentalist Andrew Nault, who is not only the guitarist in \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e, but also session drummer for electro-post-hiphop outfit ARMS AND SLEEPERS. “\u003cem\u003eI was tired of genre-choked bands, and missed hearing songs instead of riff parades.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eThe lineup of the band came together organically, “\u003cem\u003ethough now the combination of individuals feels incredibly fortunate\u003c\/em\u003e”, comments Nault. The fact that all members are experienced professionals – engineers \u0026amp; session musicians – has certainly helped \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e to accomplish the simplicity that makes this record what it is: heavy.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eI tried to keep that simplicity in mind during the recording process, don't over play or worry about shredding to fill space\u003c\/em\u003e”, comments bass player Scott Conza. “\u003cem\u003eJust as important as choosing when to play, is choosing when not to play.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eWith their upcoming debut release “Ruined”, \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e rips open a massively wide and confident blend of traditional doom meets melodic metal, paired with the likes of hardcore, post hardcore, noise rock, post rock and beyond. Molding all these into one cohesive mix, \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e stand out as a refreshing and unapologetically brutal take on heavy music\u003c\/p\u003e","brand":"Lesser Glow","offers":[{"title":"Black","offer_id":43863289757974,"sku":"265669","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Transparent-Red-In-Beer","offer_id":43863289790742,"sku":"265670","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/2bfdbbea2ffa7dfd468c9d4bfc03394b.jpg?v=1670555254"},{"product_id":"arabrot-sinnerman-ep-12","title":"Årabrot \"Sinnerman EP\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eÅrabrot\u003c\/strong\u003e have recently finished recording their most astounding piece of True Norwegian Art Rock to date; “Who Do You Love”.\u003c\/p\u003e\r\n\u003cp\u003eAs a tastemaker for this long-anticipated successor to 2016's critically acclaimed „The Gospel“ album, the band is unleashing 2 tracks of the upcoming album up front, as an exclusive RECORD STORE DAY release... which coincidentally falls on the same date as their performance at ROADBURN FESTIVAL on April 21st.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eÅrabrot\u003c\/strong\u003e's sonic spectrum has always been a wide and wild field of purposeful mismatches, a world of friction between the noisy, the disharmonic, the tension, and rivalling moments of harmonic relief. But there is more than noise rock to Årabrot's formula.. there is „a dark, velveteen grace which feels derived from both pop and cabaret songwriting“ (The Quietus). „\u003cem\u003eI'm interested in feelings, either the very silent or the extremely noisy\u003c\/em\u003e“, band leader Kjetil Nernes comments. „\u003cem\u003eI don't care about what's in between, the middle of the road isn't my thing. The bible fits really well with that. I'm using it thematically all of the time.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eIt comes as no surprise that the singer and guitar player has established himself in a former church in the woods of Dalarna in rural Sweden, where he lives with his wife, piano player and singer Karin Park, and where his band now rehearses and records, surrounded by pianos, organs and hundreds of old bibles that the church left behind when the congregation stopped. The clerical environment has proven to be an excellent creative tapestry for a band whose lyrical focus orbits around sex, death and defiance.\u003c\/p\u003e\r\n\u003cp\u003eKjetil Nernes has made his own first hand experience with the topics he sings about. He was diagnosed with malignant throat cancer in 2014, in the middle of a tour. Instead of heading in for surgery right away, the band finished a full European tour first. „\u003cem\u003eEvery night of that tour was like the last show ever\u003c\/em\u003e“, Nernes comments. „\u003cem\u003eIt was really strange. When a doctor calls and says, 'you're terribly sick', it's surreal. You go into this phase where life is more vivid and more real, in a weird way. We've done so many shows through the years and sometimes it’s a little like going to the factory to do a job. But with an axe hanging over your head you perceive the world differently.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eAfter successfully recovering from cancer, \u003cstrong\u003eÅrabrot\u003c\/strong\u003e are now stronger than ever. The band has collaborated with procuders like Billy Anderson and Steve Albini, and musicians like Ted Parsons (Killing Joke\/Swans), Sunn O))))'s Stephen O’Malley, and Kvelertak's Erlend Hjelvik. They have composed music for silent movies like “Die Niebelungen” and “Doctor Caligari”, and have teamed up with The Quietus- founder John Doran on his spoken word tour. The previous full-length album “The Gospel”, was named “Album of the Year” in The Quietus. Get yourself ready to face the big question, to be dropped in September: WHO DO YOU LOVE?\u003c\/p\u003e","brand":"Årabrot","offers":[{"title":"Black","offer_id":43863291691286,"sku":"267472","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Ember Swathes","offer_id":43863292018966,"sku":"267473","price":19.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/f86ebe98623526bd71ea28fb757f5ed3.jpg?v=1670555271"},{"product_id":"the-ocean-rhyacian-picture-disc-12","title":"The Ocean \"Rhyacian Picture Disc\" 12\"","description":null,"brand":"The Ocean","offers":[{"title":"Picture Disc","offer_id":43863292674326,"sku":"267576","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/00ec9f605028eb718b3f7ade6e07e8de.jpg?v=1670555284"},{"product_id":"ancestors-suspended-in-reflections-12","title":"Ancestors \"Suspended in Reflections\" 12\"","description":"\u003cp\u003eLos Angeles’ \u003cstrong\u003eANCESTORS\u003c\/strong\u003e create mighty, modern music that dovetails slow, heavy riffs and atmospheric, melodic instrumental passages, exuding a deep sense of melancholy.\u003c\/p\u003e\r\n\u003cp\u003eSix years have passed since the band’s previous album, In Dreams and Time, which came at a transitional and difficult time in each of the band members' lives. In those six years, the band has slimmed down from a 5-piece to a 3-piece, also adding drummer (Daniel Pouliot of HORSE THE BAND and ex- SILVER SNAKES) to their ranks. This lineup has consciously taken their time in writing their 5th album. It was surely worth the wait: „Suspended in Reflections“ is a culmination of everything the band have accomplished thus far. It feels like \u003cstrong\u003eANCESTORS\u003c\/strong\u003e have finally arrived at their own, right place.\u003c\/p\u003e\r\n\u003cp\u003e„I think that as songwriters we've grown exponentially over the past six years“, comments guitarist and vocalist Justin Maranga... „but the most important change was the removal of ego from the writing and recording process. We tried to step out from behind our respective instruments to write the best album we could. We made a beautiful record as a team.“\u003c\/p\u003e\r\n\u003cp\u003eANCESTORS' soundscapes are slow and vast, melancholic, dreamy and heavy, all at the same time: fertile soil for venturing outside of the typical realms of rock and metal instrumentation. The jazzy bass lines in „Release“ and the proggy strings in „Into The Fall“ prove that the 3-piece is not confined to any specifc genre of music. The use of an Aeolian-Skinner church organ, however - an instrument with close to 1.941 pipes - woven throughout the album, is the proof that these\u003cbr\u003eexcursions are not blind experiments, but landmarks of a sonic path that this band has carefully chosen.\u003c\/p\u003e\r\n\u003cp\u003eIn their 11 years as a band, ANCESTORS has toured multiple times and played festivals in Europe, the US and Canada. The band will return to Europe in the fall of 2018.\u003c\/p\u003e","brand":"Ancestors","offers":[{"title":"Black","offer_id":43863292707094,"sku":"271607","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Ultraclear w\/ Splatter","offer_id":43863292739862,"sku":"271608","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Transparent Violet","offer_id":43863292772630,"sku":"271609","price":21.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/f894d35769b483ff0c0f0c87bc00197c.jpg?v=1670555291"},{"product_id":"arabrot-who-do-you-love-12","title":"Årabrot \"Who Do You Love\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eÅrabrot\u003c\/strong\u003e are set to return on 7th September with their most astounding piece of True Norwegian Art Rock to date; “Who Do You Love” on new home Pelagic Records.\u003c\/p\u003e\r\n\u003cp\u003eThe Norwegian grammy award winning band carry all the hallmarks of a sonic spectrum that has always been a wide and wild field of purposeful mismatches, a world of friction between the noisy, the disharmony and the tension, with rivalling moments of harmonic relief.\u003c\/p\u003e\r\n\u003cp\u003eBut there is more than noise rock to\u003cstrong\u003e Årabrot\u003c\/strong\u003e's formula, \"I'm interested in feelings, either the very silent or the extremely noisy“, band leader Kjetil Nernes comments. 'I don't care about what's in between, the middle of the road isn't my thing. The bible fits really well with that. I'm using it thematically all of the time.\"\u003c\/p\u003e\r\n\u003cp\u003eIt comes as no surprise that the singer and guitar player has established himself in a former church in the woods of Dalarna in rural Sweden, where he lives with his wife, piano player and singer Karin Park, and where his band now rehearses and records, surrounded by pianos, organs and hundreds of old bibles that the church left behind when the congregation stopped. The clerical environment has proven to be an excellent creative tapestry for a band whose lyrical focus orbits around sex, death and defiance.\u003c\/p\u003e\r\n\u003cp\u003eKjetil Nernes has made his own first hand experience with the topics he sings about. He was diagnosed with malignant throat cancer in 2014, in the middle of a tour. Instead of heading in for surgery right away, the band finished a full European tour first, \"\u003cem\u003eEvery night of that tour was like the last show ever\u003c\/em\u003e“, Nernes comments, \"\u003cem\u003eIt was really strange. When a doctor calls and says, 'you're terribly sick', it's surreal. You go into this phase where life is more vivid and more real, in a weird way. We've done so many shows through the years and sometimes it’s a little like going to the factory to do a job. But with an axe hanging over your head you perceive the world differently.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eAfter successfully recovering from cancer, \u003cstrong\u003eÅrabrot\u003c\/strong\u003e are now stronger than ever. The band has collaborated with procuders like Billy Anderson and Steve Albini, and musicians like Ted Parsons (Killing Joke\/Swans), Sunn O))))'s Stephen O’Malley, and Kvelertak's Erlend Hjelvik. They have composed music for silent movies like “Die Niebelungen” and “Doctor Caligari”, and have teamed up with The Quietus founder John Doran on his spoken word tour. Their previous full-length album “The Gospel”, was also named “Album of the Year” by The Quietus.\u003c\/p\u003e\r\n\u003cp\u003eGet yourself ready to face the big question, to be dropped in September: \u003cstrong\u003eWHO DO YOU LOVE?\u003c\/strong\u003e\u003c\/p\u003e","brand":"Årabrot","offers":[{"title":"Black","offer_id":43863297032470,"sku":"272429","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Clear","offer_id":43863297065238,"sku":"272430","price":19.0,"currency_code":"USD","in_stock":true},{"title":"3-Way A-Side \/ B-Side","offer_id":43863297098006,"sku":"432545","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/78ef6666cc3842e506314ac17e253d03.jpg?v=1670555492"},{"product_id":"future-usses-the-existential-haunting-12","title":"Future Usses \"The Existential Haunting\" 12\"","description":"\u003cp\u003eL.A.'s \u003cstrong\u003eFUTURE USSES\u003c\/strong\u003e deliver an astounding instrumental record of devastatingly heavy, oppresively slow, yet shimmery and lush sludge-paced rock, run through a filter of nightmarish psychedelia.\u003c\/p\u003e\r\n\u003cp\u003eIt's hard to believe that „The Existential Haunting“ is really a debut album... the Three-piece's sound comes across too shrewd, too canny and too sophisticated. But while \u003cstrong\u003eFUTURE USSES\u003c\/strong\u003e have really only played a handful of shows in their short career, main songwriter Sacha Dunable has been a member of INTRONAUT for almost 15 years, and dabbled with various doom metal projects over the years, like BEREFT (LA).\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFUTURE USSES\u003c\/strong\u003e takes small elements of what those bands do and magnifies them, combining the slow-motion crushing power of doom with the atmosphere and dense harmonic tendencies of INTRONAUT.\u003c\/p\u003e\r\n\u003cp\u003eDrums and guitar were recorded at Clearlake Audio with Josh Newell (INTRONAUT, CYNIC), Derek Donley (INTRONAUT, BEREFT) and bass with Jon Nunez (TORCHE), all in Los Angeles. Mixing was done by CONVERGE'S Kurt Ballou at God City Studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFUTURE USSES\u003c\/strong\u003e lavish guitar sound is built around live guitar loops, „\u003cem\u003ewhich presents a whole set of limitations but also virtually endless opportunities\u003c\/em\u003e“, Sacha Dunable comments.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eThe beautiful thing about making an instrumental record is that you're not obligated to impose any specific literal message onto the listener, but rather to concentrate on setting a vibe that can be interpreted or personified naturally through the power of their own imagination.\u003c\/em\u003e”\u003c\/p\u003e","brand":"Future Usses","offers":[{"title":"White","offer_id":43863298474262,"sku":"291569","price":21.0,"currency_code":"USD","in_stock":false},{"title":"Clear","offer_id":43863298507030,"sku":"291570","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/3fb10de969b48c412310eac7f53b1ad8.jpg?v=1670555508"},{"product_id":"set-and-setting-tabula-rasa-12","title":"set and setting \"Tabula Rasa\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eSET AND SETTING\u003c\/strong\u003e are a young band from St. Petersburg, Florida who merge instrumental rock with a thick metallic edge and elements of drone and ambient music. „\u003cem\u003eThe result is a captivating, wordless, genre amalgam\u003c\/em\u003e“, Decibel raved, and Brookly Vegan defined their sound as \"\u003cem\u003emetallic chug to trippy psychedelia to soaring post-rock beauty... like Russian Circles teaming with early Pink Floyd\u003c\/em\u003e“.\u003c\/p\u003e\r\n\u003cp\u003eSince their debut album Equanimity (2013), the quartett has been very active throughout the underground and extreme music scenes in the U.S. and Canada. In 2014, \u003cstrong\u003eSET AND SETTING\u003c\/strong\u003e released their second album, A Vivid Memory via Prosthetic Records and continued to tour internationally and locally with bands such as Mouth of the Architect, EyeHateGod, Inter Arma, and Kayo Dot throughout 2015. 2016 brought a tough year of writing and recording while battling injuries within the band limiting live performances. In 2017, \u003cstrong\u003eSET AND SETTING\u003c\/strong\u003e released their third full-length album, Reflectionless, and toured Europe for the first time, including an appearance at Dunk! Festival.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSET AND SETTING\u003c\/strong\u003e are now returning with their 4th album, Tabula Rasa, the band's heaviest album to date and their debut on Pelagic Records. „\u003cem\u003eWe purposely tried to extend the boundaries of our sound by adding more extreme metal and punk influences all while still sounding like ourselves\u003c\/em\u003e“, guitarist Shane Handall comments. The album was recorded and mixed during 10 straight days in Miami, FL by Ryan Haft (Torche, Wrong).\u003c\/p\u003e\r\n\u003cp\u003eIn October 2018, \u003cstrong\u003eSET AND SETTING\u003c\/strong\u003e are returning to Europe as part of the PELAGIC ROADFEST, with label mates ABRAHAM and FUTURE USSES.\u003c\/p\u003e","brand":"set and setting","offers":[{"title":"Black","offer_id":43863305847062,"sku":"295188","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Transparent Turquoise w\/ Blue Smoke","offer_id":43863305879830,"sku":"295189","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/7b95e6410ce7d65a2148ebcd2db568e6.jpg?v=1670555806"},{"product_id":"earth-ship-resonant-sun-12","title":"Earth Ship \"Resonant Sun\" 12\"","description":"\u003cp\u003eEver since their inception in 2010, Berlin 3-piece \u003cstrong\u003eEARTH SHIP\u003c\/strong\u003e have built their reputation in the vast field of the stoner \/ doom \/ sludge underground scene as one of the most relentless and heavy-hitting live bands out there. With their thunderous blend of sludgy riffs, bluesy leads, virulent vocals and a massive dose of both groove and humour, vocalist Jan Oberg, his wife Sabine (bass) and Sebastian Grimberg (drums) have taken \u003cstrong\u003eEARTH SHIP\u003c\/strong\u003e to the stages of Desertfest, Stoned From The Underground or Pelagic Fest, and tours with bands like RED FANG, TORCHE,\u003c\/p\u003e\r\n\u003cp\u003eCROWBAR or VOIVOD. After 3 albums on Pelagic, the band signed with NAPALM RECORDS for the release of 4th studio album „Hollowed“ in 2016. But the alliance didn't last long, and the band returned to our welcoming arms here at Pelagic for album #5: Resonant Sun.\u003c\/p\u003e\r\n\u003cp\u003eWith new drummer Sebastian Grimberg on board the \u003cstrong\u003eEARTH SHIP\u003c\/strong\u003e, the band continues an evolution towards more stripped down arrangements and tunes that stun through simplicity and heaviness, an evolution that began with 2014's Withered album. While the occasional clean vocals remind of TORCHE or ALICE IN CHAINS, Jan's range stretches far out into the harsh spheres of bands like MANTAR or WEEDEATER. The strikingly fat production of the album was done by the band leader himself, at his own HIDDEN PLANET STUDIOS in Berlin, where all \u003cstrong\u003eEARTH SHIP\u003c\/strong\u003e albums to date were made. „\u003cem\u003eWe're not really keen to record with someone else or somewhere else“, bass player Sabine Oberg says. „We're just too comfy at our studio, which is also our home, and Jan knows what he wants and how to get there, straight to the point. Having someone else involved would just distract from the course, and make things more difficult\u003c\/em\u003e“.\u003c\/p\u003e\r\n\u003cp\u003eResonant Sun will be released on October 5, right in time for a European tour supporting CROWBAR, and a set of German headline dates with support by Denmark's RISING in November.\u003c\/p\u003e\r\n\u003cp\u003eThe CD version comes with an exclusive bonus track, and a cover of „Children Of The Revolution“ by T-Rex will be available digitally only.\u003c\/p\u003e","brand":"Earth Ship","offers":[{"title":"White","offer_id":43863305945366,"sku":"295307","price":21.0,"currency_code":"USD","in_stock":true},{"title":"White w\/ Black Haze, Color-In-Color","offer_id":43863305978134,"sku":"295308","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/0d44df07c5bed7f82168a4974595fdb8.jpg?v=1670555818"},{"product_id":"the-ocean-phanerozoic-i-palaeozoic-12","title":"The Ocean \"PHANEROZOIC I: Palaeozoic\" 12\"","description":"\u003cp\u003e\u003cspan\u003eAfter 5 years of touring on \u003cstrong\u003ePelagial\u003c\/strong\u003e, THE OCEAN deliver their long-awaited 8\u003c\/span\u003e\u003cspan\u003e\u003csup\u003eth\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e studio album, split into two volumes to be separately released in 2018 and 2020 respectively, titled \u003cstrong\u003ePhanerozoic\u003c\/strong\u003e. The Phanerozoic eon succeeded the Precambrian supereon, spanning a 500 million-year period leading to the present day. It has witnessed the evolution and diversification of plant and animal life on Earth, and the (partial) destruction of it during 5 mass extinction events. Conceptually and musically, \u003cstrong\u003eThe Ocean\u003c\/strong\u003e’s \u003cstrong\u003ePhanerozoic\u003c\/strong\u003e is the missing link between the albums \u003cstrong\u003ePrecambrian\u003c\/strong\u003e and \u003cstrong\u003eHeliocentric\u003c\/strong\u003e \/ \u003cstrong\u003eAnthropocentric\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePhanerozoic I: Palaeozoic LP\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eone LP, black vinyl \u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003etriple gatefold with diecuts on all 6 panels, blind embossing and metallic inks\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eprinted inner sleeve and insert sheet\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003efree download upon request\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/ul\u003e","brand":"The Ocean","offers":[{"title":"Soil Edition","offer_id":43863306174742,"sku":"295450","price":28.0,"currency_code":"USD","in_stock":false},{"title":"Transparent Green","offer_id":43863306207510,"sku":"440300","price":28.0,"currency_code":"USD","in_stock":false},{"title":"Carboniferous Rainforest Collapse Edition","offer_id":43863306240278,"sku":"474944","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/2d7433594a1ed8e3397f36bf39c9c443.jpg?v=1670555833"},{"product_id":"labirinto-divino-afflante-spiritu-12","title":"Labirinto \"Divino Afflante Spiritu\" 12\"","description":"\u003cp\u003eSão Paulo’s \u003cstrong\u003eLABIRINTO\u003c\/strong\u003e are not the spearheads of a vivid local scene, but to stay within the realms of post-rock metaphory, more of an isolated island within a vast ocean of nothingness. There is not much contemporary instrumental heavy music anywhere in South America. There are hardly any record labels and international bands seldomly make it over on tour. All the more surprising that this island of \u003cstrong\u003eLABIRINTO\u003c\/strong\u003e has been releaseing records for 13 years already.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eThey have crafted an epic post-rock album in the truest sense of the word – six songs, 70 minutes running time, but none of it wasted\u003c\/em\u003e“, Rock-A-Rolla wrote about their debut album „Anatema“, and Rolling Stone praised their live show as “\u003cem\u003eone of the most powerful experiences in the Brazilian independent scene.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003e„Divino Afflante Spiritu“ is already the band’s 10th release, but only the 3rd full-length album. The band’s back catalogue is made up of a number of EPs and splits (with THISQUIETARMY among others), a detail which showcases the band’s strong roots in the DIY scene. Guitarist Erick Cruxen and drummer Muriel Curi, a long-married couple, have learned how take control of every aspect of the band’s universe themselves: from running their own record label to booking their own tours to running their own recording studio, the internationally renowned Dissenso Studios in São Paulo.\u003c\/p\u003e\r\n\u003cp\u003eThe band flew in Billy Anderson for the prodcution of previous album „Gehenna“. This time, Cult Of Luna’s Magnus Lindberg was hired, but the entire production happened via the internet, exemplary for this time we live in, without Magnus ever setting foot on Brazilian soil. „\u003cem\u003eSince the pre-production phase, Muriel kept in touch with Magnus\u003c\/em\u003e“, Cruxen comments. „\u003cem\u003eWe talked a lot to him about our plans and ideas for the tracking sessions. He did an online support video session during the recording sessions, and we were aligning ideas for technical decisions. He was monitoring the whole recording process, basically. At the end, we sent him the audio files and he mixed and mastered the album at his own Redmount Studios in Stockholm.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eThe result is an album of dense and menacing atmospherics, textural drones carefully layered over and blended into the heavy guitar riffs’s shimmering, beautiful distortion-scapes – and for the first time ever, vocals make their debut on a LABIRINTO album, on opening track „Agnus Dei“. „\u003cem\u003eWe invited Elaine Campos, she’s been singing in Brazilian punk and crust bands for over 20 years\u003c\/em\u003e“, comments Curi. „\u003cem\u003eIt’s a huge pleasure for us to have such a veteran from the punk scene, a feminist and anarchist, guest on the track.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eIt’s clear from the first synth drones inaugurating the opening track that doom lurks on the horizon, that „Divino Afflante Spiritu“ is not going to be a soundtrack to a tropical paradise – it’s a dark, cold record. „\u003cem\u003eThis album has a great emotional weight\u003c\/em\u003e“, explains Cruxen. „\u003cem\u003eIt flourished during a very difficult phase in which we lost a very dear entity. It was a whirlwind of emotions that are materialized whenever we play the songs. This album, more than anything, represents for us loss and suffering, but also, passion and friendship.\u003c\/em\u003e“\u003c\/p\u003e","brand":"Labirinto","offers":[{"title":"Black","offer_id":43863307747606,"sku":"306946","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Silver-in-Ultraclear","offer_id":43863307780374,"sku":"306947","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/ea23ee120b65d1b016a0e21e5e2f0b6d.jpg?v=1670555969"},{"product_id":"rosetta-sower-of-wind-ep-black-12","title":"Rosetta \"Sower of Wind EP (Black)\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eROSETTA \u003c\/strong\u003ereturned in 2017 with Utopioid, their sixth full-length album and most concept-driven work to date, an intersection of heaviness and beauty. „Sower of Wind“ is a new EP built on soundscapes buried inside Utopioid – elements which the band thought deserved a fuller treatment. „\u003cem\u003eThose soundscapes developed with a concept and a story in mind, but we decided to step back from them and see where they could lead when considered on their own terms\u003c\/em\u003e“, guitarist Matt Weed explains.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ isn't a companion record to Utopioid per se, but shares the same four-part cyclic structure, referencing seasons, cardinal directions, times of day. Each track draws inspiration and source material from the corresponding quadrant of Utopioid, but uses it to tell a different story. It's a more peaceful, primordial listen than its older brother, without vocals or percussion, drawing tension from the interplay of acoustic instruments and washed-out drones. It's great turned up loud, and even better on headphones in the dark.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ was recorded at home in bits and pieces, through late 2017 and 2018. „\u003cem\u003eIt was mixed in part on tour, taking advantage of the fertile bed of ideas that comes with long- term close quarters, and the sleeplessness of non-stop transit. It's a labor of love for us -- very different from our normal sonic presentation, but equally representative of who we are (and who we're becoming) as a band\u003c\/em\u003e“, Weed comments.\u003c\/p\u003e\r\n\u003cp\u003eFormed in Philadelphia in 2003 as a four-piece, \u003cstrong\u003eROSETTA\u003c\/strong\u003e's first two albums pulled together elements from 90s hardcore, drone, doom, and atmospheric sludge metal. Informed as much by the minimal soundscapes of STARS OF THE LID as by the pulverizing weight of GODFLESH, the band's compositions had a spaced-out, exploratory feel, appropriately dubbed “metal for astronauts.” 2010’s „A Determinism of Morality“ moved on from celestial themes, focusing on increased melodic sophistication while honing a confrontational urgency.\u003c\/p\u003e\r\n\u003cp\u003eIn 2013, ROSETTA embraced their newfound independence with the self-funded, pay-as- you-wish album „The Anaesthete“, which marked their greatest success so far, recouping costs in 24 hours and remaining the top-selling release on Bandcamp for nearly a month. 2015's „Quintessential Ephemera“, ROSETTA’s first effort as a five-piece, received widespread critical and audience acclaim.\u003c\/p\u003e","brand":"Rosetta","offers":[{"title":"Black","offer_id":43863307911446,"sku":"309078","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/55f1ff139825ffe622367145b3d850e0.jpg?v=1670555978"},{"product_id":"rosetta-sower-of-wind-ep-red-12","title":"Rosetta \"Sower of Wind EP (Red)\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eROSETTA \u003c\/strong\u003ereturned in 2017 with Utopioid, their sixth full-length album and most concept-driven work to date, an intersection of heaviness and beauty. „Sower of Wind“ is a new EP built on soundscapes buried inside Utopioid – elements which the band thought deserved a fuller treatment. „\u003cem\u003eThose soundscapes developed with a concept and a story in mind, but we decided to step back from them and see where they could lead when considered on their own terms\u003c\/em\u003e“, guitarist Matt Weed explains.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ isn't a companion record to Utopioid per se, but shares the same four-part cyclic structure, referencing seasons, cardinal directions, times of day. Each track draws inspiration and source material from the corresponding quadrant of Utopioid, but uses it to tell a different story. It's a more peaceful, primordial listen than its older brother, without vocals or percussion, drawing tension from the interplay of acoustic instruments and washed-out drones. It's great turned up loud, and even better on headphones in the dark.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ was recorded at home in bits and pieces, through late 2017 and 2018. „\u003cem\u003eIt was mixed in part on tour, taking advantage of the fertile bed of ideas that comes with long- term close quarters, and the sleeplessness of non-stop transit. It's a labor of love for us -- very different from our normal sonic presentation, but equally representative of who we are (and who we're becoming) as a band\u003c\/em\u003e“, Weed comments.\u003c\/p\u003e\r\n\u003cp\u003eFormed in Philadelphia in 2003 as a four-piece, \u003cstrong\u003eROSETTA\u003c\/strong\u003e's first two albums pulled together elements from 90s hardcore, drone, doom, and atmospheric sludge metal. Informed as much by the minimal soundscapes of STARS OF THE LID as by the pulverizing weight of GODFLESH, the band's compositions had a spaced-out, exploratory feel, appropriately dubbed “metal for astronauts.” 2010’s „A Determinism of Morality“ moved on from celestial themes, focusing on increased melodic sophistication while honing a confrontational urgency.\u003c\/p\u003e\r\n\u003cp\u003eIn 2013, ROSETTA embraced their newfound independence with the self-funded, pay-as- you-wish album „The Anaesthete“, which marked their greatest success so far, recouping costs in 24 hours and remaining the top-selling release on Bandcamp for nearly a month. 2015's „Quintessential Ephemera“, ROSETTA’s first effort as a five-piece, received widespread critical and audience acclaim.\u003c\/p\u003e","brand":"Rosetta","offers":[{"title":"Red","offer_id":43863308009750,"sku":"309083","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/3969c892203b732e13ae7243653d96fc.jpg?v=1670555985"},{"product_id":"rosetta-sower-of-wind-yellow-12","title":"Rosetta \"Sower of Wind (Yellow)\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eROSETTA \u003c\/strong\u003ereturned in 2017 with Utopioid, their sixth full-length album and most concept-driven work to date, an intersection of heaviness and beauty. „Sower of Wind“ is a new EP built on soundscapes buried inside Utopioid – elements which the band thought deserved a fuller treatment. „\u003cem\u003eThose soundscapes developed with a concept and a story in mind, but we decided to step back from them and see where they could lead when considered on their own terms\u003c\/em\u003e“, guitarist Matt Weed explains.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ isn't a companion record to Utopioid per se, but shares the same four-part cyclic structure, referencing seasons, cardinal directions, times of day. Each track draws inspiration and source material from the corresponding quadrant of Utopioid, but uses it to tell a different story. It's a more peaceful, primordial listen than its older brother, without vocals or percussion, drawing tension from the interplay of acoustic instruments and washed-out drones. It's great turned up loud, and even better on headphones in the dark.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ was recorded at home in bits and pieces, through late 2017 and 2018. „\u003cem\u003eIt was mixed in part on tour, taking advantage of the fertile bed of ideas that comes with long- term close quarters, and the sleeplessness of non-stop transit. It's a labor of love for us -- very different from our normal sonic presentation, but equally representative of who we are (and who we're becoming) as a band\u003c\/em\u003e“, Weed comments.\u003c\/p\u003e\r\n\u003cp\u003eFormed in Philadelphia in 2003 as a four-piece, \u003cstrong\u003eROSETTA\u003c\/strong\u003e's first two albums pulled together elements from 90s hardcore, drone, doom, and atmospheric sludge metal. Informed as much by the minimal soundscapes of STARS OF THE LID as by the pulverizing weight of GODFLESH, the band's compositions had a spaced-out, exploratory feel, appropriately dubbed “metal for astronauts.” 2010’s „A Determinism of Morality“ moved on from celestial themes, focusing on increased melodic sophistication while honing a confrontational urgency.\u003c\/p\u003e\r\n\u003cp\u003eIn 2013, ROSETTA embraced their newfound independence with the self-funded, pay-as- you-wish album „The Anaesthete“, which marked their greatest success so far, recouping costs in 24 hours and remaining the top-selling release on Bandcamp for nearly a month. 2015's „Quintessential Ephemera“, ROSETTA’s first effort as a five-piece, received widespread critical and audience acclaim.\u003c\/p\u003e","brand":"Rosetta","offers":[{"title":"Yellow","offer_id":43863308140822,"sku":"309084","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/0a3c5524b479ddd8e51c210c0f689d60.jpg?v=1670555990"},{"product_id":"rosetta-sower-of-wind-ep-bone-12","title":"Rosetta \"Sower of Wind EP (Bone)\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eROSETTA \u003c\/strong\u003ereturned in 2017 with Utopioid, their sixth full-length album and most concept-driven work to date, an intersection of heaviness and beauty. „Sower of Wind“ is a new EP built on soundscapes buried inside Utopioid – elements which the band thought deserved a fuller treatment. „\u003cem\u003eThose soundscapes developed with a concept and a story in mind, but we decided to step back from them and see where they could lead when considered on their own terms\u003c\/em\u003e“, guitarist Matt Weed explains.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ isn't a companion record to Utopioid per se, but shares the same four-part cyclic structure, referencing seasons, cardinal directions, times of day. Each track draws inspiration and source material from the corresponding quadrant of Utopioid, but uses it to tell a different story. It's a more peaceful, primordial listen than its older brother, without vocals or percussion, drawing tension from the interplay of acoustic instruments and washed-out drones. It's great turned up loud, and even better on headphones in the dark.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ was recorded at home in bits and pieces, through late 2017 and 2018. „\u003cem\u003eIt was mixed in part on tour, taking advantage of the fertile bed of ideas that comes with long- term close quarters, and the sleeplessness of non-stop transit. It's a labor of love for us -- very different from our normal sonic presentation, but equally representative of who we are (and who we're becoming) as a band\u003c\/em\u003e“, Weed comments.\u003c\/p\u003e\r\n\u003cp\u003eFormed in Philadelphia in 2003 as a four-piece, \u003cstrong\u003eROSETTA\u003c\/strong\u003e's first two albums pulled together elements from 90s hardcore, drone, doom, and atmospheric sludge metal. Informed as much by the minimal soundscapes of STARS OF THE LID as by the pulverizing weight of GODFLESH, the band's compositions had a spaced-out, exploratory feel, appropriately dubbed “metal for astronauts.” 2010’s „A Determinism of Morality“ moved on from celestial themes, focusing on increased melodic sophistication while honing a confrontational urgency.\u003c\/p\u003e\r\n\u003cp\u003eIn 2013, ROSETTA embraced their newfound independence with the self-funded, pay-as- you-wish album „The Anaesthete“, which marked their greatest success so far, recouping costs in 24 hours and remaining the top-selling release on Bandcamp for nearly a month. 2015's „Quintessential Ephemera“, ROSETTA’s first effort as a five-piece, received widespread critical and audience acclaim.\u003c\/p\u003e","brand":"Rosetta","offers":[{"title":"Bone","offer_id":43863308239126,"sku":"309085","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/9165a7a2c0c534f793c3971e8f789f86.jpg?v=1670555995"},{"product_id":"herod-sombre-dessein-12","title":"Herod \"Sombre Dessein\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eHEROD \u003c\/strong\u003ehave arisen from the ever- prosperous Swiss music scene. Throughout their young 4 years of presence, they have already shared the stage with such acts as Gojira, Crowbar, The Ocean, Carcass, Obituary, Napalm Death and Voivod – Attesting their repute as the bus boy’s of King Herod, serving up whole sides of rare riffs, disposition, beauty and authority.\u003c\/p\u003e\r\n\u003cp\u003eInitially the brain child of guitarist Pierre Carroz, 2014 saw \u003cstrong\u003eHEROD\u003c\/strong\u003e’s debut release “\u003cem\u003eThey were None\u003c\/em\u003e” via Mighty Music and a subsequent European tour. Following the departure of original vocalist David, former THE OCEAN (Precambrian) vocalist Mike Pilat was recruited for follow up album “\u003cem\u003eSombre Dessein\u003c\/em\u003e”. Pilat also plays guitar and Herod are now furnished with a supplementary layer of musicality to complement both heaviness and soundscape aspects of their palette.\u003c\/p\u003e\r\n\u003cp\u003eRecorded and mixed by Swiss audiophile Julien Fehlman, mastered by Magnus Lindberg from Cult of Luna, “\u003cem\u003eSombre Dessein\u003c\/em\u003e” is an album of staggering riffs, intricate yet groovy polyrhythmic patterns and sheer heaviness. The bi-lingual vocal approach adds an unusual but intriguing aspect to the band's delivery of their craft.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eThe concept of the album is about the end of our Judaeo-Christian and thermo-industrial civilisation. The artwork and video clip are made up from footage of “Shipbreakers”, people who dismantle huge container ships which end up mooring to die on Indian or Bangladeshi shores\u003c\/em\u003e“, comments Pierre Carroz. \u003cstrong\u003eHEROD \u003c\/strong\u003ecreate a strong musical and visual image of the abysses of the human consumption project, „\u003cem\u003ewhich turns out to be hell on earth for these people whose every day work involves constantly risking their lives to feed their families\u003c\/em\u003e“, Carroz says.\u003c\/p\u003e","brand":"Herod","offers":[{"title":"Black","offer_id":43863308402966,"sku":"309229","price":19.0,"currency_code":"USD","in_stock":false},{"title":"Silver-In-Ultraclear","offer_id":43863308435734,"sku":"309230","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Galaxy Black \u0026 Transparent Red","offer_id":43863308468502,"sku":"432544","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/d5595f09f11722cbc6b683a3cae80f82.jpg?v=1670556007"},{"product_id":"arabrot-die-nibelungen-12","title":"Årabrot \"Die Nibelungen\" 12\"","description":"\u003cp\u003eWhile the global waves made by their critically acclaimed album \u003cem\u003eWho Do You Love\u003c\/em\u003ein last year still crash ashore, Norwegian noise \/ avantgarde rock act \u003cstrong\u003eÅrabrot \u003c\/strong\u003eare now expanding their sonic realm as \u003cstrong\u003eÅrabrot Speciale\u003c\/strong\u003e: \u003cem\u003eDie Nibelungen\u003c\/em\u003eis a soundtrack to Fritz Lang's legendary silent movie, performed and recorded live at the Tromsø international film fest in 2016: a truly different and special project, which further showcases the artistic diversity of this groundbreaking band.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eÅrabrot \u003c\/strong\u003ehave collaborated with producers like Billy Anderson and Steve Albini, and musicians like Ted Parsons (Killing Joke\/Swans), Sunn O))))'s Stephen O’Malley, and Kvelertak's Erlend Hjelvik, and band leader Kjetil Nernes has teamed up with The Quietus founder John Doran on his spoken word tour.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eÅrabrot \u003c\/strong\u003ehas done live scores to old silent movies before, including Das Kabinet des Dr. Caligari, and it was obvious that Kjetil Nernes was capable to give \u003cem\u003eDie Nibelungen\u003c\/em\u003ea sound element that the movie deserves. Nernes was asked: Could you make new music to a five hour long silent movie AND perform it live in just a few months? On paper it seemed like a hopeless project. Way too little time. Way too long of a movie. But \u003cstrong\u003eÅrabrot \u003c\/strong\u003eis one of a kind.\u003c\/p\u003e\r\n\u003cp\u003eOn September 3rd 2016, \u003cstrong\u003eÅrabrot Speciale \u003c\/strong\u003estood ready at Verdensteatret in Tromsø; a magnificent building from 1916. Except for front man and composer Nernes, on this day, \u003cstrong\u003eÅrabrot \u003c\/strong\u003econsisted of Karin Park (keyboard), Ane Marthe Sørlien Holen (percussion) and the British musicians Andrew Liles (Nurse With Wound\/Current 93) and A.P Macarte (Arkh\/Gnod).\u003c\/p\u003e\r\n\u003cp\u003eFans of \u003cstrong\u003eÅrabrot \u003c\/strong\u003ethat assumed that this would be five hours of continuous flat pedal and a wall of noise, were surprised. \u003cstrong\u003eÅrabrot\u003c\/strong\u003e’s \u003cem\u003eDie Nibelungen\u003c\/em\u003epiece has both quiet, melodic and atmospheric parts, something that makes the loud and hard parts possibly even more monumental than what we expected from the hands of Kjetil Nernes: for example, the movie ends with a twenty minute fight scene accompanied by a heavy, repeating riff that blew the plaster off of Verdensteatret’s vulnerable stucco.\u003c\/p\u003e\r\n\u003cp\u003eThe concert was luckily recorded and Andrew Liles has produced the excerpts that make up this album. One of the strongest concert experiences I’ve ever witnessed was these hours with Årabrot and \u003cem\u003eDie Nibelungen\u003c\/em\u003e: this album is a documentation of what \u003cstrong\u003eÅrabrot \u003c\/strong\u003eare capable of. And the silent movie has never been less quiet.\u003c\/p\u003e","brand":"Årabrot","offers":[{"title":"Black","offer_id":43863311122710,"sku":"313947","price":19.0,"currency_code":"USD","in_stock":false},{"title":"Black-In-Beer \/ Color-In-Color","offer_id":43863311155478,"sku":"313948","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/6176273e2ca5dd3532f7de99eee9ee45.jpg?v=1670556279"},{"product_id":"lost-in-kiev-persona-12","title":"Lost in Kiev \"Persona\" 12\"","description":"\u003cp\u003eParisian meta-post-rock outfit \u003cstrong\u003eLOST IN KIEV \u003c\/strong\u003efinally return with their long-awaited 3rd album and most astounding work to date, Persona.\u003c\/p\u003e\n\u003cp\u003eRaw and driven, yet oozing with thick synth textures and a great sense of melancholy and drama, Persona sees \u003cstrong\u003eLOST IN KIEV \u003c\/strong\u003efurther expand their own idiosyncratic take on cinematic, contemporary post rock. „The main challenge with this record was how to write more direct and shorter post rock tracks with the same intensity as our previous, longer compositions“, guitarist Maxime Ingrand explains, „and also finding the right balance between traditonal post rock, the addition of synths and machines and the texts for the film“.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOST IN KIEV \u003c\/strong\u003ehave always been one of the few truly suggestive post rock bands: they do lack a vocalist, and yet their music is prosaic, cinematic reflections and stories.\u003c\/p\u003e\n\u003cp\u003eWritten and conceptualized to be reflections on humanity in a fictional futuristic context where artificial intelligence is fully implemented into everyday life, Persona does not impose any sort of political or moral position on the topic: \u003cstrong\u003eLOST IN KIEV \u003c\/strong\u003ecreate fictional characters and let them talk, breathe, cry and live through intimate stories and cathartic experiences on a screen behind the band, while they perform live...\u003c\/p\u003e\n\u003cp\u003ePost rock has ever since its beginnings shown an affinity to the use of speech samples, and has borrowed voices from movies or speeches by celebrities like Iggy Pop as in Mogwai's „Punk Rock“ or random lost souls as in GY!BE's „Blaise Bailey Finnegan III“. \u003cstrong\u003eLOST IN KIEV \u003c\/strong\u003etake this tradition to the next level, by writing their own genuine storyline, and making their own movie to their album. Ever since 2016's Nuit noir, the band has recorded their own spoken words, as opposed to plagiarizing from movies. During their live performances, these voiceovers are synchronized with video projections showing actors who interprete the different voices on screen. An inverted soundtrack of sorts, or musical fiction, always tinged with realism in a striking and emotionally intense way.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eThis item is a European import and will take additional time after street date to arrive in the US and be shipped to customers.\u003c\/p\u003e","brand":"Lost in Kiev","offers":[{"title":"Black","offer_id":43863311188246,"sku":"314644","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Gold-In-Ultraclear \/ Color-In-Color","offer_id":43863311221014,"sku":"314645","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/a2b1376ad54386405053bbc29c2f2a17.jpg?v=1670556285"},{"product_id":"astrosaur-obscuroscope-12","title":"Astrosaur \"Obscuroscope\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eASTROSAUR\u003c\/strong\u003e's virtuous necro-nautic universe consists of equal parts instrumental rock and post-metal, studded with lavish prog-, jazz- mathrock- and black metal ornaments.\u003c\/p\u003e\r\n\u003cp\u003e„The general public perceives academia and heavy metal as rivals, but ASTROSAUR, whose members studied at the Conservatory of Music in Kristiansand, lean toward the intellectual without sacrificing any authenticity“, Invisible Oranges said about the Oslo 3-piece. Virtuous guitarist and main song writer Eirik Kråkenes has filled in as a session musician for Norwegian acts Leprous and Ihsahn, among many others... he is one of those people you meet at literally every European metal festival, but always with a different band.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eASTROSAUR \u003c\/strong\u003eis his own band and brainchild, and Obscuroscope is only their sophomore album – hard to believe, considering the musical scope and the maturity of songwriting on display here.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eObscuroscope“ is in many ways a record about curiosity\u003c\/em\u003e“, Kråkenes explains. „\u003cem\u003eThematically, each song relates to stories of exploration, of unveiling that which is obscured and of discovering the unknown. This theme is also a parallel to how Astrosaur try to work as a band, letting curiosity lead the way in the continuous exploration of our own musical universe.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eAlthough heavier and more energetic, Obscuroscope feels slightly brighter in vibe overall, than the bands debut offering Fade In \/\/ Space Out. The songs have more riffs and written parts while maintaining some of the space, ambience and room for improvisation from the previous record: „\u003cem\u003eWhereas on ‘Fade In \/\/ Space Out’ we kind of made a point of basically recording the album live, we were not afraid of overdubbing or tracking instrument by instrument for the parts that demanded that, while still recording other parts live. This, ironically, resulted in a sound more true to how Astrosaur sounds live\u003c\/em\u003e“, says Kråkenes.\u003c\/p\u003e\r\n\u003cp\u003ePart of the album was conceived on the road, due to the member's heavy touring schedules with Astrosaur, as well as commitments to other bands. They had only six days to try out and finalize the ideas from the road in the studio, which brought in an element of spontaneity to the recording session.\u003c\/p\u003e\r\n\u003cp\u003eBut more than anything, \u003cstrong\u003eASTROSAUR \u003c\/strong\u003eis a band you essentially must see live: Loudersound called \u003cstrong\u003eASTROSAUR \u003c\/strong\u003e„a mesmerizing opener“, on their 2017 tour supporting Leprous, and Heavy Mag found them to be „a serious case of excellent composition together with a strong stage presence“.\u003c\/p\u003e","brand":"Astrosaur","offers":[{"title":"Black","offer_id":43863315710230,"sku":"336055","price":18.0,"currency_code":"USD","in_stock":false},{"title":"A-Side \/ B-Side w\/ Splatter \u0026 Smoke","offer_id":43863315742998,"sku":"336056","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b92968a2964deb254776d2a0357a0d81.jpg?v=1670556656"},{"product_id":"implore-alienated-despair-12","title":"Implore \"Alienated Despair\" 12\"","description":"\u003cp\u003eInternational grindcore-death-punk force \u003cstrong\u003eIMPLORE \u003c\/strong\u003ehave been around since 2013. They’ve put out two albums, “Depopulation” (2015) and their Century Media debut “Subjugate” (2017), as well as a number of singles and split releases. Just like its members are spread all across Europe, never really settling down anywhere, \u003cstrong\u003eIMPLORE\u003c\/strong\u003ehave literally played hundreds of shows all over the globe, a good number of which they’ve booked themselves – always staying true to the DIY spirit inherent in the underground niches of extreme metal and hardcore punk, which goes hand in hand with their unapologetic political and socio-critical direction.\u003c\/p\u003e\r\n\u003cp\u003eGermany-based frontman Gabriel Dubko states: “\u003cem\u003eThe lyrics are about the issues caused by modern society. Living life enslaved to a system and a low salary knowing that it’s not taking us anywhere and time is passing expecting or hoping things will get better one day, but everything’s just getting worse. This makes us anxious, dependent, drug addicts, fearful and lonesome.\u003c\/em\u003e” And he adds: “\u003cem\u003eEven though this is a socio-political topic as on the previous albums, this one is focused on a first person view, a ‘protagonist’ and makes it in a way more personal cause I gave more reflection from my thoughts and known philosophers. It’s about the effect on us, rather than about the perpetrator.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eAfter going through another line-up change before the recording sessions to their upcoming third studio album “Alienated Despair” \u003cstrong\u003eIMPLORE\u003c\/strong\u003eare back even stronger and angrier than ever, not giving the listener any time to recover from the constant onslaught of heavy death metal riffage, grinding blasts, punkish d-beat attacks and inhuman breakdowns. Their raw energy and in-your-face attitude coupled with an incontestably skillful execution will appeal to both the die-hard fans of old school death metal and grindcore like Entombed, Carcass or Napalm Death as well as appreciators of contemporary extreme metal bands with ties to the hardcore scene like Converge, Trap Them or Full Of Hell. “\u003cem\u003eThis album was written pretty much the same way as ‘Subjugate’,\u003c\/em\u003e” Gabriel explains, “\u003cem\u003eall in a period of time working our asses off and putting ideas together. This time was a bit more fluent and relaxed maybe, cause we had more experience and we knew each other better. Also the addition of Carol on bass and me only on vocals gave a wider palette to work different metrics and tempos. He did a lot of song writing and for the first time ever someone else contributed to the lyrics, and gave a new approach to the writing. So, there’s a blatant upgrade from the previous works.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eSongs like the first single “All Consuming Filth” demonstrate how IMPLORE have put extra dedication into more varied songwriting without losing their aim to destroy, upping the violence while at the same time incorporating an undeniably catchy chorus. Another pretty straight forward and by IMPLORE standards moderately paced single, “Never Again”, features none other than Tomas “Tompa” Lindberg of AT THE GATES and DISFEAR on guest vocals. And “Parallax”, scratching on the 4 minute mark, is not only the longest song the band has ever recorded, it might also be amongst their most punishing ones, finishing off the constant blast-beat attacks in its first half with a double-bass laden breakdown reminiscent of the mighty Bolt Thrower.\u003c\/p\u003e\r\n\u003cp\u003eArmed with a clear vision of what they wanted to achieve \u003cstrong\u003eIMPLORE\u003c\/strong\u003eagain self-produced “Alienated Despair”, this time trying out new means and a more focused approach: “\u003cem\u003eThis album was mainly done by us, with the cooperation of Paul Bacher doing some engineering, Markus (Matzinger, ex guitars - now drums) was the main producer and Johannes our sound-guy cooperated a lot in the mix. We worked at Paul’s Deer in the Headlights Studio in Austria, first time outside of Jan Oberg’s Hidden Planet in Berlin where we did all our previous releases. We had a lot of freedom and it gave us time to think and analyze more, we worked to the detail. The outcome is very pure and honest, straight from the practice room into the studio and out to play shows. We do things from the heart, this is the most organic 100% ourselves you can get.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eIf you’re looking for an album that resembles a good old-fashioned bare-knuckle brawl, look no further! “Alienated Despair” offers 11 rounds of no holds barred mayhem delivered in 31 minutes...no bullshit!\u003c\/p\u003e","brand":"Implore","offers":[{"title":"Silver-In-Ultraclear w\/ Black Smoke","offer_id":43863316103446,"sku":"343448","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/8e760d9217f6ea7ad0ed87ce94e1321f.jpg?v=1670556665"},{"product_id":"wolves-like-us-brittle-bones-12","title":"Wolves Like Us \"Brittle Bones\" 12\"","description":"\u003cp\u003eFormed in Oslo, Norway in 2010 , \u003cstrong\u003eWOLVES LIKE US \u003c\/strong\u003eemerged out of the ashes of local punk \/ hardcore pioneers JR EWING, AMULET and INFIDELS FOREVER, among others. The new band quickly made themselves a name as a super-energetic live band in the local scene, blending equal parts Quicksand and Afghan Wings with their own idiosyncratic post-hardcore sound. After only 5 shows, they instantly signed with Prosthetic Records for a 3 album deal, and hit the road for tours and shows with KVELERTAK, PLANES MISTAKEN FOR STARS, SWING KIDS, JUNIUS and GALLOWS and festivals like Øya or Groezrock in the months to come. 3 releases saw the light of day under the roof of Prosthetic Records since, Late Love (2011), Get Gone (2012) and Black Soul Choir (2014).\u003c\/p\u003e\r\n\u003cp\u003eAfter almost 5 years of family responsibility-induced hiatus, the 4-piece is now back with a killer new album: Brittle Bones, demoed by Bjarte from KVELERTAK and mixed by Scott Evans of KOWLOON WALLED CITY, shows a grown up and more dynamic wolf pack than ever before. „\u003cem\u003eThere was less tension this time, we almost didn’t argue at all - which is rare for us\u003c\/em\u003e“, says drummer Jonas Thire. „\u003cem\u003eA lot has happened to us at a personal level. Positives, like we all have kids now. But dark shit too. There’s been a divorce. Lars has been really sick. He wrote the lyrics as a kind of diary to deal with issues like abuse, literally and figuratively.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eThe band has been good friends with iconic post-hardcore band PLANES MISTAKEN FOR STARS for years, whose singer Gared O'Donnell visited them in Oslo randomly that week when WOLVES LIKE US were tracking vocals for Brittle Bones. He ended up laying down his second guest appearance for the band: „\u003cem\u003eOn a drunken night in May after Lars, Toy and Rune (the engineer) had taken him out for one too many beers“\u003c\/em\u003e, comments vocalist \u0026amp; guitarist Lars Kristensen... „\u003cem\u003ewe ended up shirtless doing vocals.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eLyrically, the red thread that goes through Brittle Bones is the topic of «honesty», which is to say „\u003cem\u003edealing with demons in a real way, facing them and giving them the middle finger so to speak\u003c\/em\u003e“, says Lars. Brittle Bones is juxtaposing the catchy and the raspy, the pretty and the ugly, comfort, and disturbance of such... for the essence of art can only be understood as equally „\u003cem\u003edisturbing the comfortable and comforting the disturbed\u003c\/em\u003e“, says Lars.\u003c\/p\u003e","brand":"Wolves Like Us","offers":[{"title":"Black","offer_id":43863316201750,"sku":"345002","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Ultraclear w\/ Magenta Smoke","offer_id":43863316234518,"sku":"345003","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/526f22230c64885703b976ec4789acee.jpg?v=1670556671"},{"product_id":"rosetta-terra-sola-12","title":"Rosetta \"Terra Sola\" 12\"","description":"\u003cp\u003eOn the heels of an incredible 2-year, 36-country, 200-show touring cycle supporting UTOPIOID, \u003cstrong\u003eRosetta\u003c\/strong\u003e returns with new single TERRA SOLA. Conceived on tour and breathing more freely outside the structure of a formal album, the title track layers a multitude of moods, its cinematic sweep hearkening back to Rosetta deep cuts like \"TMA-3\" and \"So Warm a Solitude.\" At the same time, it explores new textures and new conceptual ground, connecting the human themes of UTOPIOID with questions about the future of the planet and our people on it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eTERRA SOLA also features two brand-new B-side tracks, connected in concept but showcasing the quieter sonic incarnation of \u003cstrong\u003eRosetta\u003c\/strong\u003e. \"57844\" mines the harmonic structures of UTOPIOID's \"54543\" for new sounds and new meanings, while the instrumental \"Where Is Hope\" merges gentle acoustic guitar and lo-fi electronica, rare sounds in the Rosetta catalog.\u003c\/p\u003e","brand":"Rosetta","offers":[{"title":"Black","offer_id":43863326130454,"sku":"368118","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Solid White w\/ Black Marble","offer_id":43863326163222,"sku":"368119","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/aa15ec4a771736d6f96811071dff963c.jpg?v=1670557269"},{"product_id":"neck-of-the-woods-the-annex-of-ire-12","title":"Neck of the Woods \"The Annex of Ire\" 12\"","description":"\u003cp\u003eFormed in early 2014, \u003cstrong\u003eNeck of the Woods\u003c\/strong\u003e’ exhilarating brand of progressive metal and charged live shows have quickly earned them a reputation as one of the most exciting acts to emerge from Vancouver's metal scene.\u003c\/p\u003e\r\n\u003cp\u003eThe group’s complex and dynamic sound along with their resonating live performances helped the band quickly rise to prominence. Following the release of their self titled EP in 2015, they took to the road making appearances at multiple Canadian festivals including both Calgary and Armstrong Metalfest. Summer 2016 saw them accompany metalcore legends Misery Signals on the Canadian leg of their 2016 tour as well as embarking on a headlining tour of Western Canada. It wasn’t long before they caught the eye of U.K label Basick Records who welcomed them to their roster in Spring 2017.\u003c\/p\u003e\r\n\u003cp\u003eTheir debut album 'The Passenger', released September 15th, 2017, sparked candid debate amongst metal critics across the globe; its diverse sound defies categorization while delivering a blend of aggressive attitude, emotive expression, progressive intellect, and modern flair.\u003c\/p\u003e\r\n\u003cp\u003ePerforming in support of major touring acts has become a well-rehearsed routine for the band. From warming the stage for Converge at Sled Island Music \u0026amp; Arts Festival to directly supporting Every Time I Die, the group has established themselves with a high energy performance that is not to be missed. The band spent the majority of 2018 on the road, kicking things off with a six-week North American tour that included debut performances in New York, Michigan, Illinois, and Wisconsin. Shortly thereafter the group embarked on their first tour of the West Coast, they’ve continued to tour regionally on a regular basis ever since.\u003c\/p\u003e\r\n\u003cp\u003e2019 began with Neck of the Woods receiving a nomination for “Heavy\/Hard Artist of the Year” by the Western Canadian Music Awards. In March of 2019 the band returned to Rain City Recorders to work with Jesse Gander on the recording of their forthcoming album. Recently signed to Pelagic Records, Neck of the Woods will be releasing their second full length album titled ‘The Annex of Ire’ In March of 2020. Following the release of their new album the band will be traveling to Austin Texas to attend and perform an official showcase set at SXSW 2020.\u003c\/p\u003e","brand":"Neck of the Woods","offers":[{"title":"Black","offer_id":43863326359830,"sku":"372233","price":19.0,"currency_code":"USD","in_stock":false},{"title":"Gold w\/ Black Smoke","offer_id":43863326392598,"sku":"372234","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/ce8286c76a4efc9c766af5e13cff6d7b.jpg?v=1670557276"},{"product_id":"barrens-penumbra-12","title":"Barrens \"PENUMBRA\" 12\"","description":"\u003cp\u003e\u003cem\u003eNote: Final products might slightly differ from mockups!\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003e\/\/\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBARRENS\u003c\/strong\u003e is a new trio from Gothenburg, Sweden, featuring 2 members of SCRAPS OF TAPE, a band that has been releasing albums on Denovali Records and touring for over 20 years, and whose last album “The Will To Burn” is an incredibly underrated masterpiece.\u003c\/p\u003e\r\n\u003cp\u003eThere is obviously lots of common ground between what the two bands do musically, yet \u003cstrong\u003eBARRENS\u003c\/strong\u003e develop their own idiosyncratic sound on their stunning debut album PENUMBRA: driven by synths equally as by guitars, Penumbra is oscillating between the dark and the brighter side of post rock, but leaning more towards the dark. The album is conceptually circling around topics like change, metamorphosis and transformation, „\u003cem\u003eespecially movement into, through and out of shadows and back again\u003c\/em\u003e“, guitarist Johan G Winther explains. „\u003cem\u003eBeing both lost in darkness, yet finding comfort there. Seeking it. Afloat in blinding light, suspended in darkness\u003c\/em\u003e”, as it is etched into the vinyl. \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBARRENS\u003c\/strong\u003e were already touring together before they were even a band. In 2018, Markku Hildén joined Scraps of Tape, Johan and Kenta's other band, as a live drummer for two tours of Europe and a tour of China. „\u003cem\u003eFinding an immediate chemistry between us both playing and hanging out, we quickly realised we had very similar ideas regarding music and creating art together. So the outlines for what BARRENS would become were sketched out back then in vans, trains, planes and over post-show beers at local bars\u003c\/em\u003e“, comments bass player Kenta Jansson. Once back home, the newly formed band started writing demos, drawing inspiration from new sources and venturing through both well known and unknown territories. In the summer of 2019, PENUMBRA was recorded in Uppsala and Gothenburg and produced by the band, and mixed and mastered by CULT OF LUNA's Magnus Lindberg at Redmount Studios in Stockholm.\u003c\/p\u003e\r\n\u003cp\u003ePENUMBRA is dense, sophisticated, deep, mature, overwhelming, minimalist and elaborate all at the same time. It does not sound like a debut album of a new band, but more like an intuitive but also carefully reflected creation of musicians fused together by a long and strong bond. „\u003cem\u003eWe all have in common that creating music is a cathartic release. We do it not only because we WANT to, but just as much because we HAVE to\u003c\/em\u003e“, explains Winther. „\u003cem\u003eThis makes writing and creating something that is born out of equal amounts happiness, light and positivity and anxiety, darkness and negativity. It’s a constant movement through various degrees of light, of shadows and deep darkness. The shared bond of this has been the catalyst for what \u003cstrong\u003eBARRENS\u003c\/strong\u003e and PENUMBRA is, and what it will continue to grow into and develop out of\u003c\/em\u003e”.\u003c\/p\u003e","brand":"Barrens","offers":[{"title":"Arc Eye Edition","offer_id":43863327244566,"sku":"512071","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/2b7eaa614ed3ee5b37cea210c8ee3231.jpg?v=1670557297"},{"product_id":"bear-propaganda-12","title":"Bear \"Propaganda\" 12\"","description":"\u003cp\u003eDo you know the feeling of not being sure if you've seen that movie before? If BEAR were a movie, they wouldn't be like that. \u003cstrong\u003eBEAR\u003c\/strong\u003e are that band you won't ever forget seeing live. A threat. They come to you, they confront you, they give you the feeling that you are not safe in the audience. And what a rare gift that is, in our safe world of comfort stable mediocrity, where security has become the ultimate value.\u003c\/p\u003e\r\n\u003cp\u003eBy that,\u003cstrong\u003e BEAR\u003c\/strong\u003e revoke the spirit of great hardcore bands of the 90's... bands like Catharsis or Gehenna, bands whose raw energy, uncompromising delivery and relentlessly violent performance was as energizing and invigorating as it was puzzling for the oftentimes baffled audience, who had their teeth caved in by guitars thrown in their direction, and a bearded front man caving through them like a derailed freight train, coming to a flaming halt at the end of the room, behind the mixing desk. \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBEAR\u003c\/strong\u003e hail from Antwerp, Belgium's 2nd largest city and home to a thriving local metal and hardcore scene ever since the 90's, which is when members of BEAR first met at a local venue where all punk- \u0026amp; hardcore-bands made a stop when touring Europe. This year marks their 10th anniversary as a band. With 3 albums released since on Let it Burn and Basick Records, performances at festivals such as Graspop, Roadburn, Rock Herk, Euroblast, UK Tech Fest, Complextiy Fest and headline tours through Europe and India, the band has made themselves a name in the heavy music underground scene as one of the most punishing live acts out there. \u003c\/p\u003e\r\n\u003cp\u003eThe first few seconds of opener „Dissolve Dissipate“ leave no doubt that Propaganda is an angry album-- an album against propaganda. Against the manipulative character of communication and product-placement that we face each time we turn on the TV, walk through the aisles of a supermarket or tune in to Spotify without a paid subscription. And while blatant ideological propaganda is being camouflaged behind product propaganda within an endless floating spectrum of ever-growing artificially created needs and demands, ideology is as a matter of fact constantly being reinstated and affirmed. We are never and nowhere free from it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBEAR\u003c\/strong\u003e are alluding to this with metaphors and artwork referencing historic propaganda, and the political practices used by the terrible dictators of the 20th century: presented in a pop-art style that is equal parts ironic and iconic. BEAR critizise propaganda by making Propaganda of their own: with their very own aural bombs, symbols and manifestos. Fear the \u003cstrong\u003eBEAR\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Bear","offers":[{"title":"Black","offer_id":43863327637782,"sku":"376361","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Red \/ Blue - Half \/ Half Split","offer_id":43863327670550,"sku":"376362","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/edf364932b25c5bb4a63631b7d0d8b8a.jpg?v=1670557305"},{"product_id":"wang-wen-0-7-12","title":"Wang Wen \"0.7\" 12\"","description":"\u003cp\u003e\u003cspan\u003e• Single LP in 5mm spine sleeve\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e• Comes with 12 pages vinyl-sized booklet\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThis item is on pre-order. It will be available April 24, 2020.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNote: Orders cannot be split into several shipments. Your order will be dispatched when the item with the latest release date is available. Final products might slightly differ from mockups!\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e* Digital download in MP3 \u0026amp; FLAC available on request.\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Wang Wen","offers":[{"title":"Triple AB Merge Edition","offer_id":43863328063766,"sku":"484359","price":28.0,"currency_code":"USD","in_stock":false},{"title":"Black","offer_id":43863328096534,"sku":"410917","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Galaxy Turquoise","offer_id":43863328129302,"sku":"410918","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/9108f25427d611191fcd701a267bfc1a.jpg?v=1670557319"},{"product_id":"lesser-glow-nullity-12","title":"Lesser Glow \"Nullity *\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e was born from an ever- growing sea of noise, swirling together the sounds of humanity into a churning vat of anonymity, in which as individuals, sometimes we are drowning.\u003c\/p\u003e\r\n\u003cp\u003eThe Boston five-piece's debut album “Ruined” made waves in 2018: a “felicitous nihilistic debut coup” (Metal Hammer) containing “the best doom single of the year” (Visions), making “the excitement of what they might come up with on their sophomore release nearly unbearable upon first listen” (Ghost Cult).\u003c\/p\u003e\r\n\u003cp\u003eWell, here it is: “Nullity” brings an undeniable heaviness, with lyrics and music coexisting in the same beautiful, dynamic and volatile space. Heavy but not excessive. Massive yet not gratuitous.\u003c\/p\u003e\r\n\u003cp\u003eMeticulous. Focused. Direct.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eWe wanted to make the record sound more forward and driving, while implementing a lot more movement into the sounds and mixes. Pull the drums forward. Up the grit a bit more. Give the record more teeth in the heavier moments and more lush space in the melodic and ambient passages. We gave ourselves a lot more time in the studio to track this one over all, diving deeper into tones and choices along the way and leaving time for plenty of experimentation and improvisational passages written in the studio. Overall our approach was consciously much more immersive this time around\u003c\/em\u003e”, comments guitarist Andrew Nault.\u003c\/p\u003e\r\n\u003cp\u003e“Nullity” is based around the concept of human beings existing on earth as parasites. The scope both widens and focuses throughout the course of the record, touching on creation myths, existence within nature, interpersonal and internal struggles, and finishing out with the mass extinction\/cleansing of mankind.\u003c\/p\u003e\r\n\u003cp\u003eThe idea of LESSER GLOW grew as a response to the unrealistic progression of heavy music in recent years... generally feeling over-technical, over-produced and sometimes entirely fake. “\u003cem\u003eI was caught in a major 90s binge, listening to a bunch of stuff like Unsane and Failure, and feeling like that raw, palpable energy and songwriting was slipping away from modern heavy records\u003c\/em\u003e”, comments Nault. “\u003cem\u003eI was tired of genre-choked bands, and missed hearing songs instead of riff parades.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eThe lineup of the band came together organically, “\u003cem\u003ethough now the combination of individuals feels incredibly fortunate\u003c\/em\u003e”, comments Nault. Alec is the sound engineer of \u003cstrong\u003eChelsea Wolfe\u003c\/strong\u003e, Ben is the manager of Cambridge, MA's finest live venue Sinclair, Seth is a session drummer and music teacher and Andrew is not only the guitarist in \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e, but also session drummer for electro-post-hiphop outfit \u003cstrong\u003eArms And Sleepers\u003c\/strong\u003e. The fact that all members are experienced professionals is a restraining factor (when it comes to aligning schedules), but it has also helped the band stay focused on the essentials.\u003c\/p\u003e\r\n\u003cp\u003eWith their upcoming sophomore album “Nullity”, Lesser Glow rips open a massively wide and confident blend of traditional doom meets melodic metal, paired with the likes of hardcore, post hardcore, noise rock, post rock and beyond. Molding all these into one cohesive mix, \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e stand out as a refreshing and unapologetically brutal take on heavy music.\u003c\/p\u003e","brand":"Lesser Glow","offers":[{"title":"Black","offer_id":43863337828630,"sku":"412218","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Milky Clear w\/ Splatter","offer_id":43863337861398,"sku":"412219","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/e35e57de19477d5e1d58bd5f32d6f8a6.jpg?v=1670557746"},{"product_id":"pg-lost-yes-i-am-12","title":"Pg.lost \"Yes I Am\" 12\"","description":"\u003cp\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e need no introduction. For 4 long years, the world has been eagerly awaiting the follow-up album to 2016's critically acclaimed Versus, which in the meantime has become nothing less than a cult album in the post rock world. Despite bass player Kristian Karlsson's heavy engagement in his other band CULT OF LUNA, PG.Lost toured with Versus around the globe, in support of bands like MONO, ALCEST and CULT OF LUNA in Europe, while playing their own headline shows to crowds of 1.000+ in China. The 4 piece from Norrköping, Sweden also appeared at Robert Smith's prestigious Meltdown showcase festival in London, personally chosen by the man himself.\u003c\/p\u003e\r\n\u003cp\u003eWhile the follow-up to Versus is due for a release later this year, to sweeten the wait we are now bringing you a remastered re-release of \u003cstrong\u003epg.lost\u003c\/strong\u003e's debut album, YES I AM, for the first time ever on vinyl. And right here, we'd like to leave you with what the band has to say about this long overdue re-issue themselves.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSometimes when we have listened to those songs that we made roughly fifteen years ago we’ve thought of how we could make them sound better if we recorded them with the skills and knowledge that we have now. We made a halfhearted effort a while ago, and we learned quite quickly that it was not as easy as we thought. Something just got lost in the mix. A feeling. For better or worse that album, as it was recorded in our early twenties, is simply embedded in our DNA and stands as a testament of our evolution as a band. It was Yes I Am that attracted interest from labels and landed us our first record deal. It was those songs that took us out in the world to meet people and do all the things we love that we had only dreamed of before. We still play them live with the same immersive feeling we got when we made them. So now, with all that in mind, when we ask ourselves ”are you proud?” the answer will always be ”Yes I Am!”\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eSo, we are really happy to finally be able to offer you the re-release of ”Yes I Am”. First time on vinyl and with a new\/old design for the CD version. The cover photo is one of the actual spray- painted demos that our friend Andreas made back in the day when we were just kids.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAs a bonus, we’re also including a download of a live recording of our show at ”Östgötateatern” in our hometown Norrköping in 2017 where we played all the songs from the album for the 10th anniversary of its release. It was a project long in the making and possibly the most elaborate and fun gig we’ve ever done. It’s not every day that you have the size and possibilities of a huge professional theatre at your disposal, and the visions and time of the people working there. Everything was mastered by long time collaborator Magnus Lindberg. Enjoy!\u003c\/em\u003e”\u003c\/p\u003e","brand":"Pg.lost","offers":[{"title":"Black","offer_id":43863341498646,"sku":"420134","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Ultraclear w\/ Splatter","offer_id":43863341531414,"sku":"420135","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Pink","offer_id":43863341564182,"sku":"420136","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b39a67ee3d3c16ab9016c44857457a78.jpg?v=1670557786"},{"product_id":"spook-the-horses-empty-body-12","title":"Spook The Horses \"Empty Body\" 12\"","description":"\u003cp\u003eAfter the calm and sublime People Used To Live Here, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, hailing from Wellington, New Zealand deliver their ferocious new album, Empty Body. With distortion levels cranked up, tempoes sped up and songs condensed and stripped down to the bare, ugly essentials, Empty Body comes as a brutal wake-up call within the rampant covid-19 fatigue, and an unexpected surprise in almost every regard.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eWe've always been both a heavy and a quiet band. An entire album of our prettier, more bittersweet inclinations demands a reply of our most aggressive and confrontational. The pendulum must swing back the other way\u003c\/em\u003e“, comments multi-instrumentalist Callum Gay.\u003c\/p\u003e\r\n\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of. \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are such a band. Maybe this multi-instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 4 albums: while 2011's debut album Brighter was defined by sweet post-rock crescendos, 2015's Rainmaker was a much heavier affair. People Used To Live Here (2017) created an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSince we started work on PUtLH years ago we knew the album would need a follow-up that was radically different- almost spitefully different- if only to utterly refuse any trite suggestion that we might be \"maturing\" or mellowing out with time\u003c\/em\u003e“, Gay explains. „\u003cem\u003eWe'd written the song 'Self Destroyer' (off 'Empty Body') somehow concurrently with the early PUtLH demos and it had a sense of momentum to it that immediately engaged us. Once that energy was there it was an obvious choice for the next record, compressing our intuitive emotive peaks into raw forward motion. We all wrote collectively with the new focus in mind.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eSPOOK THE HORSES supported Neurosis in New Zealand in 2018 and THE OCEAN in 2019, and the band was planning to hit European shores this summer. „\u003cem\u003eThis is a rough time for touring musicians everywhere\u003c\/em\u003e“, says Callum Gay. „\u003cem\u003eAlthough our plans to finally visit our European fans and the enormous honour of being asked to play ArcTanGent Festival this year have fallen through for reasons beyond our control, we're looking forward to touring internationally as soon as it's possible. We've had a long time to hone these songs into a razor-sharp edge and we cannot wait to share them with the world.\u003c\/em\u003e“\u003c\/p\u003e","brand":"Spook The Horses","offers":[{"title":"Black","offer_id":43863351427350,"sku":"423903","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Clear Orange \/ White - A-Side \/ B-Side","offer_id":43863351460118,"sku":"423904","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/082c2cefd5af4ca46b637a43e38c4006.jpg?v=1670558362"},{"product_id":"the-ocean-phanerozoic-ii-mesozoic-cenozoic-gatefold-12","title":"The Ocean \"Phanerozoic II: Mesozoic | Cenozoic (Gatefold)\" 12\"","description":"\u003cp\u003e• one LP\u003cbr\u003e• gatefold with diecuts on all 4 panels, blind embossing and metallic inks\u003cbr\u003e• printed inner sleeve and insert sheet\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e1st Edition:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBone Edition (Ltd. to 250) - sold out\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eColour-In-Colour Edition (Ltd. to 250) - sold out\u003cbr\u003eLiquid Edition (Ltd. to 500)\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e2nd Edition:\u003cbr\u003eSupersonic Shockwave Edition (Ltd. to 350) - sold out\u003cbr\u003eRain of Tektites (Ltd. to 650) - sold out\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e3nd Edition:\u003cbr\u003eRadiant Collapse Edition (Ltd. to 100)\u003cbr\u003eDebris Storm Edition (Ltd. to 200)\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003evinyl track listing:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e1.\"Triassic\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e2.\"Jurassic \/ Cretaceous\"\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(featuring Jonas Renkse of Katatonia)\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e3.\"Palaeocene\"\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(featuring Tomas Hallbom of Breach)\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e4.\"Eocene\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e5.\"Oligocene\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e6.\"Miocene \/ Pliocene\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e7.\"Pleistocene\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Ocean","offers":[{"title":"Black","offer_id":43863359062294,"sku":"425721","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Debris Storm Edition","offer_id":43863359095062,"sku":"441514","price":28.0,"currency_code":"USD","in_stock":false},{"title":"Liquid Amber Edition","offer_id":47018618880278,"sku":"441515","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/3de1d1f952ba0f79d6c805c0afb22f05.jpg?v=1670558611"},{"product_id":"kadavar-the-isolation-tapes-12","title":"Kadavar \"The Isolation Tapes\" 12\"","description":"\u003cp\u003e\u003cspan\u003e* Digital download in MP3 \u0026amp; FLAC available on request via \u003cstrong\u003eshop@pelagic-records.com\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Kadavar","offers":[{"title":"Splatter Edition","offer_id":43863361421590,"sku":"430189","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/7b4bdc1149bfece454f6c832e53e489b.jpg?v=1670558910"},{"product_id":"a-swarm-of-the-sun-the-woods-gatefold-12","title":"A Swarm Of The Sun \"The Woods (gatefold)\" 12\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThis item is on pre-order. \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eIt will be available January 29, 2020.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNote: Orders cannot be split into several shipments. Your order will be dispatched when the item with the latest release date is available. Final products might slightly differ from mockups!\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\/\/\u003c\/p\u003e\r\n\u003cp\u003eThe Woods is the 4th album of the Swedish duo \u003cstrong\u003eA SWARM OF THE SUN\u003c\/strong\u003e, originally released in 2019 via the band's own label, and now reissued on vinyl via Pelagic. The album is the follow-up to the critically acclaimed 2015 release, The Rifts. The Woods expands on it's predecessor’s signature sound of cold, emotional and heavy instrumental rock and completes the painting of a bleak and deeply unsettling winter landscape, in sound.\u003c\/p\u003e\r\n\u003cp\u003eThe Woods consists of only three 13- minute pieces. With patient restraint undertones, A SWARM OF THE SUN create a colossal album that immerses the listeners and drags them deeper and deeper into the band's dark waters, from the very beginning of the record until the end. In all the desolation there is a faint glimmer of comfort, the bare comfort of knowing you’re not alone, that you have a companion in the dark.\u003c\/p\u003e\r\n\u003cp\u003eThe album oscillates between moments of stillness and outbreaks of violence and chaos, seamlessly sewn together by a grandiose mix and master realized by long-time collaborator Karl Daniel Lidén (Crippled Black Phoenix, Bloodbath, Breach), who also played drums on the recordings.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eA SWARM OF THE SUN\u003c\/strong\u003e is Erik Nilsson and Jakob Berglund. In 2007 the debut EP The King of Everything was released, followed by the critically acclaimed full-length album Zenith in 2010, and the monumental The Rifts in 2015.\u003c\/p\u003e","brand":"A Swarm Of The Sun","offers":[{"title":"Black","offer_id":43863373807894,"sku":"445648","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Silver Woods Edition","offer_id":43863373840662,"sku":"445649","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/848eb612f05a7ed42b8ca28e2418e0c5.jpg?v=1670559448"},{"product_id":"lizzard-eroded-12","title":"Lizzard \"Eroded\" 12\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThis item is on pre-order. \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eIt will be available February 19, 2020.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNote: Final products might slightly differ from mockups!\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eDigital download in MP3 \u0026amp; HIRES available on request via shop@pelagic-records.com\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\/\/\u003c\/p\u003e\r\n\u003cp\u003eIn early 2021, Eroded comes as a strong, hopeful voice expressing the suppressed yearning for an end of this madness which we all carry inside. \u003cstrong\u003eLIZZARD\u003c\/strong\u003e recorded with Rhys Fulber in L.A. (Paradise Lost, Fear Factory, Front Line Assembly...) who confesses his love for their \"marvelous poly-rhythmical sound\". It is true that \u003cstrong\u003eLIZZARD\u003c\/strong\u003e's songwriting is distinguished by at times intricate rhythmical patterns, but these are always woven into the fabric of immensely catchy song constructs. The technical prowess here is well concealed behind the glaring allure of the immediacy of raw, in your face rock music.\u003c\/p\u003e\r\n\u003cp\u003eFormed in 2006, when Katy Elwell (drums), William Knox (bass) and Mathieu Ricou (guitar \u0026amp; vocals) met and discovered that they shared a common vision in music, \u003cstrong\u003eLIZZARD\u003c\/strong\u003e soon set out to work on their sound with a mission to find their own idiosyncratic approach to contemporary rock music – music that makes confident reference to the past without romaticising it. In many ways, Eroded is a trip back to the best parts of the 90's, but in the sound of 2020.\u003c\/p\u003e\r\n\u003cp\u003eSophomore album Majestic was released in 2014 and met with great critical acclaim: a more spontaneous and raw affair compared to its predecessor, recorded live and produced by the band themselves, the album captures the intense energy the band unleashes on stage. “We’re very much a live band creatively speaking”, says bass player Will Knox. “All of the writing sessions happen in our rehearsal space rather than at home. We believe that to capture any vibe, the chemistry between members needs to occur in real time... at least for us.”\u003c\/p\u003e\r\n\u003cp\u003eShift, released in 2018, opened new doors for the French trio: “\u003cem\u003eLizzard accomplish the perfect balancing act between music that is challenging and catchy in equal measure\u003c\/em\u003e”, Metal Hammer raved. The band opened for Gojira and Terry Bozzio who invited them to perform on Drum Channel, and embarked on month-long European tours with the likes of HIGH ON FIRE, THE PINEAPPLE THIEF and the ADRIAN BELEW POWER TRIO.\u003c\/p\u003e\r\n\u003cp\u003eRecorded during a long month of voluntary isolation at the legendary Castle Studios in Germany, Eroded brings a light at the end of the tunnel: “\u003cem\u003eThe vibe on the album is generally one of hope and an invitation to stay alert to the light within ourselves, and to keep moving towards brighter destinations.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eBring on the future and for once, let it be the past, as we knew it before the pandemic.\u003c\/p\u003e","brand":"Lizzard","offers":[{"title":"Black","offer_id":43863373873430,"sku":"446238","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Orange Moon Edition","offer_id":43863373906198,"sku":"446239","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Abrasive Edition","offer_id":43863373938966,"sku":"446240","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/afe709c7b97982428c549a5c43698081.jpg?v=1670559457"},{"product_id":"johan-g-winther-the-rupturing-sowle-12","title":"Johan G. Winther \"The Rupturing Sowle\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eJOHAN G WINTHER\u003c\/strong\u003e from Gothenburg, Sweden has released 7 albums with his extraordinary and terribly underrated rock band SCRAPS OF TAPE, 3 albums with blackened hardcore band BLESSINGS and a stunning debut album with his new post rock outfit BARRENS last March, which ended up in many year's end lists of 2020, including #7 at Where Postrock Dwells' Top albums of the year.\u003c\/p\u003e\r\n\u003cp\u003e'The Rupturing Sowle' is his solo album, which he recorded in voluntary pre-corona isolation in a small cabin in the Swedish woods.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eI became a father for the first time in 2010, and anyone who has children can attest to the fundamental life changes this brings with it. It forced me to re-evaluate myself down to my core being and made me examine my life and my experiences more thoroughly\u003c\/em\u003e“, comments Winther on the motivational driving force behind the album.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eI started to dream parts of the same dream over and over, bits and pieces slowly coming together into a narrative of sorts. In the summer of 2012, we retreated to our cabin in the middle of Sweden and I started to record pieces to fit the narrative in my head. One of the core concepts were the inborn duality of the human soul, and I tried to represent this on the album by presenting as many ideas and musical parts as pairs, with a light and a dark side to try to create a persistent sense of tension throughout. Beautiful sounds mixed with ugly sounds, sadness mixed with joy, acoustic sounds and electronic sounds.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eThis emotional duality and the diversity of sounds and moods that come with it are what define The Rupturing Sowle – just like in every good dish, where contrasting directions of flavour contradict and compliment one another in equal measure: the salty and the sweet the bitter and the spicy.\u003c\/p\u003e\r\n\u003cp\u003eThe cabin where Winther recorded almost everything on the album plays a pivotal role in the creation of a certain ambiance, a sense of place which is very present in these recordings. „\u003cem\u003eIt’s the one place in this world where I can go and feel totally at home, where I am constantly inspired and at ease. Several tracks and layers were re-amped in the studio room, and I kept every creak of a chair or floor plank in the recordings. All these different sounds of both the cabin and the surrounding area were transformed in my mind to characters in the narrative. I recorded the open fire in the living room and the creaking of the floating jetty down by the lake, birds singing and eerie sounds emanating from the forest in the middle of the night and wrote around them.\u003c\/em\u003e“\u003c\/p\u003e","brand":"Johan G. Winther","offers":[{"title":"Black","offer_id":43863378592022,"sku":"450953","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Outward Bound Edition","offer_id":43863378624790,"sku":"450954","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/73beb4e044a1f8199fb393f8eeaab794.jpg?v=1670559629"}],"url":"https:\/\/pelagic.indiemerch.com\/collections\/12.oembed","provider":"Pelagic Records","version":"1.0","type":"link"}