{"title":"2xCD","description":null,"products":[{"product_id":"pelagic-records-in-the-twilight-these-rocks-have-teeth-2xcd","title":"Pelagic Records \"In The Twilight, These Rocks Have Teeth\" 2xCD","description":"\u003cp\u003e„\u003cem\u003eFounded in 2009 by THE OCEAN guitarist Robin Staps, PELAGIC RECORDS has become an increasingly vital outlet for modern progressive metal, post-metal and beyond\u003c\/em\u003e“, ROCK-A-ROLLA wrote last year in their \u003cstrong\u003ePELAGIC RECORDS\u003c\/strong\u003e label feature, and German Prog magazine ECLIPSED added that PELAGIC has established itself as „\u003cem\u003eone of the most influential labels\u003c\/em\u003e“ in the realm of post metal, post rock and prog.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eIts been a slow, gradual growth process\u003c\/em\u003e“, Staps comments. „\u003cem\u003eI never had career ambitions with this label, and sometimes this old-school DIY approach to things has really helped me focus on the essentials, and on maintaining a high standard of quality without being focused too much on success and numbers. 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Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with THROBBING GRISTLE members Chris \u0026amp; Cosey as well as appearing on early albums by CURRENT 93, NURSE WITH WOUND and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader’s First Reformed. Additionally he created several video game soundtracks, television scores and solo albums, as well as collaborating with artists as varied as THE MELVINS, CLOCK DVA, JARBOE, John Balance of COIL, Paul Haslinger (TANGERINE DREAM), PUSCIFER, Wes Borland and more, including Grammy Award-winners TOOL on their much acclaimed effort Fear Inoculum. 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