{"title":"3x12\"","description":null,"products":[{"product_id":"the-ocean-precambrian-3x12","title":"The Ocean \"Precambrian\" 3x12\"","description":"\u003cp\u003eFew albums still feel relevant, fresh and contemporary-sounding, 10 years after their original release. THE OCEAN’s \u003cem\u003ePrecambrian\u003c\/em\u003e, originally released in November 2007, is such a case: the band’s musically most mature and versatile album to that date, \u003cem\u003ePrecambrian\u003c\/em\u003e is an album distinguished by complex yet intimate songwriting, huge orchestrations, subtle electronic textures and immense harmonic and dynamic density. With guests appearances by Caleb Scofield (Cave In, Old Man Gloom), Nate Newton (Converge, Doomriders), Tomas Hallbom (Breach), Eric Kalsbeek (Textures) and musicians from the Berlin Philharmonic Orchestra, \u003cem\u003ePrecambrian \u003c\/em\u003eremains a career-defining milestone for the band, and still a fan’s favourite.\u003c\/p\u003e\r\n\u003cp\u003eWhile THE OCEAN have been focusing on their latest album \u003cem\u003ePelagial\u003c\/em\u003e on recent tours, the band is planning to revisit \u003cem\u003ePrecambrian\u003c\/em\u003e with a few select 10th anniversary shows in 2018 — and possibly even more than that: \u003cem\u003e“There is a gap between ‘Precambrian‘ and ‘Heliocentric‘, both conceptually and musically… and it’s a tempting idea to fill that gap with a new album, that would connect the two”,\u003c\/em\u003e Robin Staps comments.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe 10th anniversary edition comes with a brand new studio re-recording of 10-minutes opener \u003cem\u003eRhyacian\u003c\/em\u003e, featuring the current lineup with Loic Rossetti on vocals, Paul Seidel on drums and Mattias Hägerstrand on bass.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e• 3 LPs in 3 different vinyl colour style\u003c\/p\u003e\r\n\u003cp\u003e• same packaging as the original ltd. edition: gatefold with an extra thick spine, diecut holes, special metallic inks, UV spot gloss varnish\u003c\/p\u003e\r\n\u003cp\u003e• printed inner sleeves, 2 inlays\u003c\/p\u003e\r\n\u003cp\u003e• download code\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“Epic in scope and flawless in execution, “Precambrian” reinforces The Ocean as one of the most exciting names in modern heavy music. Behold mind-blowing metal on a wagnerian scale” – Rock Sound (UK), 9\/10\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“Full of cinematic breadth and orchestral majesty, it’s easy to get lost in the album’s 80 minutes of rhythmic sea changes and powerful riffing. The Ocean excel in their idiosyncratic nuances and hammering insistence on this Teutonic paean to Earth’s geology” – Revolver (USA), 4\/5\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“Ambitious and epic, dense and orchestral, the latest album from Germany’s premier thinking man’s metal collective The Ocean features a dizzying array of musical and vocal styles, from Mastodonian prog jags and Fear Factory jackhammer blasts to ethereal electronics and florid classical instrumentations” – AMP (USA), 4\/5\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“… engrossing to the point where words don’t necessarily matter: The Ocean do for earth science class what Mastodon did for Melville: make learning brutal” – Decibel (USA), 9\/10\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e“An ape-sized thorn to religious types who believe Earth is 2000 years old. Badalamenti-inspired passages and heaps of classical instrumentation finding a healthy home during the ascents and descents of crooned dark rock, Mr. Bungle-playfulness, Neur-Isis dirges and DEP\/NIN electronica. Astounding work.” – Terrorizer (UK), 9 \/10\u003c\/em\u003e\u003c\/p\u003e","brand":"The Ocean","offers":[{"title":"Statherian Edition","offer_id":43863292641558,"sku":"494416","price":55.0,"currency_code":"USD","in_stock":false},{"title":"Cryogenian Edition","offer_id":43863292608790,"sku":"494417","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/92b58ad494205db480db8479ac986b9a.jpg?v=1670555280"},{"product_id":"the-ocean-phanerozoic-live-3x12","title":"The Ocean \"Phanerozoic Live\" 3x12\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDue to this item being an import, the ship date has been set to allow for potential delays. We expect the item to ship sooner and we will adjust the ship date once we have final confirmation.  \u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Berliners present an unusual live album that is a testimony of strange times: their Phanerozoic concept album performed live in its entirety at a time when no shows were happening anywhere in the world. 3 LPs \/ 2 CDs, DVD and access to HD video download and streaming.\u003c\/p\u003e\n\u003cp\u003eOn September 25, 2020, in the middle of the global pandemic, \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e released their 9th studio album Phanerozoic II, the concluding episode of a conceptual trilogy that began with Precambrian 13 years before – and even without any touring to support the new album release, Phanerozoic II entered the official German album charts at #9.\u003c\/p\u003e\n\u003cp\u003eWith no end of lockdowns in sight, the band decided to thank their fans for the support with 2 streaming concerts, performing both Phanerozoic albums in their entirety: Phanerozoic I was streamed live from Pier 2, a big hall in the port of Bremen, on March 25, 2021. With more than 1.500 tickets sold, it was the most successful show of the popular “Club 100” streaming events series thus far.\u003c\/p\u003e\n\u003cp\u003eThe day after this event, the band retreated to synth player and sound designer Peter Voigtmann's rural studio “Die Mühle”, just outside of Bremen. Here, the band rehearsed and recorded Phanerozoic II in its entirety during the following 3 days. The performance aired on April 16 as part of the digital edition of Roadburn Festival, this year abtly named Roadburn Redux.\u003c\/p\u003e\n\u003cp\u003eBoth shows couldn't have been more different: where the first part boasts with a pompous, mesmerizing lighting production on a big stage, the 2nd part is quite the opposite: intimate, almost cosy, focused on musicianship rather than performance. A stripped down setup in a dark barn, with moody, minimal but not any less efficient lighting.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eWe wanted to give people 2 totally different experiences\u003c\/em\u003e”, says band leader Robin Staps. “\u003cem\u003eIn Bremen, we had the chance to record a proper Ocean live show, the way people know us. We played facing towards the front of the stage, to an invisible crowd, essentially to a huge empty room... but we knew people were watching, even if we didn't see them. There was the same rush of adrenaline right before going on stage as you get before going on at any big open air festival... maybe with a little extra anxiety added, because knowing that so many people are watching you without being able to see them yourself was super weird.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eDespite these surreal circumstances, \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e's performance in Bremen felt like a real live show, for everyone watching: the energy spilled over to thousands of people from all over the world watching from their homes, who clotted the band's instagram story with hundreds of shares and comments. The crazy response was another testimony to how much we were all missing live music at this time: to watch a band connect with their crowd at home in this very intense way was an experience that was oddly beautiful and frustrating in equal measure.\u003c\/p\u003e\n\u003cp\u003eAfter this special and invigorating experience, it was clear that the 2nd part had to be intentionally different. “\u003cem\u003eWe wanted to do something more cinematic visually, and at the same time more intimate, we wanted to capture the feeling of the 6 of us in a relatively small, confined space, facing each other, in a circle... without the crowd playing any role or being any part of this equation\u003c\/em\u003e”, says Staps. “\u003cem\u003eIt was March and the room that we spent the whole day in was cold, but that was part of the vibe. We had to warm up our fingers constantly.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eMuch like the first part, the band performed the album live, all together in one room, several times during one long day. The best take was chosen, then mixed by long term live sound engineer Chris Edrich. Dana Schecter (Swans, Insect Ark) created animations of the iconic “collision” motive of the Phanerozoic II album art, specifically for the premiere at Roadburn Festival 2 weeks later, where it aired on Friday night as the highlight and headlining act of the band's own Pelagic Records showcase.\u003c\/p\u003e\n\u003cp\u003eThe logistics and preparations for these 2 events were as challenging as one can imagine: bass player Mattias Hägerstrand flew in from Stockholm and had to quarantine in Berlin before rehearsals. None of the band members (or anyone their age group, for that matter) was vaxxed at that time, and before the Bremen event the entire band and crew were tested outside of the venue, before anyone was allowed to enter. Masks had to be worn at all times until show start, even during soundcheck.\u003c\/p\u003e\n\u003cp\u003ePhanerozoic Live is a live album like no other – it is a live album that was recorded in a cultural vacuum, a bizarre time that we will remember for the rest of our lives: a time when the world as we knew it suddenly stopped spinning. It is a live album that does without all the qualities that we usually appreciate about a live album: without the sounds of a cheering, exited crowd. But it is the very absence of this, it is the eery silence between the songs that reminds us of what we miss most, and that gives these recordings a rare intensity and power.\u003c\/p\u003e\n\u003cp\u003eThis release is yet another master class of record packaging from Norwegian artist and long term friend and collaborator, Martin Kvamme: the trifold is made from thick, rough and incredibly fibrous cardboard, adorned with a filigrane copper foil embossing of a bitmapped live fotography from the Bremen event. It contains 3 vinyl records in printed inner sleeves, a DVD and a concert ticket with a streaming and HD video download link to both concerts.\u003c\/p\u003e","brand":"The Ocean","offers":[{"title":"Black","offer_id":43863407755542,"sku":"474929","price":49.0,"currency_code":"USD","in_stock":true},{"title":"Cambrian Edition","offer_id":43863407788310,"sku":"474930","price":53.0,"currency_code":"USD","in_stock":true},{"title":"Devonian Edition","offer_id":44751668871446,"sku":"474931","price":53.0,"currency_code":"USD","in_stock":false},{"title":"Permian Edition","offer_id":44751668969750,"sku":"474932","price":53.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/7f04e202d6c454a07bad6ae7fb141223.jpg?v=1670561982"},{"product_id":"lustmord-the-others-3x12","title":"Lustmord \"The Others\" 3x12\"","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDue to this item being an import, the ship date has been set to allow for potential delays. We expect the item to ship sooner and we will adjust the ship date once we have final confirmation.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eThe relation with the Other, or Conversation, is a non-allergic relation, an ethical relation; but inasmuch as it is welcomed this conversation is a teaching.\u003c\/em\u003e” — Emmanuel Levinas in Totality and Infnity, an Essay on Exteriority.\u003c\/p\u003e\n\u003cp\u003eBerlin-based independent music label Pelagic Records commemorates the work of electronic music pioneer \u003cstrong\u003eLUSTMORD\u003c\/strong\u003e by releasing a boxset titled The Other, based around his tenth studio album [ O T H E R ], originally released in 2008 and to date the only LUSTMORD album with guitars on it, performed by Adam Jones (TOOL), King Buzzo (THE MELVINS) and Aaron Turner (ISIS).\u003c\/p\u003e\n\u003cp\u003eNext to this seminal mid-career opus, the boxset contains the two remix albums Beyond and The Dark Places of the Earth, as well as a new 3LP album of Lustmord tracks reinterpreted by some of the spearheads of the contemporary heavy music scene – and beyond: \u003cstrong\u003eULVER\u003c\/strong\u003e, \u003cstrong\u003eENSLAVED\u003c\/strong\u003e, \u003cstrong\u003eGODFLESH\u003c\/strong\u003e, \u003cstrong\u003eMONO\u003c\/strong\u003e, \u003cstrong\u003eZOLA JESUS\u003c\/strong\u003e, \u003cstrong\u003eBOHREN \u0026amp; DER CLUB OF GORE\u003c\/strong\u003e, \u003cstrong\u003eSTEVE VON TILL\u003c\/strong\u003e, \u003cstrong\u003eIHSAHN\u003c\/strong\u003e, \u003cstrong\u003eJAYE JAYLE\u003c\/strong\u003e, \u003cstrong\u003eJO QUAIL\u003c\/strong\u003e, \u003cstrong\u003eSPOTLIGHTS\u003c\/strong\u003e, \u003cstrong\u003eKATATONIA\u003c\/strong\u003e's \u003cstrong\u003eJONAS RENKSE\u003c\/strong\u003e, \u003cstrong\u003eALEXANDER HACKE\u003c\/strong\u003e's (\u003cstrong\u003eEINSTÜRZENDE NEUBAUTEN\u003c\/strong\u003e) new band \u003cstrong\u003eHACKEDEPICIOTTO\u003c\/strong\u003e, as well as fellow Pelagic artists \u003cstrong\u003eMONO\u003c\/strong\u003e, \u003cstrong\u003eTHE OCEAN\u003c\/strong\u003e, \u003cstrong\u003eÅRABROT\u003c\/strong\u003e and \u003cstrong\u003eCROWN\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Others (Lustmord Deconstructed) is a celebration of the fearless attitude of being different and the expression of unique ideas which have never existed before.\u003c\/p\u003e\n\u003cp\u003eLUSTMORD is the artistic moniker of Brian Williams. Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with THROBBING GRISTLE members Chris \u0026amp; Cosey as well as appearing on early albums by CURRENT 93, NURSE WITH WOUND and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader’s First Reformed. Additionally he created several video game soundtracks, television scores and solo albums, as well as collaborating with artists as varied as THE MELVINS, CLOCK DVA, JARBOE, John Balance of COIL, Paul Haslinger (TANGERINE DREAM), PUSCIFER, Wes Borland and more, including Grammy Award-winners TOOL on their much acclaimed effort Fear Inoculum. To this day, Lustmord is actively recording and releasing music, his latest release being the collaborative album Alter with Karin Park of ÅRABROT, and he is considered to be the founding father of the dark ambient music genre.\u003c\/p\u003e\n\u003cp\u003e[ O T H E R ] was originally released by independent record label Hydra Head Records, founded by ISIS frontman Aaron Turner and former home of bands such as CONVERGE, PELICAN, JESU, SUN O))) or BORIS. As one journalist put it at the time, [ O T H E R ] is a “grim example of a consummate artist who is working frmly within the parameters that he has laid out for himself over the years.” This album shows Lustmord at his most characteristic, and the icy, ominous guitar playing of Jones, Turner and Ozborne resonates perfectly within the deep soundscapes that make up this frightening yet inspiring journey. As a matter of fact, the material on [ O T H E R ] is so powerful that it moved Williams to create two ambient remix versions of it, and one dub remix EP exploring the sounds of this record to the greatest extend of his ability.\u003c\/p\u003e\n\u003cp\u003eOver 13 years after the release of [ O T H E R ] , Pelagic Records has gathered 16 bands and solo artists to record their own unique takes on tracks from the Other-sessions. The result is an album that is more than a compilation, and more than the sum of its parts; covering a wide range of musical niches and directions, but sharing the same underlying mood and vibe defined by Lustmord's timeless soundscapes: from the ambient solo performances provided by IHSAHN, ENSLAVED or JONAS RENKSE to the subdued voice of ZOLA JESUS woven into Lustmord's sombre fabric to the industrial carnage that is GODFLESH's version of 'Ashen'.\u003c\/p\u003e\n\u003cp\u003eWhat demonstrates the profound influence of Lustmord on this contemporary music underground showcased here is that artists from disparate ends of the sonic spectrum all feel inspired to explore the essence of his idiosyncratic sounds within their own realm: experimental electronica icons ULVER excel on a stunning, hazy rendition of ‘Godeater’, while Japanese post-rock act MONO deliver a crushing version of ‘Er Eb Os’, and THE OCEAN take us on a cathartically heavy mindtrip back to our 'Primal [State of Being]'. In the end, each of these 16 artists delivers an interpretation that pays the deepest respect to this pivotal artist, while also standing out as a new track of its own.\u003c\/p\u003e\n\u003cp\u003eAs Williams himself often puts it in interviews: “Copying someone you like with the right equipment isn’t going to be the least bit interesting. What matters is that you have good ideas and interesting things to say.” The Others (Lustmord Deconstructed) is not only a tribute and an excellent entry points into the discography of the founding father of dark ambient. 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