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While the band has been secretly working on another special project due for a 2016 release, there was some extra studio time left to record a cover song. \u003c\/span\u003e\u003cspan\u003eGuitar \u003c\/span\u003e\u003cspan\u003eplayer and main song writer Johannes Persson comments: \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI discovered Amebix pretty late but when I did it was like discovering a musical father I never knew I had. The monolith album was before it’s time and deserves much more recognition for being on the musical fore front. It’s harsh and bleak and was the soundtrack of last winter for me. 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The songs are well-crafted and have a larger scope, the sound is heavy yet organic, there is a great harmonic density behind the stupefyingly heavy riffs and the band sounds tighter than ever before. One of the reasons might be that drummer Adrian Griffin, who had spent the last 7 years in Asia, moved back to Australia. “\u003cem\u003eThis time we had much more time to all be together as a band and really work on the songs properly instead of the last minute rush that usually happens. I think we all felt more connected now having Adrian back in the country\u003c\/em\u003e”, comments guitarist Carl Whitbread.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eLo! have come to remind you of glorious times, times when Mastodon were using samples of Jurassic Park to kick off their records\u003c\/em\u003e”, Metal Hammer (UK) wrote about the band's debut album LOOK AND BEHOLD. And in fact, song titles like MEGAFAUNA or HALL OF EXTINCT MAMMALS show that \u003cstrong\u003eLo!\u003c\/strong\u003e have always been interested in man’s relationship with the natural world. Themes of extinction, circuses and animal exploitation were explored on the band's 2015 EP THE TONGUELESS -- “\u003cem\u003e...so it was a nice lead in to where we are at now on VESTIGIAL, with a revisit of the outro from the EP as the intro on Album 3\u003c\/em\u003e”, vocalist Sam Dillon comments.\u003c\/p\u003e\r\n\u003cp\u003eA world where politics resemble black comedies, where guns have become an aspect of culture and where addiction to technology is the norm is at the lyrical heart of VESTIGIAL. “\u003cem\u003eThere are several repeated characters throughout the album; the JUDAS STEER, the LOCUST CHRIST... these are anti heroes, the wolves among sheep figuratively. 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Maybe this multi- instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 3 albums: while 2011's debut album „Brighter“ was defined by sweet post-rock crescendos, 2015's „Rainmaker“ was a much heavier affair, that would appeal to fans of Cult Of Luna or Amen Ra.\u003c\/p\u003e\r\n\u003cp\u003e„People Used To Live Here“, in quiet stark contrast to the before mentioned, sees the band turn the distortion knobs way down, to a mildly saturated crunch tone, at most. “\u003cem\u003eWriting this album gave us the ability to experiment with song ideas we felt weren’t appropriate on our previous albums\u003c\/em\u003e“, Zach Meech comments.\u003c\/p\u003e\r\n\u003cp\u003eThe band's most daring effort to date, „People Used to Live Here“ explores the natural and immediate. 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The fact that all members are experienced professionals – engineers \u0026amp; session musicians – has certainly helped \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e to accomplish the simplicity that makes this record what it is: heavy.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eI tried to keep that simplicity in mind during the recording process, don't over play or worry about shredding to fill space\u003c\/em\u003e”, comments bass player Scott Conza. “\u003cem\u003eJust as important as choosing when to play, is choosing when not to play.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eWith their upcoming debut release “Ruined”, \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e rips open a massively wide and confident blend of traditional doom meets melodic metal, paired with the likes of hardcore, post hardcore, noise rock, post rock and beyond. 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The three previous releases were kind of worriless, innocent and circled around themes such as life, death, being young, growing up, accepting things as they evolve and unfold. Quite simple and maybe, a bit nostalgic and probably naive”, comments Jeppe Nygaard Christensen.\u003c\/p\u003e\r\n\u003cp\u003eHow Are We To Fight The Blight? displays a band that has lost this innocence, in favour of reflection, growth and maturity... and yet fresh, dedicated and honing their craft. When the band members came back together, after a lengthy phase of focusing on other aspects of life outside of music, everyone came to the conclusion, collectively and individually, that they wanted to bring this band back to life.\u003c\/p\u003e\r\n\u003cp\u003eThe tracking of the album took place in Copenhagen at two different studios. 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The lightness and more ‘positive’ feel of Anders’ production needed a counterpart and some focus on the heavier and more uncompromising elements in THE SHAKING SENSATIONS' sound. “One of Magnus’ biggest talents is to combine a heavy, dark and extremely tight sound, with the airy feeling from indie-pop, but also the chaos and unconventional ways of arranging and performing instrumental music”, Christensen says.\u003c\/p\u003e\r\n\u003cp\u003eTHE SHAKING SENSATIONS are the next band to follow in the footsteps of great Danish independent music culture, incarnated by bands such as Efterklang, Slaraffenland and Lis Er Stille.\u003c\/p\u003e","brand":"The Shaking Sensations","offers":[{"title":"Default Title","offer_id":43863315480854,"sku":"335913","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/f8226e31e5f034d5db06eb7634764011.jpg?v=1670556645"},{"product_id":"astrosaur-obscuroscope-cd","title":"Astrosaur \"Obscuroscope\" CD","description":"\u003cp\u003e\u003cstrong\u003eASTROSAUR\u003c\/strong\u003e's virtuous necro-nautic universe consists of equal parts instrumental rock and post-metal, studded with lavish prog-, jazz- mathrock- and black metal ornaments.\u003c\/p\u003e\r\n\u003cp\u003e„The general public perceives academia and heavy metal as rivals, but ASTROSAUR, whose members studied at the Conservatory of Music in Kristiansand, lean toward the intellectual without sacrificing any authenticity“, Invisible Oranges said about the Oslo 3-piece. 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Final products might slightly differ from mockups!\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\/\/\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBARRENS\u003c\/strong\u003e is a new trio from Gothenburg, Sweden, featuring 2 members of SCRAPS OF TAPE, a band that has been releasing albums on Denovali Records and touring for over 20 years, and whose last album “The Will To Burn” is an incredibly underrated masterpiece.\u003c\/p\u003e\r\n\u003cp\u003eThere is obviously lots of common ground between what the two bands do musically, yet \u003cstrong\u003eBARRENS\u003c\/strong\u003e develop their own idiosyncratic sound on their stunning debut album PENUMBRA: driven by synths equally as by guitars, Penumbra is oscillating between the dark and the brighter side of post rock, but leaning more towards the dark. The album is conceptually circling around topics like change, metamorphosis and transformation, „\u003cem\u003eespecially movement into, through and out of shadows and back again\u003c\/em\u003e“, guitarist Johan G Winther explains. „\u003cem\u003eBeing both lost in darkness, yet finding comfort there. Seeking it. Afloat in blinding light, suspended in darkness\u003c\/em\u003e”, as it is etched into the vinyl. \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBARRENS\u003c\/strong\u003e were already touring together before they were even a band. In 2018, Markku Hildén joined Scraps of Tape, Johan and Kenta's other band, as a live drummer for two tours of Europe and a tour of China. „\u003cem\u003eFinding an immediate chemistry between us both playing and hanging out, we quickly realised we had very similar ideas regarding music and creating art together. So the outlines for what BARRENS would become were sketched out back then in vans, trains, planes and over post-show beers at local bars\u003c\/em\u003e“, comments bass player Kenta Jansson. Once back home, the newly formed band started writing demos, drawing inspiration from new sources and venturing through both well known and unknown territories. In the summer of 2019, PENUMBRA was recorded in Uppsala and Gothenburg and produced by the band, and mixed and mastered by CULT OF LUNA's Magnus Lindberg at Redmount Studios in Stockholm.\u003c\/p\u003e\r\n\u003cp\u003ePENUMBRA is dense, sophisticated, deep, mature, overwhelming, minimalist and elaborate all at the same time. It does not sound like a debut album of a new band, but more like an intuitive but also carefully reflected creation of musicians fused together by a long and strong bond. „\u003cem\u003eWe all have in common that creating music is a cathartic release. 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And what a rare gift that is, in our safe world of comfort stable mediocrity, where security has become the ultimate value.\u003c\/p\u003e\r\n\u003cp\u003eBy that, BEAR revoke the spirit of great hardcore bands of the 90's... bands like Catharsis or Gehenna, bands whose raw energy, uncompromising delivery and relentlessly violent performance was as energizing and invigorating as it was puzzling for the oftentimes baffled audience, who had their teeth caved in by guitars thrown in their direction, and a bearded front man caving through them like a derailed freight train, coming to a flaming halt at the end of the room, behind the mixing desk.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBEAR\u003c\/strong\u003e hail from Antwerp, Belgium's 2nd largest city and home to a thriving local metal and hardcore scene ever since the 90's, which is when members of BEAR first met at a local venue where all punk- \u0026amp; hardcore-bands made a stop when touring Europe. 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Fear the \u003cstrong\u003eBEAR\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Bear","offers":[{"title":"Default Title","offer_id":43863327703318,"sku":"376363","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/198d4ce140201645cb38bc168d593561.jpg?v=1670557310"},{"product_id":"wang-wen-0-7-cd","title":"Wang Wen \"0.7\" CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThis item is on pre-order. It will be available May 15, 2020.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNote: Orders cannot be split into several shipments. 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Heavy but not excessive. Massive yet not gratuitous.\u003c\/p\u003e\r\n\u003cp\u003eMeticulous. Focused. Direct.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eWe wanted to make the record sound more forward and driving, while implementing a lot more movement into the sounds and mixes. Pull the drums forward. Up the grit a bit more. Give the record more teeth in the heavier moments and more lush space in the melodic and ambient passages. We gave ourselves a lot more time in the studio to track this one over all, diving deeper into tones and choices along the way and leaving time for plenty of experimentation and improvisational passages written in the studio. Overall our approach was consciously much more immersive this time around\u003c\/em\u003e”, comments guitarist Andrew Nault.\u003c\/p\u003e\r\n\u003cp\u003e“Nullity” is based around the concept of human beings existing on earth as parasites. The scope both widens and focuses throughout the course of the record, touching on creation myths, existence within nature, interpersonal and internal struggles, and finishing out with the mass extinction\/cleansing of mankind.\u003c\/p\u003e\r\n\u003cp\u003eThe idea of LESSER GLOW grew as a response to the unrealistic progression of heavy music in recent years... generally feeling over-technical, over-produced and sometimes entirely fake. “\u003cem\u003eI was caught in a major 90s binge, listening to a bunch of stuff like Unsane and Failure, and feeling like that raw, palpable energy and songwriting was slipping away from modern heavy records\u003c\/em\u003e”, comments Nault. “\u003cem\u003eI was tired of genre-choked bands, and missed hearing songs instead of riff parades.\u003c\/em\u003e”\u003c\/p\u003e\r\n\u003cp\u003eThe lineup of the band came together organically, “\u003cem\u003ethough now the combination of individuals feels incredibly fortunate\u003c\/em\u003e”, comments Nault. Alec is the sound engineer of \u003cstrong\u003eChelsea Wolfe\u003c\/strong\u003e, Ben is the manager of Cambridge, MA's finest live venue Sinclair, Seth is a session drummer and music teacher and Andrew is not only the guitarist in \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e, but also session drummer for electro-post-hiphop outfit \u003cstrong\u003eArms And Sleepers\u003c\/strong\u003e. The fact that all members are experienced professionals is a restraining factor (when it comes to aligning schedules), but it has also helped the band stay focused on the essentials.\u003c\/p\u003e\r\n\u003cp\u003eWith their upcoming sophomore album “Nullity”, Lesser Glow rips open a massively wide and confident blend of traditional doom meets melodic metal, paired with the likes of hardcore, post hardcore, noise rock, post rock and beyond. Molding all these into one cohesive mix, \u003cstrong\u003eLESSER GLOW\u003c\/strong\u003e stand out as a refreshing and unapologetically brutal take on heavy music.\u003c\/p\u003e","brand":"Lesser Glow","offers":[{"title":"Default Title","offer_id":43863338549526,"sku":"412229","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/96f4377b31f5b945bcb5eb9f51d7555d.jpg?v=1670557755"},{"product_id":"pg-lost-yes-i-am-cd","title":"Pg.lost \"Yes I Am\" CD","description":null,"brand":"Pg.lost","offers":[{"title":"Default Title","offer_id":43863350051094,"sku":"420137","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/23e16df859dca0439ab54fa982bead33.jpg?v=1670558314"},{"product_id":"spook-the-horses-empty-body-cd","title":"Spook The Horses \"Empty Body\" CD","description":"\u003cp\u003eAfter the calm and sublime People Used To Live Here, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, hailing from Wellington, New Zealand deliver their ferocious new album, Empty Body. With distortion levels cranked up, tempoes sped up and songs condensed and stripped down to the bare, ugly essentials, Empty Body comes as a brutal wake-up call within the rampant covid-19 fatigue, and an unexpected surprise in almost every regard.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eWe've always been both a heavy and a quiet band. An entire album of our prettier, more bittersweet inclinations demands a reply of our most aggressive and confrontational. The pendulum must swing back the other way\u003c\/em\u003e“, comments multi-instrumentalist Callum Gay.\u003c\/p\u003e\r\n\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of. \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are such a band. 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