{"title":"LLNN","description":null,"products":[{"product_id":"llnn-loss-12","title":"LLNN \"Loss\" 12\"","description":"\u003cp\u003eWhen I first saw\u003cstrong\u003e LLNN\u003c\/strong\u003e live last year, at one of Berlin’s last true refuges of underground punk, the crusty „Koma F“ basement located right underneath the legendary Köpi squat, I felt reminded of watching pre- TRAGEDY outfit HIS HERO IS GONE many years ago, live in Bremen: a small crowd in a small room, the musicians standing among the audience on the floor, screaming in their faces. A small crowd exposed to an assault of abrasive guitars, fierce drum fills and ferocious vocals, crashing over them like a derailed freight train… the air saturated with vented frustration, hopelessness, despair and violence… a cathartic experience for the audience as much as for the musicians. And an utterly positive one.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLLNN\u003c\/strong\u003e have that same raw, vile, cold and crushingly destructive energy that I found so attractive as a teenager slowly getting involved with hardcore punk, that made me love bands like Rorschach, Groundwork, Neurosis, Absinthe, Unbroken or Breach.\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLoss\u003c\/em\u003e\", which was recorded live in the studio, sounds so dense and overwhelming that I was surprised to learn that \u003cstrong\u003eLLNN\u003c\/strong\u003e are a fairly new band, formed in Copenhagen in 2014 - but the members are veterans in the local hardcore and metal scene, and have played in internationally touring bands like THE PSYKE PROJECT. It is this experience that comes with the awareness that the true power of heaviness lies in simplicity: in reducing a musical idea to its (hard) core, to its essence, rather than overloading songs with trivial details that would only blur the mix.\u003c\/p\u003e\r\n\u003cp\u003eOne of the unexpected and outstanding elements on \"\u003cem\u003eLoss\u003c\/em\u003e\" are the apocalyptic wave synths, which take you on a journey back in time, back past NEUROSIS” „Souls At Zero“ era into the early 80s. \"\u003cem\u003eIt took us 7 months to find the right synths for the vision we were after\"\u003c\/em\u003e, comments drummer Rasmus G. Sejersen. \"\u003cem\u003eMy brother and I saw a lot of 80s sci-fi flicks to get into the right mood. It was a great creative period.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black","offer_id":43863250895126,"sku":"171028","price":17.0,"currency_code":"USD","in_stock":false},{"title":"Rapture Edition","offer_id":43863250927894,"sku":"509368","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/62c5828a6e08ab35d13079d90fc66607.jpg?v=1670553922"},{"product_id":"llnn-loss-cd","title":"LLNN \"Loss\" CD","description":"\u003cp\u003eWhen I first saw\u003cstrong\u003e LLNN\u003c\/strong\u003e live last year, at one of Berlin’s last true refuges of underground punk, the crusty „Koma F“ basement located right underneath the legendary Köpi squat, I felt reminded of watching pre- TRAGEDY outfit HIS HERO IS GONE many years ago, live in Bremen: a small crowd in a small room, the musicians standing among the audience on the floor, screaming in their faces. A small crowd exposed to an assault of abrasive guitars, fierce drum fills and ferocious vocals, crashing over them like a derailed freight train… the air saturated with vented frustration, hopelessness, despair and violence… a cathartic experience for the audience as much as for the musicians. And an utterly positive one.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLLNN\u003c\/strong\u003e have that same raw, vile, cold and crushingly destructive energy that I found so attractive as a teenager slowly getting involved with hardcore punk, that made me love bands like Rorschach, Groundwork, Neurosis, Absinthe, Unbroken or Breach.\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eLoss\u003c\/em\u003e\", which was recorded live in the studio, sounds so dense and overwhelming that I was surprised to learn that \u003cstrong\u003eLLNN\u003c\/strong\u003e are a fairly new band, formed in Copenhagen in 2014 - but the members are veterans in the local hardcore and metal scene, and have played in internationally touring bands like THE PSYKE PROJECT. It is this experience that comes with the awareness that the true power of heaviness lies in simplicity: in reducing a musical idea to its (hard) core, to its essence, rather than overloading songs with trivial details that would only blur the mix.\u003c\/p\u003e\r\n\u003cp\u003eOne of the unexpected and outstanding elements on \"\u003cem\u003eLoss\u003c\/em\u003e\" are the apocalyptic wave synths, which take you on a journey back in time, back past NEUROSIS” „Souls At Zero“ era into the early 80s. \"\u003cem\u003eIt took us 7 months to find the right synths for the vision we were after\"\u003c\/em\u003e, comments drummer Rasmus G. Sejersen. \"\u003cem\u003eMy brother and I saw a lot of 80s sci-fi flicks to get into the right mood. It was a great creative period.\u003c\/em\u003e\"\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Default Title","offer_id":43863250960662,"sku":"171029","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b95f5943624d22465fd1e69bff8cbeb8.jpg?v=1670553926"},{"product_id":"llnn-deads-12","title":"LLNN \"Deads\" 12\"","description":"\u003cp\u003eCopenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e burst onto the international scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „\u003cem\u003eabsolute raging rawness\u003c\/em\u003e“, as Terrorizer put it. But there is more to \u003cstrong\u003eLLNN\u003c\/strong\u003e's sound than that: „\u003cem\u003ethe wavering drone synths that are effortlessly merged with a raw hardcore-driven darkness define the subtle idiosycratic nuances of \u003cstrong\u003eLLNN\u003c\/strong\u003e's very unsubtle, painfully overwhelming sound.\u003c\/em\u003e“ (The Sludgelord).\u003c\/p\u003e\r\n\u003cp\u003eAfter a split EP with LA's WOVOKA in the summer of 2017, \u003cstrong\u003eLLNN\u003c\/strong\u003e now return with their sophomore album, „Deads“, which evades all the pitfalls of the sophomore slump. Produced by Jacob Bredahl and mastered by Tue Madsen, „Deads“ is an erosive, abrasive, dystopian, apocalyptic monolith of monstrous dimensions.\u003c\/p\u003e\r\n\u003cp\u003eCompared to its predecessor, „Deads“ is more compact, yet more complex and organic all at the same time. The band has now perfectionized the amalgamization of the stringed instruments section (bass, guitar) with keys player Ketil Sejersen's very dominant 80's Sci- Fi movie-esque synth layers, which are inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo and Limbo.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSome of the synth sounds on the album consists of recordings from everyday sounds transformed into eerie soundscapes, for instance the sounds of boiling water“, drummer Rasmus G. Sejersen comments. „We wanted the soundscapes to be a persistent and dynamic underlay of sounds that influence the music's core and soul throughout the entire album, together with all the riffs, rhythms and vocals\u003c\/em\u003e“.\u003c\/p\u003e\r\n\u003cp\u003eIt doesn't come as a suprise that this band triggers the interest of movie soundtrack composers like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\r\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure. I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. \u003cstrong\u003eLLNN\u003c\/strong\u003e's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eNot much else to say, except this: \u003cstrong\u003eLLNN\u003c\/strong\u003e will be unleashing their custom take on contemporary post metal supporting Vancouver's BISON on their April European headline tour, including performances at ROADBURN, DESERT FEST (London) and PELAGIC FEST.\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black","offer_id":43863287333142,"sku":"264828","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/dd80205c79c8b09eea07ff9ea5894420.jpg?v=1670555103"},{"product_id":"llnn-deads-cd","title":"LLNN \"Deads\" CD","description":"\u003cp\u003eCopenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e burst onto the international scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „\u003cem\u003eabsolute raging rawness\u003c\/em\u003e“, as Terrorizer put it. But there is more to \u003cstrong\u003eLLNN\u003c\/strong\u003e's sound than that: „\u003cem\u003ethe wavering drone synths that are effortlessly merged with a raw hardcore-driven darkness define the subtle idiosycratic nuances of \u003cstrong\u003eLLNN\u003c\/strong\u003e's very unsubtle, painfully overwhelming sound.\u003c\/em\u003e“ (The Sludgelord).\u003c\/p\u003e\r\n\u003cp\u003eAfter a split EP with LA's WOVOKA in the summer of 2017, \u003cstrong\u003eLLNN\u003c\/strong\u003e now return with their sophomore album, „Deads“, which evades all the pitfalls of the sophomore slump. Produced by Jacob Bredahl and mastered by Tue Madsen, „Deads“ is an erosive, abrasive, dystopian, apocalyptic monolith of monstrous dimensions.\u003c\/p\u003e\r\n\u003cp\u003eCompared to its predecessor, „Deads“ is more compact, yet more complex and organic all at the same time. The band has now perfectionized the amalgamization of the stringed instruments section (bass, guitar) with keys player Ketil Sejersen's very dominant 80's Sci- Fi movie-esque synth layers, which are inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo and Limbo.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSome of the synth sounds on the album consists of recordings from everyday sounds transformed into eerie soundscapes, for instance the sounds of boiling water“, drummer Rasmus G. Sejersen comments. „We wanted the soundscapes to be a persistent and dynamic underlay of sounds that influence the music's core and soul throughout the entire album, together with all the riffs, rhythms and vocals\u003c\/em\u003e“.\u003c\/p\u003e\r\n\u003cp\u003eIt doesn't come as a suprise that this band triggers the interest of movie soundtrack composers like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\r\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure. I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. \u003cstrong\u003eLLNN\u003c\/strong\u003e's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eNot much else to say, except this: \u003cstrong\u003eLLNN\u003c\/strong\u003e will be unleashing their custom take on contemporary post metal supporting Vancouver's BISON on their April European headline tour, including performances at ROADBURN, DESERT FEST (London) and PELAGIC FEST.\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Default Title","offer_id":43863289528598,"sku":"264830","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/9030caecbc83989285289a80fafc31fc.jpg?v=1670555242"},{"product_id":"llnn-mythic-t-shirt","title":"LLNN \"Mythic\" T-Shirt","description":"\u003cp\u003e\u003cstrong\u003ePLEASE NOTE:\u003c\/strong\u003e\u003cspan\u003e EUROPEAN SIZES - US CUSTOMERS MAY WANT TO SIZE UP\u003c\/span\u003e\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black \/ S","offer_id":43863289561366,"sku":"264831","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Black \/ M","offer_id":43863289594134,"sku":"264832","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ L","offer_id":43863289626902,"sku":"264833","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ XL","offer_id":43863289659670,"sku":"264834","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/a16fc5075e6d9d7cdb41a073569aca1f.jpg?v=1670555244"},{"product_id":"llnn-pyramid-longsleeve","title":"LLNN \"Pyramid\" Longsleeve","description":"\u003cp\u003e\u003cstrong\u003ePLEASE NOTE:\u003c\/strong\u003e\u003cspan\u003e EUROPEAN SIZES - US CUSTOMERS MAY WANT TO SIZE UP\u003c\/span\u003e\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black \/ S","offer_id":43863338746134,"sku":"412235","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ M","offer_id":43863338778902,"sku":"412236","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ L","offer_id":43863338811670,"sku":"412237","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ XL","offer_id":43863338844438,"sku":"412238","price":34.99,"currency_code":"USD","in_stock":false},{"title":"Black \/ 2XL","offer_id":43863338877206,"sku":"412239","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/9825de49f7f7af78e01e4c3923d16e01.jpg?v=1670557758"},{"product_id":"llnn-unmaker-2x12","title":"LLNN \"Unmaker\" 2x12\"","description":"\u003cp\u003eUnmaker, the 3rd album by Copenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e, is a stupefyingly unforgiving affair: abrasive and vile, at times effervescent and escharotic, and finally absolutely smothering, suffocating, terminal.\u003c\/p\u003e\r\n\u003cp\u003eLLNN burst onto the scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „absolute raging rawness“, as Terrorizer put it. But there is more to their sound than that: „the wavering drone synths that are effortlessly merged with a raw hard- core-driven darkness define the subtle idiosycratic nuances of LLNN's very unsubtle, painfully overwhelming sound“ (The Sludgelord).\u003c\/p\u003e\r\n\u003cp\u003eAfter European tours with Bison, performances at festivals like Roskilde, Roadburn and Arctangent and a split EP with WOVOKA, LLNN returned with sophomore album „Deads“ in 2018, an album that felt more compact, yet more complex and organic all at the same time. The band further explored the coalescence of the guitar \u0026amp; bass - axis with keys player Ketil G. Sejersen's synth layers – a direction that is now further pursued on Unmaker. In fact, LLNN’s contemporary heaviness is not just “dense, suffocating tracks that build and crash“ or „buried vocals coming from under thick guitars and pounding drums” (Decibel): it’s also the very dominant synths that evoke the feel and vibe of dystopian, post-apocalyptic sci-fi movies, inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo \u0026amp; Limbo.\u003c\/p\u003e\r\n\u003cp\u003e\"\u003cem\u003eAs huge fans of classic sci-fi scores and video games we’re fascinated by how cinematic sound design can evoke certain emotions and let our imagination unfold into abstract storytelling\u003c\/em\u003e“, says Sejersen.\u003c\/p\u003e\r\n\u003cp\u003eA recently released short film gives insight into the creation process and sound design on the new record, showcasing the process from the original sound recording to the final result, a production that took place at a blacksmith using various industrial machines. \"A big part of the sound design in LLNN is initially created by field recordings, and afterwards by modulating the raw audio files in post-production“, says Sejersen. A circular metal saw was recorded and modulated — and by layering these sounds over other estranged and heavily treated recordings of industrial tools, LLNN create their sometimes eery, sometimes harsh but always thematically coherent synth-soundscapes.\u003c\/p\u003e\r\n\u003cp\u003eThese sounds – essentially manipulations of the real world – orchestrate and exemplify the album's central theme: Unmaker is a tale about how technology, in combination with certain power structures, is transforming humanity, essentially affecting human values, and becoming an end in itself. A tale about how progress becomes regress, depending on the angle of the observer and the standards of appraisal.\u003c\/p\u003e\r\n\u003cp\u003eIt doesn't come as a suprise that ever since their inception, LLNN have triggered the interest of movie soundtrack composers-- like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\r\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure“, says Albrechtsen. „I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. LLNN 's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eUnmaker will be released in 5 different vinyl colour variants. \u003cstrong\u003eAll coloured variants come with a 2nd LP featuring only the synth sounds, titled Sonic Fragments from Unmaker.\u003c\/strong\u003e These fragments on their own, exposed and without the rest of the band, constitute an unrhythmical parallel universe to the album, and allow an interesting peak into the band's dark cosmos.\u003c\/p\u003e","brand":"LLNN","offers":[{"title":"Black","offer_id":44089083756822,"sku":"468984","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Interloper Edition","offer_id":43863389995286,"sku":"468985","price":36.0,"currency_code":"USD","in_stock":false},{"title":"Unmade Edition","offer_id":44089083789590,"sku":"468986","price":36.0,"currency_code":"USD","in_stock":false},{"title":"Single Colour Edition","offer_id":43863390028054,"sku":"468987","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/b103fb3213036d5928b9595095281604.jpg?v=1670560511"},{"product_id":"llnn-unmaker-cd","title":"LLNN \"Unmaker\" CD","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDue to this item being an import, the ship date has been set to allow for potential delays. We expect the item to ship sooner and we will adjust the ship date once we have final confirmation. \u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003eUnmaker, the 3rd album by Copenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e, is a stupefyingly unforgiving affair: abrasive and vile, at times effervescent and escharotic, and finally absolutely smothering, suffocating, terminal.\u003c\/p\u003e\n\u003cp\u003eLLNN burst onto the scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „absolute raging rawness“, as Terrorizer put it. But there is more to their sound than that: „the wavering drone synths that are effortlessly merged with a raw hard- core-driven darkness define the subtle idiosycratic nuances of LLNN's very unsubtle, painfully overwhelming sound“ (The Sludgelord).\u003c\/p\u003e\n\u003cp\u003eAfter European tours with Bison, performances at festivals like Roskilde, Roadburn and Arctangent and a split EP with WOVOKA, LLNN returned with sophomore album „Deads“ in 2018, an album that felt more compact, yet more complex and organic all at the same time. The band further explored the coalescence of the guitar \u0026amp; bass - axis with keys player Ketil G. Sejersen's synth layers – a direction that is now further pursued on Unmaker. In fact, LLNN’s contemporary heaviness is not just “dense, suffocating tracks that build and crash“ or „buried vocals coming from under thick guitars and pounding drums” (Decibel): it’s also the very dominant synths that evoke the feel and vibe of dystopian, post-apocalyptic sci-fi movies, inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo \u0026amp; Limbo.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAs huge fans of classic sci-fi scores and video games we’re fascinated by how cinematic sound design can evoke certain emotions and let our imagination unfold into abstract storytelling\u003c\/em\u003e“, says Sejersen.\u003c\/p\u003e\n\u003cp\u003eA recently released short film gives insight into the creation process and sound design on the new record, showcasing the process from the original sound recording to the final result, a production that took place at a blacksmith using various industrial machines. \"A big part of the sound design in LLNN is initially created by field recordings, and afterwards by modulating the raw audio files in post-production“, says Sejersen. A circular metal saw was recorded and modulated — and by layering these sounds over other estranged and heavily treated recordings of industrial tools, LLNN create their sometimes eery, sometimes harsh but always thematically coherent synth-soundscapes.\u003c\/p\u003e\n\u003cp\u003eThese sounds – essentially manipulations of the real world – orchestrate and exemplify the album's central theme: Unmaker is a tale about how technology, in combination with certain power structures, is transforming humanity, essentially affecting human values, and becoming an end in itself. A tale about how progress becomes regress, depending on the angle of the observer and the standards of appraisal.\u003c\/p\u003e\n\u003cp\u003eIt doesn't come as a suprise that ever since their inception, LLNN have triggered the interest of movie soundtrack composers-- like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure“, says Albrechtsen. „I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. LLNN 's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. 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We expect the item to ship sooner and we will adjust the ship date once we have final confirmation.\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: Final products might slightly differ from mockups!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDigital download included.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\/\/\u003c\/p\u003e\n\u003cp\u003eUnmaker, the 3rd album by Copenhagen's \u003cstrong\u003eLLNN\u003c\/strong\u003e, is a stupefyingly unforgiving affair: abrasive and vile, at times effervescent and escharotic, and finally absolutely smothering, suffocating, terminal.\u003c\/p\u003e\n\u003cp\u003eLLNN burst onto the scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „absolute raging rawness“, as Terrorizer put it. But there is more to their sound than that: „the wavering drone synths that are effortlessly merged with a raw hard- core-driven darkness define the subtle idiosycratic nuances of LLNN's very unsubtle, painfully overwhelming sound“ (The Sludgelord).\u003c\/p\u003e\n\u003cp\u003eAfter European tours with Bison, performances at festivals like Roskilde, Roadburn and Arctangent and a split EP with WOVOKA, LLNN returned with sophomore album „Deads“ in 2018, an album that felt more compact, yet more complex and organic all at the same time. The band further explored the coalescence of the guitar \u0026amp; bass - axis with keys player Ketil G. Sejersen's synth layers – a direction that is now further pursued on Unmaker. In fact, LLNN’s contemporary heaviness is not just “dense, suffocating tracks that build and crash“ or „buried vocals coming from under thick guitars and pounding drums” (Decibel): it’s also the very dominant synths that evoke the feel and vibe of dystopian, post-apocalyptic sci-fi movies, inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi \/ horror games like Silent Hill, Dead Space, Halo \u0026amp; Limbo.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAs huge fans of classic sci-fi scores and video games we’re fascinated by how cinematic sound design can evoke certain emotions and let our imagination unfold into abstract storytelling\u003c\/em\u003e“, says Sejersen.\u003c\/p\u003e\n\u003cp\u003eA recently released short film gives insight into the creation process and sound design on the new record, showcasing the process from the original sound recording to the final result, a production that took place at a blacksmith using various industrial machines. \"A big part of the sound design in LLNN is initially created by field recordings, and afterwards by modulating the raw audio files in post-production“, says Sejersen. A circular metal saw was recorded and modulated — and by layering these sounds over other estranged and heavily treated recordings of industrial tools, LLNN create their sometimes eery, sometimes harsh but always thematically coherent synth-soundscapes.\u003c\/p\u003e\n\u003cp\u003eThese sounds – essentially manipulations of the real world – orchestrate and exemplify the album's central theme: Unmaker is a tale about how technology, in combination with certain power structures, is transforming humanity, essentially affecting human values, and becoming an end in itself. A tale about how progress becomes regress, depending on the angle of the observer and the standards of appraisal.\u003c\/p\u003e\n\u003cp\u003eIt doesn't come as a suprise that ever since their inception, LLNN have triggered the interest of movie soundtrack composers-- like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”:\u003c\/p\u003e\n\u003cp\u003e”\u003cem\u003eAs a sound designer for movies, I love when music feels like a sonic adventure“, says Albrechtsen. „I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. LLNN 's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. 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