{"title":"Oh Hiroshima","description":null,"products":[{"product_id":"oh-hiroshima-all-things-shining-12","title":"Oh Hiroshima \"All Things Shining\" 12\"","description":"\u003cp\u003e\u003cstrong\u003eSweden’s stalwart, slow burning post-rock outfit OH HIROSHIMA return to champion wonder and awe in an age of faded youth and jaded disenchantment. ‘All Things Shining’, the band’s fifth studio album, sees the project pared down to a brotherly core as they expand ever further into new sonic territories.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFounded over 15 years ago as a DIY post-rock recording project in Kristinehamn, Oh Hiroshima has steadily outgrown its Swedish hometown to become a highly regarded studio and live project within the international post-rock scene. With four diverse full-length albums to their name encompassing elements of shoegaze, electronica, post-punk and danceable indie-rock, Oh Hiroshima’s forthcoming fifth release, ‘All Things Shining’, represents a significant evolution in the band’s songwriting and soundcrafting.\u003c\/p\u003e\r\n\u003cp\u003eStarted by Leif Eliasson and quickly joined by Jakob Hemström, who brought his brother Oskar Nilsson in on drums for the band’s 2011 debut album ‘\u003cstrong\u003eResistance is Futile\u003c\/strong\u003e’, the band eventually swelled to a four piece for 2015’s breakthrough record ‘\u003cstrong\u003eIn Silence We Yearn\u003c\/strong\u003e’, which earnt Oh Hiroshima a significant and loyal fanbase through YouTube and led to the physical re-release of both albums through Napalm Records.\u003c\/p\u003e\r\n\u003cp\u003eThroughout the process of writing, recording and touring their subsequent albums, 2019’s ‘\u003cstrong\u003eOscillation\u003c\/strong\u003e’ and 2022’s critically acclaimed ‘\u003cstrong\u003eMyriad\u003c\/strong\u003e’, the band gradually boiled down to brothers Jakob and Oskar as they continued to develop their songwriting and production skills.\u003c\/p\u003e\r\n\u003cp\u003eWith ‘Myriad’ a brooding kaleidoscope of thunderous drums, reverberating guitar feedback and ethereal synth sounds courtesy of \u003cstrong\u003eKristian Karlsson\u003c\/strong\u003e (Cult of Luna, pg.lost, Soars), ‘All Things Shining’ is Oh Hiroshima refining this complex sound further still. Already renowned for their command of panoramic, compositional atmospherics, this new collection of songs consciously leaves space for singer and guitarist Jakob’s lyrics and vocal delivery and brings a striking yet delicate tenderness to Oh Hiroshima’s formidable sonic palette.\u003c\/p\u003e\r\n\u003cp\u003eWorking again with Karlsson as keyboard player and co-producer, as well as fellow Cult of Luna member \u003cstrong\u003eMagnus Linberg\u003c\/strong\u003e who mixed and mastered ‘Myriad’ too,\u003cspan\u003e  \u003c\/span\u003ethe brothers embraced the challenge of their lineup change as a way to push themselves into uncharted creative space, to make the best of their tight knit bond. As such, ‘All Things Shining’ wrestles with questions surrounding purpose, meaning and a generational ambivalence spreading across Western society.\u003c\/p\u003e\r\n\u003cp\u003eWasting no time, opening track and lead single ‘\u003cstrong\u003eWild Iris\u003c\/strong\u003e’ gets straight to the point as the band’s most urgent and insistent work to date. A driving, half-time groove introduces Jakob’s seemingly innocuous opening line of “\u003cem\u003eMy friends are ordinary\u003c\/em\u003e” before it’s turned into a cautionary tale against mediocrity by the resounding refrain of “\u003cem\u003eIt’s been way too long since lightning struck right through you\u003c\/em\u003e” that brings with it a reinvigorated wave of Oh Hiroshima’s thunderous post-rock prowess.\u003c\/p\u003e\r\n\u003cp\u003eElsewhere, the more traditional song structure and taut, krautrock sound of ‘\u003cstrong\u003eSecret Youth\u003c\/strong\u003e’ belies a power battle at the song’s heart between the naive radicalism of youth and the distanced, calculated reasoning of adulthood, whilst ‘\u003cstrong\u003eDeluge\u003c\/strong\u003e’ explores this dichotomy by juxtaposing orchestral influence with strict minimalism and electronic abrasion with acoustic warmth, as lyrics inspired by Nobel prize-winning author Pär Lagerkvist question the fine line between right and wrong, good and evil.\u003c\/p\u003e\r\n\u003cp\u003eA musical reflection on the trajectory of their lives to date, on how our wonder at the world seems so much harder to attain these days, ‘All Things Shining’ is another significant milestone in Oh Hiroshima’s journey. Simultaneously personal and universal, the album serves as a sonic exploration of the duplicitous nature of ageing; the double edged sword of amassing life-affirming experiences that inevitably dim our perception of the world around us. However, as the title suggests, Oh Hiroshima are adamant that all is not lost; with songs inspired by timeless works of literature pivotal for Jakob and Oskar throughout their lives, ‘All Things Shining’ is a reminder that, against all odds, the world will always find a way to reclaim its spark and mystique.\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Memorabilia Edition","offer_id":51709288251670,"sku":"593662","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/a48e911313480213743308ab6f6c9346.jpg?v=1786645483"},{"product_id":"oh-hiroshima-all-things-shining-cd","title":"Oh Hiroshima \"All Things Shining\" CD","description":"\u003cp\u003e\u003cstrong\u003eSweden’s stalwart, slow burning post-rock outfit OH HIROSHIMA return to champion wonder and awe in an age of faded youth and jaded disenchantment. ‘All Things Shining’, the band’s fifth studio album, sees the project pared down to a brotherly core as they expand ever further into new sonic territories.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFounded over 15 years ago as a DIY post-rock recording project in Kristinehamn, Oh Hiroshima has steadily outgrown its Swedish hometown to become a highly regarded studio and live project within the international post-rock scene. With four diverse full-length albums to their name encompassing elements of shoegaze, electronica, post-punk and danceable indie-rock, Oh Hiroshima’s forthcoming fifth release, ‘All Things Shining’, represents a significant evolution in the band’s songwriting and soundcrafting.\u003c\/p\u003e\r\n\u003cp\u003eStarted by Leif Eliasson and quickly joined by Jakob Hemström, who brought his brother Oskar Nilsson in on drums for the band’s 2011 debut album ‘\u003cstrong\u003eResistance is Futile\u003c\/strong\u003e’, the band eventually swelled to a four piece for 2015’s breakthrough record ‘\u003cstrong\u003eIn Silence We Yearn\u003c\/strong\u003e’, which earnt Oh Hiroshima a significant and loyal fanbase through YouTube and led to the physical re-release of both albums through Napalm Records.\u003c\/p\u003e\r\n\u003cp\u003eThroughout the process of writing, recording and touring their subsequent albums, 2019’s ‘\u003cstrong\u003eOscillation\u003c\/strong\u003e’ and 2022’s critically acclaimed ‘\u003cstrong\u003eMyriad\u003c\/strong\u003e’, the band gradually boiled down to brothers Jakob and Oskar as they continued to develop their songwriting and production skills.\u003c\/p\u003e\r\n\u003cp\u003eWith ‘Myriad’ a brooding kaleidoscope of thunderous drums, reverberating guitar feedback and ethereal synth sounds courtesy of \u003cstrong\u003eKristian Karlsson\u003c\/strong\u003e (Cult of Luna, pg.lost, Soars), ‘All Things Shining’ is Oh Hiroshima refining this complex sound further still. Already renowned for their command of panoramic, compositional atmospherics, this new collection of songs consciously leaves space for singer and guitarist Jakob’s lyrics and vocal delivery and brings a striking yet delicate tenderness to Oh Hiroshima’s formidable sonic palette.\u003c\/p\u003e\r\n\u003cp\u003eWorking again with Karlsson as keyboard player and co-producer, as well as fellow Cult of Luna member \u003cstrong\u003eMagnus Linberg\u003c\/strong\u003e who mixed and mastered ‘Myriad’ too,\u003cspan\u003e  \u003c\/span\u003ethe brothers embraced the challenge of their lineup change as a way to push themselves into uncharted creative space, to make the best of their tight knit bond. As such, ‘All Things Shining’ wrestles with questions surrounding purpose, meaning and a generational ambivalence spreading across Western society.\u003c\/p\u003e\r\n\u003cp\u003eWasting no time, opening track and lead single ‘\u003cstrong\u003eWild Iris\u003c\/strong\u003e’ gets straight to the point as the band’s most urgent and insistent work to date. A driving, half-time groove introduces Jakob’s seemingly innocuous opening line of “\u003cem\u003eMy friends are ordinary\u003c\/em\u003e” before it’s turned into a cautionary tale against mediocrity by the resounding refrain of “\u003cem\u003eIt’s been way too long since lightning struck right through you\u003c\/em\u003e” that brings with it a reinvigorated wave of Oh Hiroshima’s thunderous post-rock prowess.\u003c\/p\u003e\r\n\u003cp\u003eElsewhere, the more traditional song structure and taut, krautrock sound of ‘\u003cstrong\u003eSecret Youth\u003c\/strong\u003e’ belies a power battle at the song’s heart between the naive radicalism of youth and the distanced, calculated reasoning of adulthood, whilst ‘\u003cstrong\u003eDeluge\u003c\/strong\u003e’ explores this dichotomy by juxtaposing orchestral influence with strict minimalism and electronic abrasion with acoustic warmth, as lyrics inspired by Nobel prize-winning author Pär Lagerkvist question the fine line between right and wrong, good and evil.\u003c\/p\u003e\r\n\u003cp\u003eA musical reflection on the trajectory of their lives to date, on how our wonder at the world seems so much harder to attain these days, ‘All Things Shining’ is another significant milestone in Oh Hiroshima’s journey. Simultaneously personal and universal, the album serves as a sonic exploration of the duplicitous nature of ageing; the double edged sword of amassing life-affirming experiences that inevitably dim our perception of the world around us. However, as the title suggests, Oh Hiroshima are adamant that all is not lost; with songs inspired by timeless works of literature pivotal for Jakob and Oskar throughout their lives, ‘All Things Shining’ is a reminder that, against all odds, the world will always find a way to reclaim its spark and mystique.\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Default Title","offer_id":51709291528470,"sku":"593704","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/61eec42e83c3255878b8960bca26dae3.jpg?v=1786645568"},{"product_id":"oh-hiroshima-and-the-dead-tree-gives-no-shelter-cd","title":"Oh Hiroshima \"And the Dead Tree Gives No Shelter\" CD","description":"\u003cp\u003eEmerging from the fertile Scandinavian post-rock landscape, Oh Hiroshima have built a reputation for transforming introspection into vast, cinematic sound. The Swedish band has spent the better part of the last decade refining a musical language that balances fragility with overwhelming emotional force. Their music exists in the space where atmosphere, melody, and gradual intensity converge, where hushed textures evolve patiently into towering waves of sound. With each release, the group has deepened their identity as one of the genre’s most evocative and emotionally resonant voices.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eAnd the Dead Tree Gives No Shelter’ continues Oh Hiroshima’s pursuit to refine the balance between vulnerability and power. At the core of Oh Hiroshima’s sound lies a delicate interplay between restraint and release. Their compositions carefully cultivate tension, letting each layer unfold organically: chiming guitars, distant reverberations, and minimal rhythmic pulses that feel suspended in air, all contrast against the heavily drenched power they can unleash. Whether the passage be titanic or still, Oh Hiroshima establish a sense of openness and emotional ambiguity, allowing listeners to settle into the sonic landscape as the music works its slow ascent.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“The album title ‘And the Dead Tree Gives No Shelter’ is taken from T. S. Eliot’s epic poem The Waste Land. For this album, the dead tree works as a metaphor for ways of living that drain the world of meaning and offer no real way of navigating the hardships of life. We are living in a time when it has become harder and harder to imagine a bright future. This leaves many of us with a deep sense of hopelessness that easily breeds cynicism and apathy. In that state it becomes easy to shut the world out and give up any attempts at meaningful interaction with the world around us. A destructive cycle follows, as this leaves us with no way of sheltering ourselves from our initial despair at the state of things. But these songs also aim to paint something meaningful and hopeful. A form of idealization not rooted in naivety but in realism, because we need ideals to gather enough strength to leave the shelterless dead trees of our lives behind.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eClean, shimmering guitar tones ripple outward through dense reverbs and subtle delays, whilst individual lines often interlock in gentle counterpoint. As these layers accumulate, they gradually intensify, building toward moments where distortion and volume transform the once-fragile atmosphere into something immense and cathartic. Rhythmically, Oh Hiroshima tend toward subtle propulsio. Drums establish an ever shifting pulse through restrained patterns that emphasize flow over impact. Cymbal washes and steady tom rhythms reinforce the gradual swell of the guitars, guiding the listener through the unfolding arrangement. When the music reaches its emotional peaks, the percussion grows more assertive, yet carefully integrated within the larger atmosphere.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“I wanted to challenge myself as a songwriter for this one in a couple of different ways. We included a lot of different instruments when arranging the songs, many of which we have not used before. We wanted to continue in the same vein as our previous two records, both of which kind of push against our post-rock roots to bring more diverse elements into the songs. A concrete influence for this album came from different kinds of progressive rock and similar genres. We wanted to be a bit bolder with mixing different kinds of song parts and musical elements and make them work together. To our ears it turned out engaging and straightforward, but still very atmospheric.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eBass plays an equally crucial role in anchoring the band’s expansive sonic palette. Frequently understated, but deeply resonant, it provides warmth, groove and grounding beneath the shimmering guitar layers. In quieter passages, the bass often carries the emotional weight of the composition, tracing slow, melancholic lines that subtly shape the harmonic direction of the piece. Vocals are used impressionistically. They drift through the mix like another instrument; soft, distant, and reflective. This approach reinforces the band’s atmospheric aesthetic, emphasizing mood and emotional resonance over narrative clarity. The voice becomes a texture among textures, adding a human presence without disrupting the immersive quality of the music.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“We tracked the foundation of the record (drums, bass and electric guitars) at Studio Gröndahl with Karl Daniel Lidén (Swarm of the Sun), who has worked with many really good bands before… he took great care in the drum setup and recording, and we’re especially happy with how that turned out. The rest of the album was recorded in Örebro by me and my brother, with a little help from some friends of the band. Production-wise this is our most ambitious record by far because of the number of instruments and musicians that contributed. Ten additional musicians were involved this time around. Magnus Lindberg mixed and mastered the album. It’s the third time in a row. He’s great to work with, has a great résumé, and always delivers quality work.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eOh Hiroshima consistently demonstrate a growing confidence in exploring the edges of their sound. Backed by special guests, a whole array of instrumentation and a growing pallet for wider experimentation, ‘And the Dead Tree Gives No Shelter’ evokes Oh Hiroshima’s unique emotional landscape, each composition a relentlessly captivating journey that inspires reflection and release. Every motif, choice and touch contribute to the shifting terrains that gradually unfold into luminous intensity. By blending harmonics, immersive production, and a deeply intuitive sense of pacing, Oh Hiroshima has crafted an album that is weaved with intimaty and expansively felt.\u003cbr\u003e“This is a record we really want to play live. On previous tours we’ve been to a lot of places for the first time, which made us want to include a broad mix of songs from all our records. With this one we really want to bring a lot of these songs with us when touring after the album release.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eFOR FANS OF\u003cbr\u003eAlcest * Mogwai * God Is an Astronaut\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Default Title","offer_id":51714508685590,"sku":"742688","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/0b572f3a35777abf1deb23237ebff6b4.png?v=1786716692"},{"product_id":"oh-hiroshima-and-the-dead-tree-gives-no-shelter-broken-sunlight-edition-12","title":"Oh Hiroshima \"And the Dead Tree Gives No Shelter\" Broken Sunlight Edition 12\"","description":"\u003cp\u003eEmerging from the fertile Scandinavian post-rock landscape, Oh Hiroshima have built a reputation for transforming introspection into vast, cinematic sound. The Swedish band has spent the better part of the last decade refining a musical language that balances fragility with overwhelming emotional force. Their music exists in the space where atmosphere, melody, and gradual intensity converge, where hushed textures evolve patiently into towering waves of sound. With each release, the group has deepened their identity as one of the genre’s most evocative and emotionally resonant voices.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eAnd the Dead Tree Gives No Shelter’ continues Oh Hiroshima’s pursuit to refine the balance between vulnerability and power. At the core of Oh Hiroshima’s sound lies a delicate interplay between restraint and release. Their compositions carefully cultivate tension, letting each layer unfold organically: chiming guitars, distant reverberations, and minimal rhythmic pulses that feel suspended in air, all contrast against the heavily drenched power they can unleash. Whether the passage be titanic or still, Oh Hiroshima establish a sense of openness and emotional ambiguity, allowing listeners to settle into the sonic landscape as the music works its slow ascent.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“The album title ‘And the Dead Tree Gives No Shelter’ is taken from T. S. Eliot’s epic poem The Waste Land. For this album, the dead tree works as a metaphor for ways of living that drain the world of meaning and offer no real way of navigating the hardships of life. We are living in a time when it has become harder and harder to imagine a bright future. This leaves many of us with a deep sense of hopelessness that easily breeds cynicism and apathy. In that state it becomes easy to shut the world out and give up any attempts at meaningful interaction with the world around us. A destructive cycle follows, as this leaves us with no way of sheltering ourselves from our initial despair at the state of things. But these songs also aim to paint something meaningful and hopeful. A form of idealization not rooted in naivety but in realism, because we need ideals to gather enough strength to leave the shelterless dead trees of our lives behind.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eClean, shimmering guitar tones ripple outward through dense reverbs and subtle delays, whilst individual lines often interlock in gentle counterpoint. As these layers accumulate, they gradually intensify, building toward moments where distortion and volume transform the once-fragile atmosphere into something immense and cathartic. Rhythmically, Oh Hiroshima tend toward subtle propulsio. Drums establish an ever shifting pulse through restrained patterns that emphasize flow over impact. Cymbal washes and steady tom rhythms reinforce the gradual swell of the guitars, guiding the listener through the unfolding arrangement. When the music reaches its emotional peaks, the percussion grows more assertive, yet carefully integrated within the larger atmosphere.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“I wanted to challenge myself as a songwriter for this one in a couple of different ways. We included a lot of different instruments when arranging the songs, many of which we have not used before. We wanted to continue in the same vein as our previous two records, both of which kind of push against our post-rock roots to bring more diverse elements into the songs. A concrete influence for this album came from different kinds of progressive rock and similar genres. We wanted to be a bit bolder with mixing different kinds of song parts and musical elements and make them work together. To our ears it turned out engaging and straightforward, but still very atmospheric.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eBass plays an equally crucial role in anchoring the band’s expansive sonic palette. Frequently understated, but deeply resonant, it provides warmth, groove and grounding beneath the shimmering guitar layers. In quieter passages, the bass often carries the emotional weight of the composition, tracing slow, melancholic lines that subtly shape the harmonic direction of the piece. Vocals are used impressionistically. They drift through the mix like another instrument; soft, distant, and reflective. This approach reinforces the band’s atmospheric aesthetic, emphasizing mood and emotional resonance over narrative clarity. The voice becomes a texture among textures, adding a human presence without disrupting the immersive quality of the music.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e“We tracked the foundation of the record (drums, bass and electric guitars) at Studio Gröndahl with Karl Daniel Lidén (Swarm of the Sun), who has worked with many really good bands before… he took great care in the drum setup and recording, and we’re especially happy with how that turned out. The rest of the album was recorded in Örebro by me and my brother, with a little help from some friends of the band. Production-wise this is our most ambitious record by far because of the number of instruments and musicians that contributed. Ten additional musicians were involved this time around. Magnus Lindberg mixed and mastered the album. It’s the third time in a row. He’s great to work with, has a great résumé, and always delivers quality work.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eOh Hiroshima consistently demonstrate a growing confidence in exploring the edges of their sound. Backed by special guests, a whole array of instrumentation and a growing pallet for wider experimentation, ‘And the Dead Tree Gives No Shelter’ evokes Oh Hiroshima’s unique emotional landscape, each composition a relentlessly captivating journey that inspires reflection and release. Every motif, choice and touch contribute to the shifting terrains that gradually unfold into luminous intensity. By blending harmonics, immersive production, and a deeply intuitive sense of pacing, Oh Hiroshima has crafted an album that is weaved with intimaty and expansively felt.\u003cbr\u003e“This is a record we really want to play live. On previous tours we’ve been to a lot of places for the first time, which made us want to include a broad mix of songs from all our records. With this one we really want to bring a lot of these songs with us when touring after the album release.” (Jakob Hemström)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eFOR FANS OF\u003cbr\u003eAlcest * Mogwai * God Is an Astronaut\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Default Title","offer_id":51714513240342,"sku":"742687","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/ea5896f6d9a7fed77d8b31109c41836e.png?v=1786716753"},{"product_id":"oh-hiroshima-and-the-dead-tree-gives-no-shelter-t-shirt","title":"Oh Hiroshima \"And the Dead Tree Gives No Shelter\" T-Shirt","description":"\u003cp\u003eOh Hiroshima \"And the Dead Tree Gives No Shelter\" one-sided black t-shirt\u003c\/p\u003e\r\n\u003cp\u003e-Officially licensed Oh Hiroshima merchandise\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE:\u003c\/strong\u003e EUROPEAN SIZES - US CUSTOMERS MAY WANT TO SIZE UP\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Black \/ S","offer_id":51714514649366,"sku":"742689","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ M","offer_id":51714514682134,"sku":"742690","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ L","offer_id":51714514714902,"sku":"742691","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ XL","offer_id":51714514747670,"sku":"742692","price":29.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ 2XL","offer_id":51714514780438,"sku":"742693","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/bb97ce98afa325f61680c99e4175d49c.png?v=1786716832"},{"product_id":"oh-hiroshima-oscillation-white-edition-2x12","title":"Oh Hiroshima \"Oscillation\" White Edition 2x12\"","description":"\u003cp\u003eIn the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, we are\u003cbr\u003ereissueing 2 catalogue albums on vinyl: Oscillation (2019) and Myriad (2022). Four years in the making, Oscillation marks a\u003cbr\u003esignificant step forward for OH HIROSHIMA. On their third studio album, the Swedish band further refines its distinctive blend of atmospheric post-rock, weaving together shimmering guitar lines, weightless vocals and understated electronic elements into seven richly textured soundscapes.\u003c\/p\u003e\r\n\u003cp\u003eBalancing intimacy with grandeur, Oscillation unfolds like a lucid dream—at once delicate, expansive and quietly captivating. OH HIROSHIMA began with Resistance Is Futile, a largely instrumental post-rock debut that already hinted at their atmospheric sensibilities,\u003cbr\u003ewith only subtle early traces of vocals. On In Silence We Yearn, the band’s identity became more defined, with vocals taking on a more central role and their sound expanding into emotionally driven, shoegaze-tinged post-rock. With Oscillation, they refined this approach into more complex, denser song structures, balancing clarity and abstraction while deepening their cinematic atmosphere. To get a sense of what the album has to offer, watch the music video for “Darkroom Aesthetics”. Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and mixed and mastered by Magnus Lindberg of Cult of Luna, Oscillation unfolds in vast, immersive soundscapes where fragile melodies drift through reverb-drenched space before building into powerful, cathartic waves of sound.\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"White","offer_id":51714940109078,"sku":"785645","price":41.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/9d602fcd4d2374778e77ed1b6dc705a3.png?v=1786717769"},{"product_id":"oh-hiroshima-myriad-dead-flamingo-edition-12","title":"Oh Hiroshima \"Myriad\" Dead Flamingo Edition 12\"","description":"\u003cp\u003eIn the wake of the release of Swedish post-rock luminaries OH HIROSHIMA's 6th studio album And The Dead Tree Gives no Shelter, we are reissueing 2 catalogue albums on vinyl: Oscillation (2019) and Myriad (2022).\u003cbr\u003eWritten during the long isolation of the pandemic, Myriad captures OH HIROSHIMA at their most focused and ambitious. The album moves between crushing despair and fleeting moments of catharsis weaving heart-wrenching melodies into towering walls of noise and explosive crescendos. The incorporation of trumpet, cello and trombone adds new dimensions to the band's sound, resulting in a record that resonates far beyond the post-rock scene and highlights the band's continued artistic evolution.\u003c\/p\u003e\r\n\u003cp\u003eFollowing the departure of bassist Simon Forsberg in early 2021, OH HIROSHIMA were reduced to a duo — a shift that challenged the band to rethink and expand their creative approach. While Myriad remains firmly rooted in post-rock, brothers Jakob Hemström and Oskar Nilsson use the album as an opportunity to push beyond the genre’s familiar boundaries, drawing from a far broader musical palette than ever before. To get a sense of what the album has to offer, watch the music video for “Humane”. Guitarist \u0026amp; vocalist Jakob Hemström comments: \"Humane might be the most direct and intense song we've created as a band. For us it marks a somewhat new direction that we wanted to explore and we're very proud of how it turned out. We felt right away that this was the first song of the new album we wanted our listeners to hear. The lyrics revolve around themes of human hubris and the video was filmed, directed and edited by our drummer, Oskar.\" Recorded by Kristian Karlsson (pg.lost, Cult of Luna) and once again mixed and mastered by Magnus\u003cbr\u003eLindberg of Cult of Luna, Myriad blends soaring melodies with immense emotional weight and dynamic intensity and stands as a compelling testament to the band's continued evolution.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFOR FANS OF\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAlcest • Mogwai • God Is an Astronaut • Karnivool • pg.lost\u003c\/p\u003e","brand":"Oh Hiroshima","offers":[{"title":"Dead Flamingo Edition","offer_id":51714943615254,"sku":"785646","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/files\/4f2800df1e2f2ef1dca12d57ce167688.png?v=1786717846"}],"url":"https:\/\/pelagic.indiemerch.com\/collections\/oh-hiroshima.oembed","provider":"Pelagic Records","version":"1.0","type":"link"}