{"title":"Pg.lost","description":null,"products":[{"product_id":"pg-lost-versus-2x12","title":"Pg.lost \"Versus\" 2x12\"","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003epg.lost \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eis a Swedish band of many directions. \u003c\/span\u003e\u003cspan\u003eTheir sound is throbbing with great melancholy, but there is also a certain element of dirty rock n’ roll in it, as in the crushingly heavy closing section of monumental opening track \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eIkaros\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e, in the distorted bass line kicking off the 2\u003c\/span\u003e\u003cspan\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e track of the album, „\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eOff The Beaten Path“\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e, or in the huge roomy drum sound in general. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe band bought their own studio just before the recordings of „Versus“, which made the recording process both easier and harder. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e„It’s easy to play around too much when you don’t have studio time that is costing money“,\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e comments Almberg. The effect-saturated vocals, which were a trademark on previous \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e releases, have disappeared on „Versus“, and given way to more keys and synths. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“Kristian was in the middle of heavy touring with Cult of Luna playing keys every day during that time, so he had a lot of synth-based ideas for songs. I guess this has helped us to take the band into a bit of a new direction sound wise“, \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003ecomments Almberg.\u003cbr\u003e The fact that guitar player Mattias Bhatt is currently living in London, while the rest of the band is based in Sweden, has been a challenge for the making of this album. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e„We have always been a band that for the most part has made music through jam sessions. Nothing good comes out of 9 sessions and in the 10\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003csup\u003e\u003cem\u003eth\u003c\/em\u003e\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e session you strike gold. Now we had to be really focused during the few times we could actually meet. For this album, more song ideas were written at home by the individual band members, and then it went back and forth through the internet. Many times it was a real struggle and it felt like this way of doing it might not be the way for us. But then slowly but surely things started to crystallize.“\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThey sure did crystallize into an outstanding album. „Versus“ is a true post-rock masterpiece, an album loaded with great melancholy, heaviness and catchy musical ideas delivered in an incredible density of sound. 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The effect-saturated vocals, which were a trademark on previous \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e releases, have disappeared on „Versus“, and given way to more keys and synths. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“Kristian was in the middle of heavy touring with Cult of Luna playing keys every day during that time, so he had a lot of synth-based ideas for songs. I guess this has helped us to take the band into a bit of a new direction sound wise“, \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003ecomments Almberg.\u003cbr\u003e The fact that guitar player Mattias Bhatt is currently living in London, while the rest of the band is based in Sweden, has been a challenge for the making of this album. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e„We have always been a band that for the most part has made music through jam sessions. 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Their sound is throbbing with great melancholy, but there is also a healthy dose of dirty, crushing rock n’ roll in it — something you will be hard-pressed to find in the ever-growing mass of typical post rock pabulum.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eWith their 3\u003c\/span\u003e\u003cspan\u003e\u003csup\u003erd\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e studio album „Key“; originall released in 2012, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e have delivered their stongest album to date, moving further into their own sonic territory. \u003c\/span\u003e\u003cspan\u003eA beefy distortion runs through „\u003c\/span\u003e\u003cspan\u003eKey\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e on a whim, but the most enriching stages of the album occur once the dredges of distortion succumb to the cleaner aspect within \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e’s instrumentation. \u003c\/span\u003e\u003cspan\u003eT\u003c\/span\u003e\u003cspan\u003ehe highs on “Key” are grander than ever before, the lows more steeped in contemplation, and the listener is kept always on the edge, knowing that just around the corner could be lurking another maelstrom of destruction: “Sheaves” is fierce but smart, and “Weaver” finishes the album with twenty minutes of extremely powerful, beautiful and sensitive music.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pg.lost","offers":[{"title":"Black","offer_id":43863267410198,"sku":"171032","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Terrain Edition","offer_id":43863267442966,"sku":"509486","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/a95d2a1170c8d7d72e9ecc782c91d6d7.jpg?v=1670554269"},{"product_id":"pg-lost-key-cd","title":"Pg.lost \"Key\" CD","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003epg.lost \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eis a Swedish ba\u003c\/span\u003e\u003cspan\u003end of many directions. Their sound is throbbing with great melancholy, but there is also a healthy dose of dirty, crushing rock n’ roll in it — something you will be hard-pressed to find in the ever-growing mass of typical post rock pabulum.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eWith their 3\u003c\/span\u003e\u003cspan\u003e\u003csup\u003erd\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e studio album „Key“; originall released in 2012, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e have delivered their stongest album to date, moving further into their own sonic territory. \u003c\/span\u003e\u003cspan\u003eA beefy distortion runs through „\u003c\/span\u003e\u003cspan\u003eKey\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e on a whim, but the most enriching stages of the album occur once the dredges of distortion succumb to the cleaner aspect within \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e’s instrumentation. \u003c\/span\u003e\u003cspan\u003eT\u003c\/span\u003e\u003cspan\u003ehe highs on “Key” are grander than ever before, the lows more steeped in contemplation, and the listener is kept always on the edge, knowing that just around the corner could be lurking another maelstrom of destruction: “Sheaves” is fierce but smart, and “Weaver” finishes the album with twenty minutes of extremely powerful, beautiful and sensitive music.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pg.lost","offers":[{"title":"Default Title","offer_id":43863267475734,"sku":"171033","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/17fbd02953025f579b6c2586093ddccf.jpg?v=1670554273"},{"product_id":"pg-lost-in-never-out-2x12","title":"Pg.lost \"In Never Out\" 2x12\"","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e is a Swedish band of many directions. Their sound is throbbing with great melancholy, but there is also a healthy dose of dirty, crushing rock n’ roll in it — something you will be hard-pressed to find in the ever-growing mass of typical post rock pabulum.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eWith their 2\u003c\/span\u003e\u003cspan\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e studio album „In Never Out; originall released in 2009, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e create a dark and vast sonic unique universe of their own. \u003c\/span\u003e\u003cspan\u003eWhat makes the band so enthralling is that they couldn’t care less about making any part of their music \u003c\/span\u003e\u003cspan\u003e\u003cem\u003epretty – \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eand yet at the same time, „In Never Out“ as a whole oozes \u003c\/span\u003e\u003cspan\u003e\u003cem\u003ebeauty.\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e From the minimalist start of opener „Prahanien“ to the dying last seconds of the album, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e craft sweeping, melancholic soundscapes that attract, surround, and finally haunt the listener hours after the album is finished. They sound more restrained, with no over-playing or useless repetitions on display. Everything is done to serve the purpose of each track individually, and the album as a whole.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pg.lost","offers":[{"title":"Black","offer_id":43863267508502,"sku":"171034","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/bd7363bb691f03184ac557d69580851d.jpg?v=1670554276"},{"product_id":"pg-lost-in-never-out-cd","title":"Pg.lost \"In Never Out\" CD","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e is a Swedish band of many directions. Their sound is throbbing with great melancholy, but there is also a healthy dose of dirty, crushing rock n’ roll in it — something you will be hard-pressed to find in the ever-growing mass of typical post rock pabulum.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eWith their 2\u003c\/span\u003e\u003cspan\u003e\u003csup\u003end\u003c\/sup\u003e\u003c\/span\u003e\u003cspan\u003e studio album „In Never Out; originall released in 2009, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e create a dark and vast sonic unique universe of their own. \u003c\/span\u003e\u003cspan\u003eWhat makes the band so enthralling is that they couldn’t care less about making any part of their music \u003c\/span\u003e\u003cspan\u003e\u003cem\u003epretty – \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eand yet at the same time, „In Never Out“ as a whole oozes \u003c\/span\u003e\u003cspan\u003e\u003cem\u003ebeauty.\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e From the minimalist start of opener „Prahanien“ to the dying last seconds of the album, \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003epg.lost\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e craft sweeping, melancholic soundscapes that attract, surround, and finally haunt the listener hours after the album is finished. They sound more restrained, with no over-playing or useless repetitions on display. 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For 4 long years, the world has been eagerly awaiting the follow-up album to 2016's critically acclaimed Versus, which in the meantime has become nothing less than a cult album in the post rock world. Despite bass player Kristian Karlsson's heavy engagement in his other band CULT OF LUNA, PG.Lost toured with Versus around the globe, in support of bands like MONO, ALCEST and CULT OF LUNA in Europe, while playing their own headline shows to crowds of 1.000+ in China. The 4 piece from Norrköping, Sweden also appeared at Robert Smith's prestigious Meltdown showcase festival in London, personally chosen by the man himself.\u003c\/p\u003e\r\n\u003cp\u003eWhile the follow-up to Versus is due for a release later this year, to sweeten the wait we are now bringing you a remastered re-release of \u003cstrong\u003epg.lost\u003c\/strong\u003e's debut album, YES I AM, for the first time ever on vinyl. And right here, we'd like to leave you with what the band has to say about this long overdue re-issue themselves.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSometimes when we have listened to those songs that we made roughly fifteen years ago we’ve thought of how we could make them sound better if we recorded them with the skills and knowledge that we have now. We made a halfhearted effort a while ago, and we learned quite quickly that it was not as easy as we thought. Something just got lost in the mix. A feeling. For better or worse that album, as it was recorded in our early twenties, is simply embedded in our DNA and stands as a testament of our evolution as a band. It was Yes I Am that attracted interest from labels and landed us our first record deal. It was those songs that took us out in the world to meet people and do all the things we love that we had only dreamed of before. We still play them live with the same immersive feeling we got when we made them. So now, with all that in mind, when we ask ourselves ”are you proud?” the answer will always be ”Yes I Am!”\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eSo, we are really happy to finally be able to offer you the re-release of ”Yes I Am”. First time on vinyl and with a new\/old design for the CD version. The cover photo is one of the actual spray- painted demos that our friend Andreas made back in the day when we were just kids.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eAs a bonus, we’re also including a download of a live recording of our show at ”Östgötateatern” in our hometown Norrköping in 2017 where we played all the songs from the album for the 10th anniversary of its release. It was a project long in the making and possibly the most elaborate and fun gig we’ve ever done. It’s not every day that you have the size and possibilities of a huge professional theatre at your disposal, and the visions and time of the people working there. Everything was mastered by long time collaborator Magnus Lindberg. 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Disoriented, hands follow the walls to find what could be the ceiling, fingers digging into the rock to find something– anything– loose to help point toward a direction out. Suddenly, a rock frees itself and after clearing away some dirt, a pin of blinding light shines through the enveloping darkness. Clearing away soil and rock with more and more vigor, hope and salvation is just a short way from here.\u003c\/p\u003e\r\n\u003cp\u003eThis is \u003cstrong\u003ePG.LOST\u003c\/strong\u003e’s Oscillate– the band’s latest LP packed to the gills with pure drama and catharsis. Their fifth overall and first effort since 2016’s much lauded Versus, Oscillate leans on an instrumental approach and while their keen understanding of tension\/release may warrant comparison to the likes of MONO, Explosions in the Sky and Godspeed You! Black Emperor, \u003cstrong\u003ePG.LOST\u003c\/strong\u003e is unafraid to move into exciting new directions. 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