{"title":"Spook The Horses","description":null,"products":[{"product_id":"spook-the-horses-people-used-to-live-here-12","title":"Spook The Horses \"People Used To Live Here\" 12\"","description":"\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, from Wellington, New Zealand, are such a band. Maybe this multi- instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 3 albums: while 2011's debut album „Brighter“ was defined by sweet post-rock crescendos, 2015's „Rainmaker“ was a much heavier affair, that would appeal to fans of Cult Of Luna or Amen Ra.\u003c\/p\u003e\r\n\u003cp\u003e„People Used To Live Here“, in quiet stark contrast to the before mentioned, sees the band turn the distortion knobs way down, to a mildly saturated crunch tone, at most. “\u003cem\u003eWriting this album gave us the ability to experiment with song ideas we felt weren’t appropriate on our previous albums\u003c\/em\u003e“, Zach Meech comments.\u003c\/p\u003e\r\n\u003cp\u003eThe band's most daring effort to date, „People Used to Live Here“ explores the natural and immediate. Written and conceived in relative isolation over several grim Southern Hemisphere winters, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are defining their own sonic trademark with this album: an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eWe deliberately isolated ourselves when writing this album to force us out of our comfort zones\u003c\/em\u003e“, comments Callum Gay. „\u003cem\u003eMost of the songs began as completely improvised pieces that we slowly fleshed and developed over time. We wanted to make sure that immediacy was captured and conveyed in a way we’d never done before. There’s much less between us and the listener this time around\u003c\/em\u003e”.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e have supported Neurosis in New Zealand this spring. The band is planning to hit European shores in the spring of 2018.\u003c\/p\u003e","brand":"Spook The Horses","offers":[{"title":"Black","offer_id":43863280189718,"sku":"254338","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Clear w\/ Gold-Brass-Haze","offer_id":43863280222486,"sku":"254339","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/232797bc16228ea17bed0b3665ded14f.jpg?v=1670554792"},{"product_id":"spook-the-horses-people-used-to-live-here-cd","title":"Spook The Horses \"People Used To Live Here\" CD","description":"\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, from Wellington, New Zealand, are such a band. Maybe this multi- instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 3 albums: while 2011's debut album „Brighter“ was defined by sweet post-rock crescendos, 2015's „Rainmaker“ was a much heavier affair, that would appeal to fans of Cult Of Luna or Amen Ra.\u003c\/p\u003e\r\n\u003cp\u003e„People Used To Live Here“, in quiet stark contrast to the before mentioned, sees the band turn the distortion knobs way down, to a mildly saturated crunch tone, at most. “\u003cem\u003eWriting this album gave us the ability to experiment with song ideas we felt weren’t appropriate on our previous albums\u003c\/em\u003e“, Zach Meech comments.\u003c\/p\u003e\r\n\u003cp\u003eThe band's most daring effort to date, „People Used to Live Here“ explores the natural and immediate. Written and conceived in relative isolation over several grim Southern Hemisphere winters, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are defining their own sonic trademark with this album: an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e“\u003cem\u003eWe deliberately isolated ourselves when writing this album to force us out of our comfort zones\u003c\/em\u003e“, comments Callum Gay. „\u003cem\u003eMost of the songs began as completely improvised pieces that we slowly fleshed and developed over time. We wanted to make sure that immediacy was captured and conveyed in a way we’d never done before. There’s much less between us and the listener this time around\u003c\/em\u003e”.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e have supported Neurosis in New Zealand this spring. The band is planning to hit European shores in the spring of 2018.\u003c\/p\u003e","brand":"Spook The Horses","offers":[{"title":"Default Title","offer_id":43863280255254,"sku":"254340","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/f43999557087fa3624c384503fa822b3.jpg?v=1670554796"},{"product_id":"spook-the-horses-empty-body-12","title":"Spook The Horses \"Empty Body\" 12\"","description":"\u003cp\u003eAfter the calm and sublime People Used To Live Here, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, hailing from Wellington, New Zealand deliver their ferocious new album, Empty Body. With distortion levels cranked up, tempoes sped up and songs condensed and stripped down to the bare, ugly essentials, Empty Body comes as a brutal wake-up call within the rampant covid-19 fatigue, and an unexpected surprise in almost every regard.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eWe've always been both a heavy and a quiet band. An entire album of our prettier, more bittersweet inclinations demands a reply of our most aggressive and confrontational. The pendulum must swing back the other way\u003c\/em\u003e“, comments multi-instrumentalist Callum Gay.\u003c\/p\u003e\r\n\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of. \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are such a band. Maybe this multi-instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 4 albums: while 2011's debut album Brighter was defined by sweet post-rock crescendos, 2015's Rainmaker was a much heavier affair. People Used To Live Here (2017) created an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSince we started work on PUtLH years ago we knew the album would need a follow-up that was radically different- almost spitefully different- if only to utterly refuse any trite suggestion that we might be \"maturing\" or mellowing out with time\u003c\/em\u003e“, Gay explains. „\u003cem\u003eWe'd written the song 'Self Destroyer' (off 'Empty Body') somehow concurrently with the early PUtLH demos and it had a sense of momentum to it that immediately engaged us. Once that energy was there it was an obvious choice for the next record, compressing our intuitive emotive peaks into raw forward motion. We all wrote collectively with the new focus in mind.\u003c\/em\u003e“\u003c\/p\u003e\r\n\u003cp\u003eSPOOK THE HORSES supported Neurosis in New Zealand in 2018 and THE OCEAN in 2019, and the band was planning to hit European shores this summer. „\u003cem\u003eThis is a rough time for touring musicians everywhere\u003c\/em\u003e“, says Callum Gay. „\u003cem\u003eAlthough our plans to finally visit our European fans and the enormous honour of being asked to play ArcTanGent Festival this year have fallen through for reasons beyond our control, we're looking forward to touring internationally as soon as it's possible. We've had a long time to hone these songs into a razor-sharp edge and we cannot wait to share them with the world.\u003c\/em\u003e“\u003c\/p\u003e","brand":"Spook The Horses","offers":[{"title":"Black","offer_id":43863351427350,"sku":"423903","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Clear Orange \/ White - A-Side \/ B-Side","offer_id":43863351460118,"sku":"423904","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0690\/8939\/4966\/products\/082c2cefd5af4ca46b637a43e38c4006.jpg?v=1670558362"},{"product_id":"spook-the-horses-empty-body-cd","title":"Spook The Horses \"Empty Body\" CD","description":"\u003cp\u003eAfter the calm and sublime People Used To Live Here, \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e, hailing from Wellington, New Zealand deliver their ferocious new album, Empty Body. With distortion levels cranked up, tempoes sped up and songs condensed and stripped down to the bare, ugly essentials, Empty Body comes as a brutal wake-up call within the rampant covid-19 fatigue, and an unexpected surprise in almost every regard.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eWe've always been both a heavy and a quiet band. An entire album of our prettier, more bittersweet inclinations demands a reply of our most aggressive and confrontational. The pendulum must swing back the other way\u003c\/em\u003e“, comments multi-instrumentalist Callum Gay.\u003c\/p\u003e\r\n\u003cp\u003eImagine: if band members can rotate between instrument positions within the band, because every band member can play every instrument, then this must imply a seldom degree of freedom and mutual musical understanding... something that most bands could only dream of. \u003cstrong\u003eSPOOK THE HORSES\u003c\/strong\u003e are such a band. Maybe this multi-instrumentalism and virtuosity also explains the vast musical territory that is explored between the band's 4 albums: while 2011's debut album Brighter was defined by sweet post-rock crescendos, 2015's Rainmaker was a much heavier affair. People Used To Live Here (2017) created an atmosphere of quiet desolation, raw and real, desperate and unsettling: the post-apocalyptic soundtrack to abandoned places, where people used to live, at one point in time, long ago.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eSince we started work on PUtLH years ago we knew the album would need a follow-up that was radically different- almost spitefully different- if only to utterly refuse any trite suggestion that we might be \"maturing\" or mellowing out with time\u003c\/em\u003e“, Gay explains. „\u003cem\u003eWe'd written the song 'Self Destroyer' (off 'Empty Body') somehow concurrently with the early PUtLH demos and it had a sense of momentum to it that immediately engaged us. 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