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While the band has been secretly working on another special project due for a 2016 release, there was some extra studio time left to record a cover song. \u003c\/span\u003e\u003cspan\u003eGuitar \u003c\/span\u003e\u003cspan\u003eplayer and main song writer Johannes Persson comments: \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI discovered Amebix pretty late but when I did it was like discovering a musical father I never knew I had. The monolith album was before it’s time and deserves much more recognition for being on the musical fore front. It’s harsh and bleak and was the soundtrack of last winter for me. 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A small crowd exposed to an assault of abrasive guitars, fierce drum fills and ferocious vocals, crashing over them like a derailed freight train… the air saturated with vented frustration, hopelessness, despair and violence… a cathartic experience for the audience as much as for the musicians. 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Each track draws inspiration and source material from the corresponding quadrant of Utopioid, but uses it to tell a different story. It's a more peaceful, primordial listen than its older brother, without vocals or percussion, drawing tension from the interplay of acoustic instruments and washed-out drones. It's great turned up loud, and even better on headphones in the dark.\u003c\/p\u003e\r\n\u003cp\u003e„Sower of Wind“ was recorded at home in bits and pieces, through late 2017 and 2018. „\u003cem\u003eIt was mixed in part on tour, taking advantage of the fertile bed of ideas that comes with long- term close quarters, and the sleeplessness of non-stop transit. 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Throughout their young 4 years of presence, they have already shared the stage with such acts as Gojira, Crowbar, The Ocean, Carcass, Obituary, Napalm Death and Voivod – Attesting their repute as the bus boy’s of King Herod, serving up whole sides of rare riffs, disposition, beauty and authority.\u003c\/p\u003e\r\n\u003cp\u003eInitially the brain child of guitarist Pierre Carroz, 2014 saw \u003cstrong\u003eHEROD\u003c\/strong\u003e’s debut release “\u003cem\u003eThey were None\u003c\/em\u003e” via Mighty Music and a subsequent European tour. Following the departure of original vocalist David, former THE OCEAN (Precambrian) vocalist Mike Pilat was recruited for follow up album “\u003cem\u003eSombre Dessein\u003c\/em\u003e”. Pilat also plays guitar and Herod are now furnished with a supplementary layer of musicality to complement both heaviness and soundscape aspects of their palette.\u003c\/p\u003e\r\n\u003cp\u003eRecorded and mixed by Swiss audiophile Julien Fehlman, mastered by Magnus Lindberg from Cult of Luna, “\u003cem\u003eSombre Dessein\u003c\/em\u003e” is an album of staggering riffs, intricate yet groovy polyrhythmic patterns and sheer heaviness. The bi-lingual vocal approach adds an unusual but intriguing aspect to the band's delivery of their craft.\u003c\/p\u003e\r\n\u003cp\u003e„\u003cem\u003eThe concept of the album is about the end of our Judaeo-Christian and thermo-industrial civilisation. 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